Courbet - Unoriginal Sins https://unoriginalsins.co.uk AVANT-GARDES Mon, 13 Mar 2023 01:38:30 +0000 en-GB hourly 1 https://wordpress.org/?v=6.8.3 https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png Courbet - Unoriginal Sins https://unoriginalsins.co.uk 32 32 ORBES. No. 4. LA PEINTURE FRANCAISE A L’EXPOSITION DE LONDRES 1932. https://unoriginalsins.co.uk/product/orbes-no-4-la-peinture-francaise-a-lexposition-de-londres-1932/?utm_source=rss&utm_medium=rss&utm_campaign=orbes-no-4-la-peinture-francaise-a-lexposition-de-londres-1932 Wed, 03 Nov 2021 14:17:19 +0000 https://unoriginalsins.co.uk/?post_type=product&p=45192 Paris: Corti, 1932

15 x 19cm. 40pp. Original wrappers. Single number of this vanguard journal as edited and published by the intrepid Jose Corti. This issue solely composed of Isarlov's text after the exhibition of 'historic' French painting mounted in London (1932). Isarlov's analysis focuses upon (notably) works by Cezanne, Courbet, Daumier, Delacroix, and Monet. This example inscribed by the author. A very good copy.

The post ORBES. No. 4. LA PEINTURE FRANCAISE A L’EXPOSITION DE LONDRES 1932. appeared first on Unoriginal Sins.]]> Paris: Corti, 1932

15 x 19cm. 40pp. Original wrappers. Single number of this vanguard journal as edited and published by the intrepid Jose Corti. This issue solely composed of Isarlov's text after the exhibition of 'historic' French painting mounted in London (1932). Isarlov's analysis focuses upon (notably) works by Cezanne, Courbet, Daumier, Delacroix, and Monet. This example inscribed by the author. A very good copy.

The post ORBES. No. 4. LA PEINTURE FRANCAISE A L’EXPOSITION DE LONDRES 1932. appeared first on Unoriginal Sins.]]>