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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
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		<title>FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 09:18:01 +0000</pubDate>
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					<description><![CDATA[Cambridge: Form, n.d. (1967)

24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.]]></description>
										<content:encoded><![CDATA[Cambridge: Form, n.d. (1967)

24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VISUELLE POESIE: IDEOGRAMME, KONSTELLATIONEN, DIALEKTGEDICHTE, PALINDROME, TYPOGRAMME, PICTOGRAMME.  1972.</title>
		<link>https://unoriginalsins.co.uk/product/visuelle-poesie-ideogramme-konstellationen-dialektgedichte-palindrome-typogramme-pictogramme-1972/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=visuelle-poesie-ideogramme-konstellationen-dialektgedichte-palindrome-typogramme-pictogramme-1972</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 14 Sep 2025 16:53:16 +0000</pubDate>
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					<description><![CDATA[Hamburg: 3. Ausstellung im Haus Deutscher Ring, 1972

30 x 21cm, 2pp. Announcement leaflet for a significant exhibition of visual poetry which was curated and edited by Eugen Gomringer with 6 reproductions in b/w of works by Eugen Gomringer, Konrad Balder, Timm Ulrichs, Andre Tomkins, Klaus Burkhardt and Reinhard Dohl.  Folded as issued. VG+.]]></description>
										<content:encoded><![CDATA[Hamburg: 3. Ausstellung im Haus Deutscher Ring, 1972

30 x 21cm, 2pp. Announcement leaflet for a significant exhibition of visual poetry which was curated and edited by Eugen Gomringer with 6 reproductions in b/w of works by Eugen Gomringer, Konrad Balder, Timm Ulrichs, Andre Tomkins, Klaus Burkhardt and Reinhard Dohl.  Folded as issued. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VISUELLE POESIE: IDEOGRAMME, KONSTELLATIONEN, DIALEKTGEDICHTE, PALINDROME, TYPOGRAMME, PICTOGRAMME.  1972. EDITED BY EUGEN GOMRINGER.</title>
		<link>https://unoriginalsins.co.uk/product/visuelle-poesie-ideogramme-konstellationen-dialektgedichte-palindrome-typogramme-pictogramme-1972-edited-by-eugen-gomringer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=visuelle-poesie-ideogramme-konstellationen-dialektgedichte-palindrome-typogramme-pictogramme-1972-edited-by-eugen-gomringer</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 14 Sep 2025 16:52:53 +0000</pubDate>
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					<description><![CDATA[Hamburg: 3. Ausstellung im Haus Deutscher Ring, 1972

21 x 21cm, 18pp plus card covers. Exhibition catalogue for a significant exhibition of visual poetry which was curated and edited by Eugen Gomringer with reproductions of works by Eugen Gomringer, Claus Bremer, Ernst Jandl, Ferdinand Kriwet, Hansjorg Mayer, Franz Mon, Diter Rot, Ditier Roth, Gerhard Ruhm, Daniel Spoerri, Andre Thomkins, Timm Ulrichs, Oswald Wiener and others. Texts by Max Bense, F.T. Marinetti and Gomringer, VG+. Scarce.]]></description>
										<content:encoded><![CDATA[Hamburg: 3. Ausstellung im Haus Deutscher Ring, 1972

21 x 21cm, 18pp plus card covers. Exhibition catalogue for a significant exhibition of visual poetry which was curated and edited by Eugen Gomringer with reproductions of works by Eugen Gomringer, Claus Bremer, Ernst Jandl, Ferdinand Kriwet, Hansjorg Mayer, Franz Mon, Diter Rot, Ditier Roth, Gerhard Ruhm, Daniel Spoerri, Andre Thomkins, Timm Ulrichs, Oswald Wiener and others. Texts by Max Bense, F.T. Marinetti and Gomringer, VG+. Scarce.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SOMETHING ELSE NEWSLETTER VOLUME 1 NR 7. 1968.</title>
		<link>https://unoriginalsins.co.uk/product/the-something-else-newsletter-volume-1-nr-7-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-something-else-newsletter-volume-1-nr-7-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 26 Feb 2024 20:42:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=58061</guid>

					<description><![CDATA[NYC: Something Else Publications, 1968
27.8 x 21.5cm, 4pp, A single number of Higgin's small theoretical journal - here with the text: "Chatter Letter" by Dick Higgins. Three b/w images of concrete poetry works exhibited at Brighton by Hansjorg Mayer, Edward and Kitty Wright and Eugen Gomringer and Claus Bremer. A very good copy. Scarce.]]></description>
										<content:encoded><![CDATA[NYC: Something Else Publications, 1968
27.8 x 21.5cm, 4pp, A single number of Higgin's small theoretical journal - here with the text: "Chatter Letter" by Dick Higgins. Three b/w images of concrete poetry works exhibited at Brighton by Hansjorg Mayer, Edward and Kitty Wright and Eugen Gomringer and Claus Bremer. A very good copy. Scarce.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>SPIRALE 4. 1954. VERY EARLY LEON GOLUB CONTRIBUTION,</title>
		<link>https://unoriginalsins.co.uk/product/spirale-4-1954-very-early-leon-golub-contribution/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=spirale-4-1954-very-early-leon-golub-contribution</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 14 Jun 2023 07:37:09 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=55275</guid>

					<description><![CDATA[Bern: Spiral Press, 1954

49.8 x 35cm, 44pp plus original orange paper wrappers. One loose 1pp insert. The fourth number of this important avante garde and design journal with texts and works in b/w by Vincenco Lorigo, Vordemberge-Gildewart, Georges Vantongerloo, Ruy Costa Duarte, Max Bill, Eugen Gomringer, Hanns Weissenborn, und Abbildungen von Kurt Blum, Mary Vieira, Verdemberge-Gildewart, Marcel Wyss, Georges Vantongerloo, Erwin Rehmann, Rolf Willimann, Karl Gerstner, Martin Krampen, André Piccoli, Max Bill, Richard Lippold, Ibram Lassaw, Laszlo Moholy-Nagy, Henry Moore, Barbara Hepworth, Reg Butler, Ben Nicholson, Hans Aeschbacher, Alexander Calder, James Rosati, Hans Hofmann, Walter Zeischegg, Enio Iommi, Hans Arp, Julio Gonzales, Maria Martins, Hans Uhlmann, Antoine Pevsner, Emile Gilloli, Werner Witschi, Robert Jacobson, Josef Pillhofer, Max Schneider, René Monney, Oedoen Koch, Peter Raacke, Leon Golub, Adolf Weisskopf, Jean Georges Gisiger, Johannes Burla, André Bloc und Bernhard Luginbühl. B/w images of mostly sculptural works throughout.

This is one of only 600 journals issued. Not only is this an important publication as part of the Swiss avant garde but has a very early work by Leon Golub. There is also an interesting full page concrete poetry work by Eugen Gomringer.

The spine of this journal has several tears along the fold and needs repair although the sheet has not separated and can be opened with care. Internally this is VG+.]]></description>
										<content:encoded><![CDATA[Bern: Spiral Press, 1954

49.8 x 35cm, 44pp plus original orange paper wrappers. One loose 1pp insert. The fourth number of this important avante garde and design journal with texts and works in b/w by Vincenco Lorigo, Vordemberge-Gildewart, Georges Vantongerloo, Ruy Costa Duarte, Max Bill, Eugen Gomringer, Hanns Weissenborn, und Abbildungen von Kurt Blum, Mary Vieira, Verdemberge-Gildewart, Marcel Wyss, Georges Vantongerloo, Erwin Rehmann, Rolf Willimann, Karl Gerstner, Martin Krampen, André Piccoli, Max Bill, Richard Lippold, Ibram Lassaw, Laszlo Moholy-Nagy, Henry Moore, Barbara Hepworth, Reg Butler, Ben Nicholson, Hans Aeschbacher, Alexander Calder, James Rosati, Hans Hofmann, Walter Zeischegg, Enio Iommi, Hans Arp, Julio Gonzales, Maria Martins, Hans Uhlmann, Antoine Pevsner, Emile Gilloli, Werner Witschi, Robert Jacobson, Josef Pillhofer, Max Schneider, René Monney, Oedoen Koch, Peter Raacke, Leon Golub, Adolf Weisskopf, Jean Georges Gisiger, Johannes Burla, André Bloc und Bernhard Luginbühl. B/w images of mostly sculptural works throughout.

This is one of only 600 journals issued. Not only is this an important publication as part of the Swiss avant garde but has a very early work by Leon Golub. There is also an interesting full page concrete poetry work by Eugen Gomringer.

The spine of this journal has several tears along the fold and needs repair although the sheet has not separated and can be opened with care. Internally this is VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>internationale manuskriptausstellung konkrete poesie. 1961.</title>
		<link>https://unoriginalsins.co.uk/product/internationale-manuskriptausstellung-konkrete-poesie-1961/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=internationale-manuskriptausstellung-konkrete-poesie-1961</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 10 Jul 2022 17:45:12 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=50552</guid>

					<description><![CDATA[Wuppertal: Kalender Verlag, 1961

60 x 42cm, 1pp  typographic broadside/poster issued during the one of the earliest concrete poetry exhibitions in 1961  organizsed by Verlag Kalender, the publishing house of Bernd Ebeling and Hansjoachim Dietrich who published several important art and Fluxus books and documents in the 1960’s.

There are visual poetry works by Franz Mon, Raoul Haussmann, Carl Friedrich Claus, Eugen Gomringer, Diter Roth, Carlo Belloli and Claus Bremer.  Some faint handling creases and minor browning, and folded twice (as issued) else VG+.

A rare and very early concrete poetry item.]]></description>
										<content:encoded><![CDATA[Wuppertal: Kalender Verlag, 1961

60 x 42cm, 1pp  typographic broadside/poster issued during the one of the earliest concrete poetry exhibitions in 1961  organizsed by Verlag Kalender, the publishing house of Bernd Ebeling and Hansjoachim Dietrich who published several important art and Fluxus books and documents in the 1960’s.

There are visual poetry works by Franz Mon, Raoul Haussmann, Carl Friedrich Claus, Eugen Gomringer, Diter Roth, Carlo Belloli and Claus Bremer.  Some faint handling creases and minor browning, and folded twice (as issued) else VG+.

A rare and very early concrete poetry item.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TEXTE OHNE KOMMA.  KONKRETE POESIE Nr 2. 1960. ONE OF 200.</title>
		<link>https://unoriginalsins.co.uk/product/texte-ohne-komma-konkrete-poesie-nr-2-1960-one-of-200/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=texte-ohne-komma-konkrete-poesie-nr-2-1960-one-of-200</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 12 Apr 2022 18:53:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8012</guid>

					<description><![CDATA[Frauenfeld: Eugen Gomringer Press, n.d. (1960)
21 x 15.3cm, 32pp plus printed typographic wrappers. A concrete poetry / text experiment displaying a series of texts (not obviously poetic) which are printed without punctuation and with the use of repeated textual motifs. One of only 200 copies published, thus rare. Fine.]]></description>
										<content:encoded><![CDATA[Frauenfeld: Eugen Gomringer Press, n.d. (1960)
21 x 15.3cm, 32pp plus printed typographic wrappers. A concrete poetry / text experiment displaying a series of texts (not obviously poetic) which are printed without punctuation and with the use of repeated textual motifs. One of only 200 copies published, thus rare. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>KONSTELLATIONEN IDEOGRAMME STUDENBUCH. 1977.</title>
		<link>https://unoriginalsins.co.uk/product/konstellationen-ideogramme-studenbuch-1977/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=konstellationen-ideogramme-studenbuch-1977</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 01 Apr 2022 15:02:01 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=48067</guid>

					<description><![CDATA[Stuttgart: Reclam, 1977

15.4 x 9.8cm, unpaginated (158pp) plus bright yellow wrappers. First edition of this collection of three books by the concrete poet - the first two being visual poetry and the final "studenbuch" being poetry with a carefully crafted structure. VG+.]]></description>
										<content:encoded><![CDATA[Stuttgart: Reclam, 1977

15.4 x 9.8cm, unpaginated (158pp) plus bright yellow wrappers. First edition of this collection of three books by the concrete poet - the first two being visual poetry and the final "studenbuch" being poetry with a carefully crafted structure. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>SILENCIO. OPENINGS PRESS CARD SERIES NR. 16. 1980s.</title>
		<link>https://unoriginalsins.co.uk/product/silencio-openings-press-card-series-nr-16-1980s/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=silencio-openings-press-card-series-nr-16-1980s</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 11 Jan 2020 09:41:49 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8054</guid>

					<description><![CDATA[Bath: Openings Press, n.d. (c. late 1980s)
14 x 18.9cm artist's card. Gomringer's best known (and possibly concrete poetry's most famous) work translated into Hebrew by Warschauer. The original "shh" is replaced by the equivalent symbol and as with the original the middle space is left empty and, thus, silent. Limitation not known. Fine.]]></description>
										<content:encoded><![CDATA[Bath: Openings Press, n.d. (c. late 1980s)
14 x 18.9cm artist's card. Gomringer's best known (and possibly concrete poetry's most famous) work translated into Hebrew by Warschauer. The original "shh" is replaced by the equivalent symbol and as with the original the middle space is left empty and, thus, silent. Limitation not known. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>KOMMANDIER(T) DIE POESIE. 2011. HAND SIGNED BY GOMRINGER</title>
		<link>https://unoriginalsins.co.uk/product/kommandiert-die-poesie-2011-hand-signed-by-gomringer/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=kommandiert-die-poesie-2011-hand-signed-by-gomringer</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 11 Jan 2020 09:34:39 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8052</guid>

					<description><![CDATA[Dozwil am Bodensee: Bruno Oetterli, n.d. (2011)
15 x 10cm, 2pp announcement and subscription card for a forthcoming biography of the visual poet. The front is a design utilising a portrait of the artist, moreover; this example is signed in pen by Gomringer on the reverse. Fine.]]></description>
										<content:encoded><![CDATA[Dozwil am Bodensee: Bruno Oetterli, n.d. (2011)
15 x 10cm, 2pp announcement and subscription card for a forthcoming biography of the visual poet. The front is a design utilising a portrait of the artist, moreover; this example is signed in pen by Gomringer on the reverse. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>KLARE GERHRT. KONKRETYE POESIE POESIA CONCRETA Nr 8 1964. ONE OF 200. SIGNED BY JANDL.</title>
		<link>https://unoriginalsins.co.uk/product/klare-gerhrt-konkretye-poesie-poesia-concreta-nr-8-one-of-200-signed-by-jandl/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=klare-gerhrt-konkretye-poesie-poesia-concreta-nr-8-one-of-200-signed-by-jandl</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 10 Jan 2020 15:12:24 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8014</guid>

					<description><![CDATA[Frauenfeld: Eugen Gomringer Press, 1964
21 x 15.3cm, 20pp plus printed typographic wrappers. Laid in 1pp biographical sheet printed black on green. A single number of this dedicated concrete publication. A number of typewriter poems are reproduced. Rare - one of only 200 copies published. Near fine. Very few copies were (presumably) signed as here on the first page in black ink.]]></description>
										<content:encoded><![CDATA[Frauenfeld: Eugen Gomringer Press, 1964
21 x 15.3cm, 20pp plus printed typographic wrappers. Laid in 1pp biographical sheet printed black on green. A single number of this dedicated concrete publication. A number of typewriter poems are reproduced. Rare - one of only 200 copies published. Near fine. Very few copies were (presumably) signed as here on the first page in black ink.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TABELLEN UND VARIATIONEN. KONKRETYE POESIE POESIA CONCRETA  Nr 5. 1964. ONE OF ONLY 200.</title>
		<link>https://unoriginalsins.co.uk/product/tabellen-und-variationen-konkretye-poesie-poesia-concreta-nr-5-1965-one-of-only-200/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tabellen-und-variationen-konkretye-poesie-poesia-concreta-nr-5-1965-one-of-only-200</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 10 Jan 2020 15:09:29 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=8013</guid>

					<description><![CDATA[Frauenfeld: Eugen Gomringer Press, 1965
21 x 15.3cm, 32pp plus printed typographic wrappers. A 1pp biographical sheet outlining Bremer's history is tipped onto the inside front cover as issued. A single number of this dedicated concrete publication. Bremer creates an work which mutates through the book with a concrete work on the left hand side of any double spread losing words on each consecutive spread to the opposite page where a new poem in traditional form is created by the transposed / transported words. Rare - one of only 200 copies published. Near fine.]]></description>
										<content:encoded><![CDATA[Frauenfeld: Eugen Gomringer Press, 1965
21 x 15.3cm, 32pp plus printed typographic wrappers. A 1pp biographical sheet outlining Bremer's history is tipped onto the inside front cover as issued. A single number of this dedicated concrete publication. Bremer creates an work which mutates through the book with a concrete work on the left hand side of any double spread losing words on each consecutive spread to the opposite page where a new poem in traditional form is created by the transposed / transported words. Rare - one of only 200 copies published. Near fine.]]></content:encoded>
					
		
		
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