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	<title>Unoriginal Sins | </title>
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	<title>Unoriginal Sins | </title>
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		<title>STUDIO INTERNATIONAL VOLUME 176 NR 904. 1968.</title>
		<link>https://unoriginalsins.co.uk/product/studio-international-volume-176-nr-904-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=studio-international-volume-176-nr-904-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 18 Jan 2024 11:51:47 +0000</pubDate>
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					<description><![CDATA[London: Studio International, 1968

30 x 21cm, 52pp (121 - 172 + adverts) plus card covers. A single number of this long running art journal here with a special section of the surrealist and politically charged photographer and photocollage artist Heartfield (illustrated in b/w) and an article on him by Malevich, a 1922 essay on new Russian art from El Lissitsky translated into English and a review of Henry Moore at the Tate. B/w and colour images throughout. Minor wear and tear else VG+.]]></description>
										<content:encoded><![CDATA[London: Studio International, 1968

30 x 21cm, 52pp (121 - 172 + adverts) plus card covers. A single number of this long running art journal here with a special section of the surrealist and politically charged photographer and photocollage artist Heartfield (illustrated in b/w) and an article on him by Malevich, a 1922 essay on new Russian art from El Lissitsky translated into English and a review of Henry Moore at the Tate. B/w and colour images throughout. Minor wear and tear else VG+.]]></content:encoded>
					
		
		
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		<title>SOCIAL KUNST NR. 8. 1932.</title>
		<link>https://unoriginalsins.co.uk/product/social-kunst-nr-8-1932/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=social-kunst-nr-8-1932</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 30 Apr 2020 17:51:57 +0000</pubDate>
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					<description><![CDATA[Copenhagen: Mondus Forlag, 1932
The last of nine issues, 20 x 26cm. 32pp. per. Black on white reproductions of works throughout many full page (drawings, paintings, photomontage, cartoons, film posters et. al.) by contributing artists per number. Each in original glued wrappers with attached yapped pictorial dustwrapper with a design by a contributing artist. A rare complete run of this collectively edited polemically oriented vanguard Danish journal. Each issue is composed of a thematic or monographic survey of works by an individual artist or artists. 
This is nr 8. FOTO-MONTAGE. Text by Gurli Ketner &#38; Torba Gregersen. Composed of introduction followed by full-page reproductions (some in black and red) of striking photomontages by J. Heartfield, V. Klutsis, El Lissitsky, L. Moholy-Nagy, H. Richter, A. Rodchenko, A. Urban, et. al. A very good+ example in dustwrapper with a photomontage design (recto and verso), by Heartfield.
Very scarce. ]]></description>
										<content:encoded><![CDATA[Copenhagen: Mondus Forlag, 1932
The last of nine issues, 20 x 26cm. 32pp. per. Black on white reproductions of works throughout many full page (drawings, paintings, photomontage, cartoons, film posters et. al.) by contributing artists per number. Each in original glued wrappers with attached yapped pictorial dustwrapper with a design by a contributing artist. A rare complete run of this collectively edited polemically oriented vanguard Danish journal. Each issue is composed of a thematic or monographic survey of works by an individual artist or artists. 
This is nr 8. FOTO-MONTAGE. Text by Gurli Ketner &#38; Torba Gregersen. Composed of introduction followed by full-page reproductions (some in black and red) of striking photomontages by J. Heartfield, V. Klutsis, El Lissitsky, L. Moholy-Nagy, H. Richter, A. Rodchenko, A. Urban, et. al. A very good+ example in dustwrapper with a photomontage design (recto and verso), by Heartfield.
Very scarce. ]]></content:encoded>
					
		
		
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