Damian Hirst - Unoriginal Sins https://unoriginalsins.co.uk AVANT-GARDES Wed, 11 Jun 2025 23:13:07 +0000 en-GB hourly 1 https://wordpress.org/?v=6.8.3 https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png Damian Hirst - Unoriginal Sins https://unoriginalsins.co.uk 32 32 ALL YOU NEED IS LOVE. c. 2005. https://unoriginalsins.co.uk/product/all-you-need-is-love-c-2005/?utm_source=rss&utm_medium=rss&utm_campaign=all-you-need-is-love-c-2005 Thu, 12 Mar 2020 21:01:17 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14764 London: Other Criteria, n.p. (c. 2005)
15 x 10.5cm, 1pp. Front with image of the title butterfly print by Hirst. Fine.

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15 x 10.5cm, 1pp. Front with image of the title butterfly print by Hirst. Fine.

The post ALL YOU NEED IS LOVE. c. 2005. appeared first on Unoriginal Sins.]]> IN-A-GADDA-DA-VIDA. 2004. https://unoriginalsins.co.uk/product/in-a-gadda-da-vida-2004/?utm_source=rss&utm_medium=rss&utm_campaign=in-a-gadda-da-vida-2004 Fri, 15 Oct 2021 21:00:25 +0000 https://unoriginalsins.co.uk/?post_type=product&p=44118 London: Tate, 2004
21 x 14.8cm, 2pp announcement and invitation card for the press view of the joint exhibition. VG+.

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21 x 14.8cm, 2pp announcement and invitation card for the press view of the joint exhibition. VG+.

The post IN-A-GADDA-DA-VIDA. 2004. appeared first on Unoriginal Sins.]]> DAMIEN HIRST I WANT TO SPEND THE REST OF MY LIFE EVERYWHERE WITH EVERYONE ONE TO ONE ALWAYS FOREVER NOW. 1998. SUBSCRIPTION CARD. https://unoriginalsins.co.uk/product/damien-hirst-i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now-1998-subscription-card/?utm_source=rss&utm_medium=rss&utm_campaign=damien-hirst-i-want-to-spend-the-rest-of-my-life-everywhere-with-everyone-one-to-one-always-forever-now-1998-subscription-card Sat, 22 May 2021 10:02:29 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14765 London: Booth-Clibborn Editions 1998
10.5 x 15cm, 2pp. Front with image from Hirst's book of the artist, wife and baby in a vitrine. Fine.

The post DAMIEN HIRST I WANT TO SPEND THE REST OF MY LIFE EVERYWHERE WITH EVERYONE ONE TO ONE ALWAYS FOREVER NOW. 1998. SUBSCRIPTION CARD. appeared first on Unoriginal Sins.]]> London: Booth-Clibborn Editions 1998
10.5 x 15cm, 2pp. Front with image from Hirst's book of the artist, wife and baby in a vitrine. Fine.

The post DAMIEN HIRST I WANT TO SPEND THE REST OF MY LIFE EVERYWHERE WITH EVERYONE ONE TO ONE ALWAYS FOREVER NOW. 1998. SUBSCRIPTION CARD. appeared first on Unoriginal Sins.]]> I AM BECOME DEATH. 2012. https://unoriginalsins.co.uk/product/i-am-become-death-2012/?utm_source=rss&utm_medium=rss&utm_campaign=i-am-become-death-2012 Mon, 08 Feb 2021 10:37:41 +0000 https://unoriginalsins.co.uk/?post_type=product&p=3234 London: Damian Hirst/Science, 2012 (2006)

28cm, dia. bone china plate with full colour transfer on front based on the artwork "I Am Become Death, Shatterer or Worlds". Limited edition issued during the artist's major retrospective at the Tate Gallery in 2012. Fine. Note" not microwave or dishwasher safe.

The post I AM BECOME DEATH. 2012. appeared first on Unoriginal Sins.]]> London: Damian Hirst/Science, 2012 (2006)

28cm, dia. bone china plate with full colour transfer on front based on the artwork "I Am Become Death, Shatterer or Worlds". Limited edition issued during the artist's major retrospective at the Tate Gallery in 2012. Fine. Note" not microwave or dishwasher safe.

The post I AM BECOME DEATH. 2012. appeared first on Unoriginal Sins.]]> HISTORICAL RELATIONSHIPS. 1991. HIRST’S FIRST EVER OBJECT MULTIPLE. https://unoriginalsins.co.uk/product/historical-relationships-1991-hirsts-first-ever-object-multiple/?utm_source=rss&utm_medium=rss&utm_campaign=historical-relationships-1991-hirsts-first-ever-object-multiple Fri, 13 Mar 2020 21:02:30 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14907 London: ICA, 1991
7.5 (dia) x 17.5cm card tube with printed label content of a mixed-media sculptural multiple (ping pong ball, glass and instruction leaflet as issued). Signed and numbered by the artist. First issue of this first object-multiple by the enfant terrible representative of the new (now not so young) British art scene. A much more conceptual item than perhaps later works, the inclusion of ping pong ball as element links to some of his breakthrough works of skeletons with ping pong ball eyes and airbourn balls although an objective reading of the work would hint at a conceptual metaphor for human interaction. Edition of 125 examples signed and numbered by Hirst. Fine estate - although the ping pong ball is slightly yellowed through age. Very hard to find.

The post HISTORICAL RELATIONSHIPS. 1991. HIRST’S FIRST EVER OBJECT MULTIPLE. appeared first on Unoriginal Sins.]]> London: ICA, 1991
7.5 (dia) x 17.5cm card tube with printed label content of a mixed-media sculptural multiple (ping pong ball, glass and instruction leaflet as issued). Signed and numbered by the artist. First issue of this first object-multiple by the enfant terrible representative of the new (now not so young) British art scene. A much more conceptual item than perhaps later works, the inclusion of ping pong ball as element links to some of his breakthrough works of skeletons with ping pong ball eyes and airbourn balls although an objective reading of the work would hint at a conceptual metaphor for human interaction. Edition of 125 examples signed and numbered by Hirst. Fine estate - although the ping pong ball is slightly yellowed through age. Very hard to find.

The post HISTORICAL RELATIONSHIPS. 1991. HIRST’S FIRST EVER OBJECT MULTIPLE. appeared first on Unoriginal Sins.]]> EVE OF SENSATION. 1999. VIP INVITATION. https://unoriginalsins.co.uk/product/eve-of-sensation-1999-vip-invitation/?utm_source=rss&utm_medium=rss&utm_campaign=eve-of-sensation-1999-vip-invitation Thu, 12 Mar 2020 21:49:15 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14784 NYC: Brooklyn Musuem, 1999
12 x 17,5cm, printed outer folder content of six colour postcards of works from the YBA Sensation exhibition - all in a single accordion, serrated sheet. The VIP invitation for the opening of this spectacular show from the Saatchi collection and an exhibition which was co-sponsored by David Bowie. VG.

The post EVE OF SENSATION. 1999. VIP INVITATION. appeared first on Unoriginal Sins.]]> NYC: Brooklyn Musuem, 1999
12 x 17,5cm, printed outer folder content of six colour postcards of works from the YBA Sensation exhibition - all in a single accordion, serrated sheet. The VIP invitation for the opening of this spectacular show from the Saatchi collection and an exhibition which was co-sponsored by David Bowie. VG.

The post EVE OF SENSATION. 1999. VIP INVITATION. appeared first on Unoriginal Sins.]]> THE ACQUIRED INABILITY TO ESCAPE, DIVIDED. 1993. ONE OF ONLY 50 SIGNED & NUMBERED COPIES https://unoriginalsins.co.uk/product/the-acquired-inability-to-escape-divided-1993-one-of-only-50-signed-numbered-copies/?utm_source=rss&utm_medium=rss&utm_campaign=the-acquired-inability-to-escape-divided-1993-one-of-only-50-signed-numbered-copies Thu, 12 Mar 2020 21:20:10 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14778 Koln: Jablonka Gallery,1993
Artist's multiple. 21cm x 21cm, offset litho on card with the reproduction of a Hirst vitrine - the card is divided horizontally reflecting Hirst's predilection for meiosis. Signed and numbered edition of 50. Fine.

The post THE ACQUIRED INABILITY TO ESCAPE, DIVIDED. 1993. ONE OF ONLY 50 SIGNED & NUMBERED COPIES appeared first on Unoriginal Sins.]]> Koln: Jablonka Gallery,1993
Artist's multiple. 21cm x 21cm, offset litho on card with the reproduction of a Hirst vitrine - the card is divided horizontally reflecting Hirst's predilection for meiosis. Signed and numbered edition of 50. Fine.

The post THE ACQUIRED INABILITY TO ESCAPE, DIVIDED. 1993. ONE OF ONLY 50 SIGNED & NUMBERED COPIES appeared first on Unoriginal Sins.]]> AN INSTALLATION FOR AGONGO. 1994. BLUE SILKSCREEN ON CLOTH. https://unoriginalsins.co.uk/product/an-installation-for-agongo-1994-blue-silkscreen-on-cloth/?utm_source=rss&utm_medium=rss&utm_campaign=an-installation-for-agongo-1994-blue-silkscreen-on-cloth Thu, 12 Mar 2020 21:17:30 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14777 Edinburgh: Demarco European Art Foundation, n.d. (1994)
21 x 13.5cm, black silkscreen on cloth as designed by Hirst with an appropriated US civil war image of a young black slave girl smoking a pipe and exposing her breasts. This is the very rare, sole documentation of an early Hirst installation (not really the 'opera' of the title) which consisted of a dark room into which the viewer entered unable to see much other than shadows and the faint sounds of scurrying. As the lights slowly came up a large cage was apparent: filled with pharmaceutical boxes and live rats (which for many was a deeply disturbing experience and somewhat unexpected). These small silkscreens were the hand-made promotional item for the show and Hirst produced them himself. Around 500 were produced in two variations of size and colour (blue on black and black on blue) and most were used as the promotional flyer for the event and handed out in the street. Very few can be assumed to have survived. In near fine condition. This is the blue version.

The post AN INSTALLATION FOR AGONGO. 1994. BLUE SILKSCREEN ON CLOTH. appeared first on Unoriginal Sins.]]> Edinburgh: Demarco European Art Foundation, n.d. (1994)
21 x 13.5cm, black silkscreen on cloth as designed by Hirst with an appropriated US civil war image of a young black slave girl smoking a pipe and exposing her breasts. This is the very rare, sole documentation of an early Hirst installation (not really the 'opera' of the title) which consisted of a dark room into which the viewer entered unable to see much other than shadows and the faint sounds of scurrying. As the lights slowly came up a large cage was apparent: filled with pharmaceutical boxes and live rats (which for many was a deeply disturbing experience and somewhat unexpected). These small silkscreens were the hand-made promotional item for the show and Hirst produced them himself. Around 500 were produced in two variations of size and colour (blue on black and black on blue) and most were used as the promotional flyer for the event and handed out in the street. Very few can be assumed to have survived. In near fine condition. This is the blue version.

The post AN INSTALLATION FOR AGONGO. 1994. BLUE SILKSCREEN ON CLOTH. appeared first on Unoriginal Sins.]]> AN INSTALLATION FOR AGONGO. 1994. BLACK SILKSCREEN ON CLOTH. https://unoriginalsins.co.uk/product/an-installation-for-agongo-1994-black-silkscreen-on-cloth/?utm_source=rss&utm_medium=rss&utm_campaign=an-installation-for-agongo-1994-black-silkscreen-on-cloth Thu, 12 Mar 2020 21:15:51 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14776 Edinburgh: Demarco European Art Foundation, n.d. (1994)
21 x 13.5cm, black silkscreen on cloth as designed by Hirst with an appropriated US civil war image of a young black slave girl smoking a pipe and exposing her breasts. This is the very rare, sole documentation of an early Hirst installation (not really the 'opera' of the title) which consisted of a dark room into which the viewer entered unable to see much other than shadows and the faint sounds of scurrying. As the lights slowly came up a large cage was apparent: filled with pharmaceutical boxes and live rats (which for many was a deeply disturbing experience and somewhat unexpected). These small silkscreens were the hand-made promotional item for the show and Hirst produced them himself. Around 500 were produced in two variations of size and colour (blue on black and black on blue) and most were used as the promotional flyer for the event and handed out in the street. Very few can be assumed to have survived. In near fine condition. This is the black variant of the work.

The post AN INSTALLATION FOR AGONGO. 1994. BLACK SILKSCREEN ON CLOTH. appeared first on Unoriginal Sins.]]> Edinburgh: Demarco European Art Foundation, n.d. (1994)
21 x 13.5cm, black silkscreen on cloth as designed by Hirst with an appropriated US civil war image of a young black slave girl smoking a pipe and exposing her breasts. This is the very rare, sole documentation of an early Hirst installation (not really the 'opera' of the title) which consisted of a dark room into which the viewer entered unable to see much other than shadows and the faint sounds of scurrying. As the lights slowly came up a large cage was apparent: filled with pharmaceutical boxes and live rats (which for many was a deeply disturbing experience and somewhat unexpected). These small silkscreens were the hand-made promotional item for the show and Hirst produced them himself. Around 500 were produced in two variations of size and colour (blue on black and black on blue) and most were used as the promotional flyer for the event and handed out in the street. Very few can be assumed to have survived. In near fine condition. This is the black variant of the work.

The post AN INSTALLATION FOR AGONGO. 1994. BLACK SILKSCREEN ON CLOTH. appeared first on Unoriginal Sins.]]> DAMIEN HIRST. 2004. ADHESIVE STICKERS AS ANNOUNCEMENT https://unoriginalsins.co.uk/product/damien-hirst-2004-adhesive-stickers-as-announcement-2/?utm_source=rss&utm_medium=rss&utm_campaign=damien-hirst-2004-adhesive-stickers-as-announcement-2 Thu, 12 Mar 2020 21:13:55 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14775 London: n.p., 2004
26.5 x 21.5cm, 1pp. Announcement in the form of a sheet of die-cut adhesive stickers. Fine and unused. Object multiple as announcement.

The post DAMIEN HIRST. 2004. ADHESIVE STICKERS AS ANNOUNCEMENT appeared first on Unoriginal Sins.]]> London: n.p., 2004
26.5 x 21.5cm, 1pp. Announcement in the form of a sheet of die-cut adhesive stickers. Fine and unused. Object multiple as announcement.

The post DAMIEN HIRST. 2004. ADHESIVE STICKERS AS ANNOUNCEMENT appeared first on Unoriginal Sins.]]> DAMIEN HIRST. 2004. ADHESIVE STICKERS AS ANNOUNCEMENT https://unoriginalsins.co.uk/product/damien-hirst-2004-adhesive-stickers-as-announcement/?utm_source=rss&utm_medium=rss&utm_campaign=damien-hirst-2004-adhesive-stickers-as-announcement Thu, 12 Mar 2020 21:12:49 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14774 London: n.p., 2004
26.5 x 21.5cm, 1pp. Announcement in the form of a sheet of die-cut adhesive stickers. Fine and unused. Object multiple as announcement.

The post DAMIEN HIRST. 2004. ADHESIVE STICKERS AS ANNOUNCEMENT appeared first on Unoriginal Sins.]]> London: n.p., 2004
26.5 x 21.5cm, 1pp. Announcement in the form of a sheet of die-cut adhesive stickers. Fine and unused. Object multiple as announcement.

The post DAMIEN HIRST. 2004. ADHESIVE STICKERS AS ANNOUNCEMENT appeared first on Unoriginal Sins.]]> DAMIEN HIRST AT HOUGHTON HALL. 2018. https://unoriginalsins.co.uk/product/damien-hirst-at-houghton-hall-2018/?utm_source=rss&utm_medium=rss&utm_campaign=damien-hirst-at-houghton-hall-2018 Thu, 12 Mar 2020 21:11:39 +0000 https://unoriginalsins.co.uk/?post_type=product&p=14773 London: Saachi Gallery, 2018
21 x 10cm, 8pp. Announcement for a solo show - front of full open card is a Hirst dot painting. VG.

The post DAMIEN HIRST AT HOUGHTON HALL. 2018. appeared first on Unoriginal Sins.]]> London: Saachi Gallery, 2018
21 x 10cm, 8pp. Announcement for a solo show - front of full open card is a Hirst dot painting. VG.

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