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	<title>Dorothy Ionnone - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Dorothy Ionnone - Unoriginal Sins</title>
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		<title>SOUND BOXES, TEXTS, VIDEO. 1977.</title>
		<link>https://unoriginalsins.co.uk/product/sound-boxes-texts-video-1977/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sound-boxes-texts-video-1977</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 13 Apr 2022 09:13:47 +0000</pubDate>
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					<description><![CDATA[<p>Berlin: Studiogalerie. 1977</p>
<p>10.5 x 15cm, 2pp announcement card with a textual work by Ionnone on the front: "ICH LIEBE DICH WEIL DU MUHELOS NIE IN KLISCHEES REDEST." (I love you because you easily never talk in cliches). Verso gallery details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/sound-boxes-texts-video-1977/">SOUND BOXES, TEXTS, VIDEO. 1977.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Berlin: Studiogalerie. 1977</p>
<p>10.5 x 15cm, 2pp announcement card with a textual work by Ionnone on the front: "ICH LIEBE DICH WEIL DU MUHELOS NIE IN KLISCHEES REDEST." (I love you because you easily never talk in cliches). Verso gallery details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/sound-boxes-texts-video-1977/">SOUND BOXES, TEXTS, VIDEO. 1977.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>STRATEGY GET ARTS. 1970. FIRST EDITION.</title>
		<link>https://unoriginalsins.co.uk/product/strategy-get-arts-1970-first-edition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=strategy-get-arts-1970-first-edition</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 04 Nov 2021 20:01:36 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=45257</guid>

					<description><![CDATA[<p class="p1">Edinburgh: Demarco Gallery, 1970</p>
<p class="p1">First edition. 43 x 29cm, 44 pp plus outer cover. Stapled.  The catalogue for the exhibition of Dusseldorf Artists during the 1973 Edinburgh International Festival with original contributions by Beuys, Brecht, Filliou, Knoebel, Palermo, Polke, Richter, Rinke, Roth, Ruthenbeck, Spoerri, Walther and many others in this important vanguard publication.</p>
<p class="p1">The (unwieldy) title by Thomkins was chosen because of its palindromic character.<span class="Apple-converted-space">  </span></p>
<p class="p1">Noted as an artist's book in both Polke's (nr 13) and Richter's catalogue raisonnes the truth is that neither had anything to do with the design of the publication which was entirely created locally from supplied photographs by an Edinburgh designer who worked for the printers, the Lutton Press - nonetheless this exhibition and publication is also notable for it being Beuys' first British exhibition. The cover of this publication is somewhat marked and browned with possible nascent foxing and the staples a little rusted but internally this is VG+.</p>
<p>A scarce document which was later reprinted by Demarco to try to cash in on its scarcity.</p>
The post <a href="https://unoriginalsins.co.uk/product/strategy-get-arts-1970-first-edition/">STRATEGY GET ARTS. 1970. FIRST EDITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">Edinburgh: Demarco Gallery, 1970</p>
<p class="p1">First edition. 43 x 29cm, 44 pp plus outer cover. Stapled.  The catalogue for the exhibition of Dusseldorf Artists during the 1973 Edinburgh International Festival with original contributions by Beuys, Brecht, Filliou, Knoebel, Palermo, Polke, Richter, Rinke, Roth, Ruthenbeck, Spoerri, Walther and many others in this important vanguard publication.</p>
<p class="p1">The (unwieldy) title by Thomkins was chosen because of its palindromic character.<span class="Apple-converted-space">  </span></p>
<p class="p1">Noted as an artist's book in both Polke's (nr 13) and Richter's catalogue raisonnes the truth is that neither had anything to do with the design of the publication which was entirely created locally from supplied photographs by an Edinburgh designer who worked for the printers, the Lutton Press - nonetheless this exhibition and publication is also notable for it being Beuys' first British exhibition. The cover of this publication is somewhat marked and browned with possible nascent foxing and the staples a little rusted but internally this is VG+.</p>
<p>A scarce document which was later reprinted by Demarco to try to cash in on its scarcity.</p>
The post <a href="https://unoriginalsins.co.uk/product/strategy-get-arts-1970-first-edition/">STRATEGY GET ARTS. 1970. FIRST EDITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>DOROTHY IANNONE WERKE VON 1961 &#8211; 1966. 1989.</title>
		<link>https://unoriginalsins.co.uk/product/dorothy-iannone-werke-von-1961-1966-1989/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=dorothy-iannone-werke-von-1961-1966-1989</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Mar 2020 11:09:26 +0000</pubDate>
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					<description><![CDATA[<p>Berlin: Petersen Galerie, 1989<br />
30 x 21cm, 16pp (self cover) - exhibition catalogue and artist's book entirely designed by Iannone in her facsimile hand - eleven works in full colour (mostly her early abstract paintings) and the text in English and German: "Notes for an Autobiography (part VII) How i Began to Paint". Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/dorothy-iannone-werke-von-1961-1966-1989/">DOROTHY IANNONE WERKE VON 1961 – 1966. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Berlin: Petersen Galerie, 1989<br />
30 x 21cm, 16pp (self cover) - exhibition catalogue and artist's book entirely designed by Iannone in her facsimile hand - eleven works in full colour (mostly her early abstract paintings) and the text in English and German: "Notes for an Autobiography (part VII) How i Began to Paint". Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/dorothy-iannone-werke-von-1961-1966-1989/">DOROTHY IANNONE WERKE VON 1961 – 1966. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>EINLADUNG. 1988.</title>
		<link>https://unoriginalsins.co.uk/product/einladung-1988/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=einladung-1988</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 07 Feb 2020 12:32:35 +0000</pubDate>
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					<description><![CDATA[<p>Berlin: Petersen Galerie, 1988<br />
21 x 15cm, 4pp. Announcement card for a group show which included works by Anna + Bernard Blume, Peter Fischli, Dorothy Ionnone, Gerhard Ruhm, Tomas Schmit, Timm Ulrichs, Stefan Wewerka, David Weiss, Emmett Williams and Jan Voss amongst others. One unidentified b/w full page image (a portrait of a man in a bowler hat (ref.: Godot?). Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/einladung-1988/">EINLADUNG. 1988.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Berlin: Petersen Galerie, 1988<br />
21 x 15cm, 4pp. Announcement card for a group show which included works by Anna + Bernard Blume, Peter Fischli, Dorothy Ionnone, Gerhard Ruhm, Tomas Schmit, Timm Ulrichs, Stefan Wewerka, David Weiss, Emmett Williams and Jan Voss amongst others. One unidentified b/w full page image (a portrait of a man in a bowler hat (ref.: Godot?). Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/einladung-1988/">EINLADUNG. 1988.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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