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	<title>Unoriginal Sins | </title>
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		<title>A MACHINE FOR APPLAUDING PAINTINGS (WITH CRITICS THUMB ATTACHMENT)</title>
		<link>https://unoriginalsins.co.uk/product/a-machine-for-applauding-paintings-with-critics-thumb-attachment/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-machine-for-applauding-paintings-with-critics-thumb-attachment</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
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					<description><![CDATA[<div>Glasgow: s.p. (the artist), 1981
43 x 58cm, four colour lithograph - displaying a fictive machine (later produced by Wyllie) for showing praise and critical approval for paintings along with extensive instructions for use in the artist's facsimile: “The Mona Lisa" has been made available for demonstration purposes only, and there can be no doubnt that this masterpiece deserves the maximum acclaim". Signed and numbered from an edition of 100. Matted and framed (62 x 80cm approx) in wood and glass. Good estate.</div>]]></description>
										<content:encoded><![CDATA[<div>Glasgow: s.p. (the artist), 1981
43 x 58cm, four colour lithograph - displaying a fictive machine (later produced by Wyllie) for showing praise and critical approval for paintings along with extensive instructions for use in the artist's facsimile: “The Mona Lisa" has been made available for demonstration purposes only, and there can be no doubnt that this masterpiece deserves the maximum acclaim". Signed and numbered from an edition of 100. Matted and framed (62 x 80cm approx) in wood and glass. Good estate.</div>]]></content:encoded>
					
		
		
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		<title>GEORGE WYLLIE SCULPTURE JUBILEE 1968 &#8211; 1991. 1991.</title>
		<link>https://unoriginalsins.co.uk/product/george-wyllie-sculpture-jubilee-1968-1991-1991-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=george-wyllie-sculpture-jubilee-1968-1991-1991-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 15 Sep 2020 11:57:38 +0000</pubDate>
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					<description><![CDATA[<div>Glasgow, Third Eye Centre, 1991
24.5 x 17.5cm, 96pp plus card covers. Exhibition catalogue covering the Scottish artist's work including the hugely popular public art projects such as the straw locomotive and paper boat. beneath the humour lies a serious intent. Edition of 1,200 copies. Fine.</div>]]></description>
										<content:encoded><![CDATA[<div>Glasgow, Third Eye Centre, 1991
24.5 x 17.5cm, 96pp plus card covers. Exhibition catalogue covering the Scottish artist's work including the hugely popular public art projects such as the straw locomotive and paper boat. beneath the humour lies a serious intent. Edition of 1,200 copies. Fine.</div>]]></content:encoded>
					
		
		
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		<title>JOSEPH BEUYS A TRIBUTE ON RANNOCH MOOR &#8211; 27 SEPTEMBER 1986</title>
		<link>https://unoriginalsins.co.uk/product/joseph-beuys-a-tribute-on-rannoch-moor-27-september-1986/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=joseph-beuys-a-tribute-on-rannoch-moor-27-september-1986</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 31 Dec 2019 11:10:56 +0000</pubDate>
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					<description><![CDATA[Glasgow: s.p. (Wylie), 1986
30 x 21cm, 4pp. B/cream paper. Documentation and handout for Wyllie's installation in Rannoch Moor of a "Beuys' Spire" as a monument to the artist who had recently died. The choice of the Moor is obvious as the place where Beuys made his first ever art work in Britain where he buried a lump of butter (usually referred to as 'fat') in the peaty loam of the moor. One lengthy reminiscing text by Demarco with two images of Beuys, one of the Wyllie spire and texts by Cordelia Oliver and George Wyllie. very scarce. Fine.]]></description>
										<content:encoded><![CDATA[Glasgow: s.p. (Wylie), 1986
30 x 21cm, 4pp. B/cream paper. Documentation and handout for Wyllie's installation in Rannoch Moor of a "Beuys' Spire" as a monument to the artist who had recently died. The choice of the Moor is obvious as the place where Beuys made his first ever art work in Britain where he buried a lump of butter (usually referred to as 'fat') in the peaty loam of the moor. One lengthy reminiscing text by Demarco with two images of Beuys, one of the Wyllie spire and texts by Cordelia Oliver and George Wyllie. very scarce. Fine.]]></content:encoded>
					
		
		
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		<title>GEORGE WYLIE BUSINESS CARD. C. 2010.</title>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 18 Nov 2019 20:32:23 +0000</pubDate>
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					<description><![CDATA[Gourick: S.p. (Wylie), n.d. c. 2010.

8.5 x 5.5cm b/w personal business card for the artist who created the Paper Boat and Straw Locomotive. VG.]]></description>
										<content:encoded><![CDATA[Gourick: S.p. (Wylie), n.d. c. 2010.

8.5 x 5.5cm b/w personal business card for the artist who created the Paper Boat and Straw Locomotive. VG.]]></content:encoded>
					
		
		
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