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	<title>Finlay - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Finlay - Unoriginal Sins</title>
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		<title>SEA POPPY 1. (FISHING BOAT LETTERS AND NUMBERS). 1966</title>
		<link>https://unoriginalsins.co.uk/product/sea-poppy-1-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sea-poppy-1-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 27 Oct 2024 08:55:19 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=59359</guid>

					<description><![CDATA[<p>Dunsyre: Wild Hawthorn Press, 1966<br />
56 x 43cm, 2pp. red on blue on white paper - a circular design made up of fishing boat numbers typographically set by Alistair Cant on Finlay's instruction. The pattern creates both a planet or the movement in the stars as they appear to spin around the boat as night passes. Stars for boats are essential to allow passage - until modern methods of navigation they were the sailor's only orientation. The pattern creates both a schematic planet or the perceived circular movement in the stars as they appear to spin around the boat as night passes. Stars for sailors are essential to life - until modern methods of navigation they were the only orientation available to the crew and captain of a ship.<br />
This is the first of two large prints with a similar intent - Sea Poppy 2 being in 1968 - the other uses the the names of the boats.<br />
The title Sea Poppy refers to the yellow hornpoppy which only grows on sea shores - again a clear nautical reference.<br />
This design and others like it was used by Finlay in different formats including wall works, object multiples, printed posters and cards - but this printed version uses colours that are hard to see against each other - given the text is more readable in the other formats of this work it is tempting to suggest that the colour clash here was a mistake although some psychedelic designs of the late 60s did deliberately set up such colour clashes. Very slight spots in white margins else VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/sea-poppy-1-1968/">SEA POPPY 1. (FISHING BOAT LETTERS AND NUMBERS). 1966</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Dunsyre: Wild Hawthorn Press, 1966<br />
56 x 43cm, 2pp. red on blue on white paper - a circular design made up of fishing boat numbers typographically set by Alistair Cant on Finlay's instruction. The pattern creates both a planet or the movement in the stars as they appear to spin around the boat as night passes. Stars for boats are essential to allow passage - until modern methods of navigation they were the sailor's only orientation. The pattern creates both a schematic planet or the perceived circular movement in the stars as they appear to spin around the boat as night passes. Stars for sailors are essential to life - until modern methods of navigation they were the only orientation available to the crew and captain of a ship.<br />
This is the first of two large prints with a similar intent - Sea Poppy 2 being in 1968 - the other uses the the names of the boats.<br />
The title Sea Poppy refers to the yellow hornpoppy which only grows on sea shores - again a clear nautical reference.<br />
This design and others like it was used by Finlay in different formats including wall works, object multiples, printed posters and cards - but this printed version uses colours that are hard to see against each other - given the text is more readable in the other formats of this work it is tempting to suggest that the colour clash here was a mistake although some psychedelic designs of the late 60s did deliberately set up such colour clashes. Very slight spots in white margins else VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/sea-poppy-1-1968/">SEA POPPY 1. (FISHING BOAT LETTERS AND NUMBERS). 1966</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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