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	<title>GIANNI BERTINI - Unoriginal Sins</title>
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	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
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	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>GIANNI BERTINI - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
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	<item>
		<title>TABLEAU DE FAMILLE. 1964. SIGNED.</title>
		<link>https://unoriginalsins.co.uk/product/tableau-de-famille-1964-signed/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tableau-de-famille-1964-signed</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10600</guid>

					<description><![CDATA[<p>22.5 x 19.5 b/w reproduced photomontage. Vintage photograph which displays the artist and his family amidst Futurist styled machines and movement. Signed, titled and dated on the verso in pen by Bertini. Possibly unique. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/tableau-de-famille-1964-signed/">TABLEAU DE FAMILLE. 1964. SIGNED.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>22.5 x 19.5 b/w reproduced photomontage. Vintage photograph which displays the artist and his family amidst Futurist styled machines and movement. Signed, titled and dated on the verso in pen by Bertini. Possibly unique. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/tableau-de-famille-1964-signed/">TABLEAU DE FAMILLE. 1964. SIGNED.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>FESTIVAL DE FORT BOYARD. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/festival-de-fort-boyard-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=festival-de-fort-boyard-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 18 May 2025 12:46:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60945</guid>

					<description><![CDATA[<div class="" dir="auto">Fort Boyard: Festival de Fort Boyard, 1967</div>
<div class="" dir="auto">17 x 12.5cm, 30pp plus card covers and printed dust-jacket. One of 500 such catalogues for a supposed art festival which was never intended to be staged. Works by Serge Beguier, Antonio Berni, Gianni Bertini, Julian Blaine, Henri Chopin, Nickos et Wolman are reproduced throughout. Mention of John Furnival and Mimmo Rotella's involvement on some page designs. Numbered from an edition of 1,000. A somewhat hard to find catalogue.</div>
The post <a href="https://unoriginalsins.co.uk/product/festival-de-fort-boyard-1967/">FESTIVAL DE FORT BOYARD. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div class="" dir="auto">Fort Boyard: Festival de Fort Boyard, 1967</div>
<div class="" dir="auto">17 x 12.5cm, 30pp plus card covers and printed dust-jacket. One of 500 such catalogues for a supposed art festival which was never intended to be staged. Works by Serge Beguier, Antonio Berni, Gianni Bertini, Julian Blaine, Henri Chopin, Nickos et Wolman are reproduced throughout. Mention of John Furnival and Mimmo Rotella's involvement on some page designs. Numbered from an edition of 1,000. A somewhat hard to find catalogue.</div>
The post <a href="https://unoriginalsins.co.uk/product/festival-de-fort-boyard-1967/">FESTIVAL DE FORT BOYARD. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNTITLED (FESTIVAL DE FORT BOYARD). UNIQUE DRAWING IN RARE CATALOGUE. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-unique-drawing-in-rare-catalogue-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-unique-drawing-in-rare-catalogue-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 15 Dec 2024 16:15:30 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37589</guid>

					<description><![CDATA[<div>
<div class="" dir="auto">Fort Boyard: Festival de Fort Boyard, 1967</div>
<div class="" dir="auto">17 x 12.5cm, 30pp plus card covers and printed dust-jacket. One of 500 such catalogues for a supposed art festival which was never intended to be staged. Works by Serge Beguier, Antonio Berni, Gianni Bertini, Julian Blaine, Henri Chopin, Nickos et Wolman are reproduced throughout. Additionally this example has an original and unique ink drawing by Bertini based on the initials of the various participants which has been deliberately smeared by the artist  who has added a large “B” on the right of the drawing that dominates the image. In addition the work is dated “70”. A unique work in an already very scarce catalogue in VG+ condition.</div>
</div>
The post <a href="https://unoriginalsins.co.uk/product/untitled-unique-drawing-in-rare-catalogue-1967/">UNTITLED (FESTIVAL DE FORT BOYARD). UNIQUE DRAWING IN RARE CATALOGUE. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div>
<div class="" dir="auto">Fort Boyard: Festival de Fort Boyard, 1967</div>
<div class="" dir="auto">17 x 12.5cm, 30pp plus card covers and printed dust-jacket. One of 500 such catalogues for a supposed art festival which was never intended to be staged. Works by Serge Beguier, Antonio Berni, Gianni Bertini, Julian Blaine, Henri Chopin, Nickos et Wolman are reproduced throughout. Additionally this example has an original and unique ink drawing by Bertini based on the initials of the various participants which has been deliberately smeared by the artist  who has added a large “B” on the right of the drawing that dominates the image. In addition the work is dated “70”. A unique work in an already very scarce catalogue in VG+ condition.</div>
</div>
The post <a href="https://unoriginalsins.co.uk/product/untitled-unique-drawing-in-rare-catalogue-1967/">UNTITLED (FESTIVAL DE FORT BOYARD). UNIQUE DRAWING IN RARE CATALOGUE. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>IL MERCATO DELLA CRISI. LIBRI E SEGNALIBRI. 1992. BOOKMARK AS ANNOUNCEMENT.</title>
		<link>https://unoriginalsins.co.uk/product/il-mercato-della-crisi-libri-e-segnalibri-1992-bookmark-as-announcement/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=il-mercato-della-crisi-libri-e-segnalibri-1992-bookmark-as-announcement</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 28 Jan 2023 21:04:46 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=52930</guid>

					<description><![CDATA[<p>Genova: Cateria Gualco, 1992</p>
<p>22.5 x 6.4cm, 2pp. A die cut bookmark issued as the announcement card for a group show of books and bookmarks from more than  100 artists - the card lists them all in red on cream laid card. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/il-mercato-della-crisi-libri-e-segnalibri-1992-bookmark-as-announcement/">IL MERCATO DELLA CRISI. LIBRI E SEGNALIBRI. 1992. BOOKMARK AS ANNOUNCEMENT.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Genova: Cateria Gualco, 1992</p>
<p>22.5 x 6.4cm, 2pp. A die cut bookmark issued as the announcement card for a group show of books and bookmarks from more than  100 artists - the card lists them all in red on cream laid card. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/il-mercato-della-crisi-libri-e-segnalibri-1992-bookmark-as-announcement/">IL MERCATO DELLA CRISI. LIBRI E SEGNALIBRI. 1992. BOOKMARK AS ANNOUNCEMENT.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PROTESTATION POUR BERTINI. 1962.</title>
		<link>https://unoriginalsins.co.uk/product/protestation-pour-bertini-1962/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=protestation-pour-bertini-1962</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 30 Sep 2022 08:33:56 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51295</guid>

					<description><![CDATA[<p>Venice: s.p. (the artists), 1962</p>
<p>26.5 x 21cm, 1pp mimeograph leaflet protesting the forced closure by the Venice mayoralty of Bertini's exhibition Le Pays Reel at Galerie Gritti after a single day of opening. The leaflet was published on the eve of the opening of 31st Venice Biennale and was signed by a large number of artist including Alain Jouffroy, Pierre Restany, Karel Appel, Enrico Baj, Arturo Schwarz, Ferro, Jean-Paul Riopelle, Paul Jenkins, Corneille and others. This has had two ring binder holes punched on the left where there is no text to allow storage else is VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/protestation-pour-bertini-1962/">PROTESTATION POUR BERTINI. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Venice: s.p. (the artists), 1962</p>
<p>26.5 x 21cm, 1pp mimeograph leaflet protesting the forced closure by the Venice mayoralty of Bertini's exhibition Le Pays Reel at Galerie Gritti after a single day of opening. The leaflet was published on the eve of the opening of 31st Venice Biennale and was signed by a large number of artist including Alain Jouffroy, Pierre Restany, Karel Appel, Enrico Baj, Arturo Schwarz, Ferro, Jean-Paul Riopelle, Paul Jenkins, Corneille and others. This has had two ring binder holes punched on the left where there is no text to allow storage else is VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/protestation-pour-bertini-1962/">PROTESTATION POUR BERTINI. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>L&#8217;ORIGINE D&#8217;EURYDICE. 1962.</title>
		<link>https://unoriginalsins.co.uk/product/lorigine-deurydice-1962/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lorigine-deurydice-1962</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 30 Sep 2022 08:21:39 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51294</guid>

					<description><![CDATA[<p>21 x 25cm, silver gelatine b/w photographic print displaying Bertini's painting of the myth of Eurydice (who died after stepping on a viper and was returned to life by Orpheus). The image was taken by Serge Beguier whose stamp is found on the reverse of the paper along with a hand-written title, size and date for the work. Sadly the photo has been adhered to some other card in the past and there are paper remnants on the back that can be seen through the front, and also minor edge damage in one part. Priced to reflect these flaws.</p>
The post <a href="https://unoriginalsins.co.uk/product/lorigine-deurydice-1962/">L’ORIGINE D’EURYDICE. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>21 x 25cm, silver gelatine b/w photographic print displaying Bertini's painting of the myth of Eurydice (who died after stepping on a viper and was returned to life by Orpheus). The image was taken by Serge Beguier whose stamp is found on the reverse of the paper along with a hand-written title, size and date for the work. Sadly the photo has been adhered to some other card in the past and there are paper remnants on the back that can be seen through the front, and also minor edge damage in one part. Priced to reflect these flaws.</p>
The post <a href="https://unoriginalsins.co.uk/product/lorigine-deurydice-1962/">L’ORIGINE D’EURYDICE. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>BERTINI. 1965.</title>
		<link>https://unoriginalsins.co.uk/product/bertini-1965/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=bertini-1965</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 30 Sep 2022 08:13:42 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51293</guid>

					<description><![CDATA[<p>Rotterdam: Galerie Delta, 1965</p>
<p>22 x 22cm, 4pp exhibition catalogue for a solo show with two texts in Dutch and French by Hans Sonnenberg and Gerald Gassoit-Talabot respectively and a portrait in b/w of the artist on the front with one of this works behind him. There are some surface scuffs here on the back cover that minorly affects a typographic design of the artist's name and inside on an unprinted area - else VG. Priced to reflect minor damage.</p>
The post <a href="https://unoriginalsins.co.uk/product/bertini-1965/">BERTINI. 1965.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Rotterdam: Galerie Delta, 1965</p>
<p>22 x 22cm, 4pp exhibition catalogue for a solo show with two texts in Dutch and French by Hans Sonnenberg and Gerald Gassoit-Talabot respectively and a portrait in b/w of the artist on the front with one of this works behind him. There are some surface scuffs here on the back cover that minorly affects a typographic design of the artist's name and inside on an unprinted area - else VG. Priced to reflect minor damage.</p>
The post <a href="https://unoriginalsins.co.uk/product/bertini-1965/">BERTINI. 1965.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>peinture et dithyrambe. 1962.</title>
		<link>https://unoriginalsins.co.uk/product/peinture-et-dithyrambe-1962/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=peinture-et-dithyrambe-1962</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 30 Sep 2022 08:07:45 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=51292</guid>

					<description><![CDATA[<p>Paris: Mercure de France, 1962</p>
<p>20.5 x 13.2cm, 24pp plus card covers. Short monograph on the early work o Gianni Bertini who initially identified as a supporter of art nuclear but later became close to Pierre Restany and the nouveau realistes although Bertini refused to sign the latter's defining manifesto as written by his friend Restany. The text byLambert is taken from an article in Mercure de France and has six b/w plates hors text of works and portraits of the artist (including his shocking "Le Striptease poetique"). Some light marking to the white outer wrappers else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/peinture-et-dithyrambe-1962/">peinture et dithyrambe. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Mercure de France, 1962</p>
<p>20.5 x 13.2cm, 24pp plus card covers. Short monograph on the early work o Gianni Bertini who initially identified as a supporter of art nuclear but later became close to Pierre Restany and the nouveau realistes although Bertini refused to sign the latter's defining manifesto as written by his friend Restany. The text byLambert is taken from an article in Mercure de France and has six b/w plates hors text of works and portraits of the artist (including his shocking "Le Striptease poetique"). Some light marking to the white outer wrappers else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/peinture-et-dithyrambe-1962/">peinture et dithyrambe. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>OU BULLETIN DE SOUSCRIPTION POUR L&#8217;EXAMPLAIRE NO 25. 1965.</title>
		<link>https://unoriginalsins.co.uk/product/ou-bulletin-de-souscription-pour-lexamplaire-no-25-1965/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ou-bulletin-de-souscription-pour-lexamplaire-no-25-1965</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 22 May 2021 12:35:47 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40803</guid>

					<description><![CDATA[<p>Paris: OU, 1965<br />
28 x 20.5cm, 1pp b/w offset subscription form of the 25th number of OU - typographic design. Mention of works by John Giorno, Gianni Bertini, Ian Hamilton Finlay, Bernard Heidsieck and Chopin himself. Folded for mailing and one closed vertical tear at bottom else VG ephemera.</p>
The post <a href="https://unoriginalsins.co.uk/product/ou-bulletin-de-souscription-pour-lexamplaire-no-25-1965/">OU BULLETIN DE SOUSCRIPTION POUR L’EXAMPLAIRE NO 25. 1965.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: OU, 1965<br />
28 x 20.5cm, 1pp b/w offset subscription form of the 25th number of OU - typographic design. Mention of works by John Giorno, Gianni Bertini, Ian Hamilton Finlay, Bernard Heidsieck and Chopin himself. Folded for mailing and one closed vertical tear at bottom else VG ephemera.</p>
The post <a href="https://unoriginalsins.co.uk/product/ou-bulletin-de-souscription-pour-lexamplaire-no-25-1965/">OU BULLETIN DE SOUSCRIPTION POUR L’EXAMPLAIRE NO 25. 1965.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNIQUE COLLAGE ON HANKERCHIEF. 1970. SIGNED &#038; DEDICATED ON REVERSE.</title>
		<link>https://unoriginalsins.co.uk/product/unique-collage-on-hankerchief-1970-signed-dedicated-on-reverse/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unique-collage-on-hankerchief-1970-signed-dedicated-on-reverse</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 15 Dec 2020 16:17:39 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37594</guid>

					<description><![CDATA[<div class="" dir="auto">20 x 17.5cm, original cotton handkerchief which has had 16 plastic false teeth samples (used to match single false teeth against real teeth in dental clinics) arranged in a circle around an appropriated image of teeth over drawn with dashes and arrows. The collage has the text at the bottom,in pencil “I.H. Finlay to H. Chopin” and on the back is dedicated by G. Bertini to Norguet (a French collector and friend of Chopin). This work was sold by Norguet to my source in the 1990s. The work is a response to both Finlay's work and more obviously Chopin who had created works in this circular style but by their friend Bertini. This is in VG+ condition and is unique.</div>
<div dir="auto"></div>
The post <a href="https://unoriginalsins.co.uk/product/unique-collage-on-hankerchief-1970-signed-dedicated-on-reverse/">UNIQUE COLLAGE ON HANKERCHIEF. 1970. SIGNED & DEDICATED ON REVERSE.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div class="" dir="auto">20 x 17.5cm, original cotton handkerchief which has had 16 plastic false teeth samples (used to match single false teeth against real teeth in dental clinics) arranged in a circle around an appropriated image of teeth over drawn with dashes and arrows. The collage has the text at the bottom,in pencil “I.H. Finlay to H. Chopin” and on the back is dedicated by G. Bertini to Norguet (a French collector and friend of Chopin). This work was sold by Norguet to my source in the 1990s. The work is a response to both Finlay's work and more obviously Chopin who had created works in this circular style but by their friend Bertini. This is in VG+ condition and is unique.</div>
<div dir="auto"></div>
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			</item>
		<item>
		<title>2 (4) DOZZINE DI RICORDI.</title>
		<link>https://unoriginalsins.co.uk/product/2-4-dozzine-di-ricordi/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=2-4-dozzine-di-ricordi</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 26 Aug 2020 14:27:29 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=31381</guid>

					<description><![CDATA[<p>Milano: Derbylius, n.d.</p>
<p>21 x 10cm, 1pp announcement card for an exhibition of the work of Bertini with a reproduced detournment of a image of Jesus on the front. verso gallery getails. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/2-4-dozzine-di-ricordi/">2 (4) DOZZINE DI RICORDI.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Milano: Derbylius, n.d.</p>
<p>21 x 10cm, 1pp announcement card for an exhibition of the work of Bertini with a reproduced detournment of a image of Jesus on the front. verso gallery getails. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/2-4-dozzine-di-ricordi/">2 (4) DOZZINE DI RICORDI.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LE PAYS REEL. 1962. WITH ESSAY BY PIERRE RESTANY.</title>
		<link>https://unoriginalsins.co.uk/product/le-pays-reel-1962-with-essay-by-pierre-restany/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-pays-reel-1962-with-essay-by-pierre-restany</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Apr 2020 21:56:20 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16888</guid>

					<description><![CDATA[<p>Paris: Galerie j, 1962<br />
21 x 21cm, 6pp (single sheet). Exhibition catalogue for one of the artist's first Nouvelle Realiste exhibitions in Paris. Prior to that Bertini had been an early Happener as well as an abstract artist but by 1962 he had turned towards the group of French pop artists. This catalogue has a design by the artist in b/w showing works and wall texts as well as a portrait of the artist on a bike near an adapted road sign. There is an essay from 1961 by Pierre Restany on the work of Bertini. Scarce. VG condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/le-pays-reel-1962-with-essay-by-pierre-restany/">LE PAYS REEL. 1962. WITH ESSAY BY PIERRE RESTANY.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Galerie j, 1962<br />
21 x 21cm, 6pp (single sheet). Exhibition catalogue for one of the artist's first Nouvelle Realiste exhibitions in Paris. Prior to that Bertini had been an early Happener as well as an abstract artist but by 1962 he had turned towards the group of French pop artists. This catalogue has a design by the artist in b/w showing works and wall texts as well as a portrait of the artist on a bike near an adapted road sign. There is an essay from 1961 by Pierre Restany on the work of Bertini. Scarce. VG condition.</p>
The post <a href="https://unoriginalsins.co.uk/product/le-pays-reel-1962-with-essay-by-pierre-restany/">LE PAYS REEL. 1962. WITH ESSAY BY PIERRE RESTANY.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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