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	<title>Gil Wolman - Unoriginal Sins</title>
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	<title>Gil Wolman - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>LE SENS PERDU DE L&#8217;INTERRUPTION. 1987. ONE OF 300 COPIES FROM THE FIRST EDITION.</title>
		<link>https://unoriginalsins.co.uk/product/le-sens-perdu-de-linterruption-1987-one-of-300-copies-from-the-first-edition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-sens-perdu-de-linterruption-1987-one-of-300-copies-from-the-first-edition</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 15 Dec 2025 09:51:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=61804</guid>

					<description><![CDATA[<p>N.p.: Éditions inconnus, 1987</p>
<p>210 x 15cm, 2pp (unnumbered) plus cover. The first edition of this book of "interrupted" poems by Wolman. One of 300 copies which are 'signed' in the colophon with a facsimile of the initial W. A later second edition was released in 1991. VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/le-sens-perdu-de-linterruption-1987-one-of-300-copies-from-the-first-edition/">LE SENS PERDU DE L’INTERRUPTION. 1987. ONE OF 300 COPIES FROM THE FIRST EDITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>N.p.: Éditions inconnus, 1987</p>
<p>210 x 15cm, 2pp (unnumbered) plus cover. The first edition of this book of "interrupted" poems by Wolman. One of 300 copies which are 'signed' in the colophon with a facsimile of the initial W. A later second edition was released in 1991. VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/le-sens-perdu-de-linterruption-1987-one-of-300-copies-from-the-first-edition/">LE SENS PERDU DE L’INTERRUPTION. 1987. ONE OF 300 COPIES FROM THE FIRST EDITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>METTEZ UN WOLMAN DANS VOTRE VOITURE. ART SCOTCH. 1966. UNIQUE WORK.</title>
		<link>https://unoriginalsins.co.uk/product/mettez-un-wolman-dons-votre-voiture-art-scotch-1966/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=mettez-un-wolman-dons-votre-voiture-art-scotch-1966</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=41204</guid>

					<description><![CDATA[<p>Paris - unique work 1966</p>
<p>N.p. (Paris): s.p. (Wolman), n.d. (1966)</p>
<p>23.5 x 5cm unique "Scotch-art” work by the Internationale Lettriste - using transparent adhesive tape the artist removed images from colour newspapers and transferted them to various backings; here hard wax, to create a form of collage.</p>
<p>This is one of a number of such works all called "Put a Wolman in your car".</p>
<p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">This is unsigned but the original invoice is included which is titled, dated 1989 and handwritten and signed by Gil j Wolman. The back of the work is cracked but still intact and requires framing or repair but is not a problem for the front of the work. Such Scotch-Art works are very hard to find on the market.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/mettez-un-wolman-dons-votre-voiture-art-scotch-1966/">METTEZ UN WOLMAN DANS VOTRE VOITURE. ART SCOTCH. 1966. UNIQUE WORK.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris - unique work 1966</p>
<p>N.p. (Paris): s.p. (Wolman), n.d. (1966)</p>
<p>23.5 x 5cm unique "Scotch-art” work by the Internationale Lettriste - using transparent adhesive tape the artist removed images from colour newspapers and transferted them to various backings; here hard wax, to create a form of collage.</p>
<p>This is one of a number of such works all called "Put a Wolman in your car".</p>
<p><span style="font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif">This is unsigned but the original invoice is included which is titled, dated 1989 and handwritten and signed by Gil j Wolman. The back of the work is cracked but still intact and requires framing or repair but is not a problem for the front of the work. Such Scotch-Art works are very hard to find on the market.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/mettez-un-wolman-dons-votre-voiture-art-scotch-1966/">METTEZ UN WOLMAN DANS VOTRE VOITURE. ART SCOTCH. 1966. UNIQUE WORK.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>DEUXIÈME INTERNATIONALE LETTRISTE. 1963. THE ONLY PUBLICATION ISSUED BY THIS OFFSHOOT OF LETTERISM.</title>
		<link>https://unoriginalsins.co.uk/product/deuxieme-internationale-lettriste-1963-the-only-publication-issued-by-this-offshoot-of-letterism/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=deuxieme-internationale-lettriste-1963-the-only-publication-issued-by-this-offshoot-of-letterism</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 20 May 2025 12:57:08 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60982</guid>

					<description><![CDATA[<p>Paris: Deuxième Internationale Lettriste, n.d. (1963)</p>
<p>27 x 10.5cm , 4pp plus brown 4pp wrappers (unprinted kraft paper). Internally mimeographed pages. This is the first and only publication of the short-lived Deuxième internationale lettriste, which was founded by Jean-Louis Brau, Gil Wolman and François Dufrêne splitting from Letterisme. Short signed texts by Brau "L’Asymptote toujours" and Wolman “L’Art a posteriori” are conjoined by two unsigned texts (“Positions II” and “Eloge d’Isou”). Some covers included thumbprints by the artists but this example does not. Staple slightly rusted else VG. Very rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/deuxieme-internationale-lettriste-1963-the-only-publication-issued-by-this-offshoot-of-letterism/">DEUXIÈME INTERNATIONALE LETTRISTE. 1963. THE ONLY PUBLICATION ISSUED BY THIS OFFSHOOT OF LETTERISM.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Deuxième Internationale Lettriste, n.d. (1963)</p>
<p>27 x 10.5cm , 4pp plus brown 4pp wrappers (unprinted kraft paper). Internally mimeographed pages. This is the first and only publication of the short-lived Deuxième internationale lettriste, which was founded by Jean-Louis Brau, Gil Wolman and François Dufrêne splitting from Letterisme. Short signed texts by Brau "L’Asymptote toujours" and Wolman “L’Art a posteriori” are conjoined by two unsigned texts (“Positions II” and “Eloge d’Isou”). Some covers included thumbprints by the artists but this example does not. Staple slightly rusted else VG. Very rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/deuxieme-internationale-lettriste-1963-the-only-publication-issued-by-this-offshoot-of-letterism/">DEUXIÈME INTERNATIONALE LETTRISTE. 1963. THE ONLY PUBLICATION ISSUED BY THIS OFFSHOOT OF LETTERISM.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ART-SCOTCH. 1963. GIL WOLMAN&#8217;S FIRST EVER SOLO EXHIBITION.</title>
		<link>https://unoriginalsins.co.uk/product/art-scotch-1963-gil-wolmans-first-ever-solo-exhibition/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-scotch-1963-gil-wolmans-first-ever-solo-exhibition</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 20 May 2025 08:20:46 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60975</guid>

					<description><![CDATA[<p>Paris: Galerie V. Schmidt, 1964</p>
<p>Two part announcement card - <span class="Y2IQFc" lang="en">20 x 10 cm (if folded but here uncreased and 20 x 20cm) outer b/w card with 20 x 20cm black on transparent plastic insert (here unfolded but originally 20 x 10cm.</span></p>
<p>This was the announcement for Gil Wolman's first ever solo show which also promotes for the first time his "Scotch Art" works where he used adhesive tape to transfer images from newspapers and magazines onto canvas or objects. The internal plastic has short texts including a <span class="Y2IQFc" lang="en">biography and example of a Scotch art image.</span></p>
<p>Unfolded and in VG++ condition. Rare.</p>
<p>&#160;</p>
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiPgM28_qyNAxUmTkEAHbsECqMQ3ewLegQIDRAV" aria-label="Translated text: GIL JOSEPH WOLMAN

(&#34;Art-Scotch&#34;: Exhibition at the Valérie Schmidt Gallery, Paris)

1963

Vintage invitation card with 4 panels (8 sides) including a celluloid strip.

Short biography and exhibition theme printed on the celluloid.

Size (closed card): 19.7 x 10 cm

Condition: Minor handling marks on the card, but not on the celluloid."><span class="Y2IQFc" lang="en">GIL JOSEPH WOLMAN

("Art-Scotch": Exhibition at the Valérie Schmidt Gallery, Paris)

1963

Vintage invitation card with 4 panels (8 sides) including a celluloid strip.

Short biography and exhibition theme printed on the celluloid.

Size (closed card): 19.7 x 10 cm

Condition: Minor handling marks on the card, but not on the celluloid. </span></pre>
The post <a href="https://unoriginalsins.co.uk/product/art-scotch-1963-gil-wolmans-first-ever-solo-exhibition/">ART-SCOTCH. 1963. GIL WOLMAN’S FIRST EVER SOLO EXHIBITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Galerie V. Schmidt, 1964</p>
<p>Two part announcement card - <span class="Y2IQFc" lang="en">20 x 10 cm (if folded but here uncreased and 20 x 20cm) outer b/w card with 20 x 20cm black on transparent plastic insert (here unfolded but originally 20 x 10cm.</span></p>
<p>This was the announcement for Gil Wolman's first ever solo show which also promotes for the first time his "Scotch Art" works where he used adhesive tape to transfer images from newspapers and magazines onto canvas or objects. The internal plastic has short texts including a <span class="Y2IQFc" lang="en">biography and example of a Scotch art image.</span></p>
<p>Unfolded and in VG++ condition. Rare.</p>
<p>&#160;</p>
<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiPgM28_qyNAxUmTkEAHbsECqMQ3ewLegQIDRAV" aria-label="Translated text: GIL JOSEPH WOLMAN

(&#34;Art-Scotch&#34;: Exhibition at the Valérie Schmidt Gallery, Paris)

1963

Vintage invitation card with 4 panels (8 sides) including a celluloid strip.

Short biography and exhibition theme printed on the celluloid.

Size (closed card): 19.7 x 10 cm

Condition: Minor handling marks on the card, but not on the celluloid."><span class="Y2IQFc" lang="en">GIL JOSEPH WOLMAN

("Art-Scotch": Exhibition at the Valérie Schmidt Gallery, Paris)

1963

Vintage invitation card with 4 panels (8 sides) including a celluloid strip.

Short biography and exhibition theme printed on the celluloid.

Size (closed card): 19.7 x 10 cm

Condition: Minor handling marks on the card, but not on the celluloid. </span></pre>
The post <a href="https://unoriginalsins.co.uk/product/art-scotch-1963-gil-wolmans-first-ever-solo-exhibition/">ART-SCOTCH. 1963. GIL WOLMAN’S FIRST EVER SOLO EXHIBITION.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
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		<title>LABORATORIO SPERIMENTALE DEL MOVIMENTO INTERNAZIONALE PER UNA ‘BAUHAUS IMMAGINISTA’. PRIMO CONGRESSO MONDIALE DEGLI ARTISTI LIBERI. 1956. PRINTED LETTERHEAD &#038; ENVELOPE FOR THIS IMPORTANT EVENT.</title>
		<link>https://unoriginalsins.co.uk/product/laboratorio-sperimentale-del-movimento-internazionale-per-una-bauhaus-immaginista-primo-congresso-mondiale-degli-artisti-liberi-1956-printed-letterhead-envelope-for-this-imp/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=laboratorio-sperimentale-del-movimento-internazionale-per-una-bauhaus-immaginista-primo-congresso-mondiale-degli-artisti-liberi-1956-printed-letterhead-envelope-for-this-imp</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 19 May 2025 13:18:18 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60971</guid>

					<description><![CDATA[<p>Alba: Laboratorio Sperimentale Del Movimento Internazionale Per Una " Bauhaus Immaginista", 1956</p>
<p>14.5 x 22.8cm, black and green offset letterhead created for the vastly important "First World Congress of Free Artists" which brought together Enrico Baj, Jacques Calonne, Constant, Giuseppe Pinot Gallizio, Asger Jorn, Piero Simondo, Ettore Sottsass Jr, Elena Verrone (from the International Movement for an Imaginist Bauhaus), Gil J. Wolman (from the Lettrist International/Potlatch), Sandro Cherchi, Franco Garelli  , Jan Kotik, Pravoslav Rada (Czechoslovakia), Charles Estienne, and Klaus Fischer to discuss joint projects.</p>
<p>The importance of this meeting cannot be underwritten - it brought together many of the main currents of the European International Avant Garde and laid the foundations for the eventual formation of the International Situationists.</p>
<p>JOINT:</p>
<p>Alba: Laboratorio Sperimentale Del Movimento Internazionale Per Una " Bauhaus Immaginista", 1956</p>
<p>12.3 x 15.5cm, green and black on white printed envelope for the same event.</p>
<p>Price is for both items together - the stationery for a major landmark in European political and art history.</p>
<p>Both VG+ if mildly browned.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/laboratorio-sperimentale-del-movimento-internazionale-per-una-bauhaus-immaginista-primo-congresso-mondiale-degli-artisti-liberi-1956-printed-letterhead-envelope-for-this-imp/">LABORATORIO SPERIMENTALE DEL MOVIMENTO INTERNAZIONALE PER UNA ‘BAUHAUS IMMAGINISTA’. PRIMO CONGRESSO MONDIALE DEGLI ARTISTI LIBERI. 1956. PRINTED LETTERHEAD & ENVELOPE FOR THIS IMPORTANT EVENT.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Alba: Laboratorio Sperimentale Del Movimento Internazionale Per Una " Bauhaus Immaginista", 1956</p>
<p>14.5 x 22.8cm, black and green offset letterhead created for the vastly important "First World Congress of Free Artists" which brought together Enrico Baj, Jacques Calonne, Constant, Giuseppe Pinot Gallizio, Asger Jorn, Piero Simondo, Ettore Sottsass Jr, Elena Verrone (from the International Movement for an Imaginist Bauhaus), Gil J. Wolman (from the Lettrist International/Potlatch), Sandro Cherchi, Franco Garelli  , Jan Kotik, Pravoslav Rada (Czechoslovakia), Charles Estienne, and Klaus Fischer to discuss joint projects.</p>
<p>The importance of this meeting cannot be underwritten - it brought together many of the main currents of the European International Avant Garde and laid the foundations for the eventual formation of the International Situationists.</p>
<p>JOINT:</p>
<p>Alba: Laboratorio Sperimentale Del Movimento Internazionale Per Una " Bauhaus Immaginista", 1956</p>
<p>12.3 x 15.5cm, green and black on white printed envelope for the same event.</p>
<p>Price is for both items together - the stationery for a major landmark in European political and art history.</p>
<p>Both VG+ if mildly browned.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/laboratorio-sperimentale-del-movimento-internazionale-per-una-bauhaus-immaginista-primo-congresso-mondiale-degli-artisti-liberi-1956-printed-letterhead-envelope-for-this-imp/">LABORATORIO SPERIMENTALE DEL MOVIMENTO INTERNAZIONALE PER UNA ‘BAUHAUS IMMAGINISTA’. PRIMO CONGRESSO MONDIALE DEGLI ARTISTI LIBERI. 1956. PRINTED LETTERHEAD & ENVELOPE FOR THIS IMPORTANT EVENT.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WOLMAN INTROSPECTIVE (1950 &#8211; 1970). 1970. UNIQUE ANNOUNCEMENT CARD.</title>
		<link>https://unoriginalsins.co.uk/product/wolman-introspective-1950-1970-1970-unique-announcement-card-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wolman-introspective-1950-1970-1970-unique-announcement-card-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 19 May 2025 12:38:22 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60970</guid>

					<description><![CDATA[<p>Paris: Galerie Valerie Schmidt, 1970</p>
<p>10.3 x 20.8cm, 2pp announcement card with a typographic front announcing an exhibition of "Surfaces Planes Pierres et Livres" by Wolman. Each announcement was printed on already printed card and on the reverse gallery text is overprinted on a previously printed non-related image (here a image of a sculptural relief of a face). VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/wolman-introspective-1950-1970-1970-unique-announcement-card-2/">WOLMAN INTROSPECTIVE (1950 – 1970). 1970. UNIQUE ANNOUNCEMENT CARD.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Galerie Valerie Schmidt, 1970</p>
<p>10.3 x 20.8cm, 2pp announcement card with a typographic front announcing an exhibition of "Surfaces Planes Pierres et Livres" by Wolman. Each announcement was printed on already printed card and on the reverse gallery text is overprinted on a previously printed non-related image (here a image of a sculptural relief of a face). VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/wolman-introspective-1950-1970-1970-unique-announcement-card-2/">WOLMAN INTROSPECTIVE (1950 – 1970). 1970. UNIQUE ANNOUNCEMENT CARD.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WOLMAN INTROSPECTIVE (1950 &#8211; 1970). 1970. UNIQUE ANNOUNCEMENT CARD.</title>
		<link>https://unoriginalsins.co.uk/product/wolman-introspective-1950-1970-1970-unique-announcement-card/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wolman-introspective-1950-1970-1970-unique-announcement-card</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 19 May 2025 12:37:57 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60969</guid>

					<description><![CDATA[<p>Paris: Galerie Valerie Schmidt, 1970</p>
<p>10.3 x 20.8cm, 2pp announcement card with a typographic front announcing an exhibition of "Surfaces Planes Pierres et Livres" by Wolman. Each announcement was printed on already printed card and on the reverse gallery text is overprinted on a previously printed non-related image (here a portrait). VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/wolman-introspective-1950-1970-1970-unique-announcement-card/">WOLMAN INTROSPECTIVE (1950 – 1970). 1970. UNIQUE ANNOUNCEMENT CARD.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Galerie Valerie Schmidt, 1970</p>
<p>10.3 x 20.8cm, 2pp announcement card with a typographic front announcing an exhibition of "Surfaces Planes Pierres et Livres" by Wolman. Each announcement was printed on already printed card and on the reverse gallery text is overprinted on a previously printed non-related image (here a portrait). VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/wolman-introspective-1950-1970-1970-unique-announcement-card/">WOLMAN INTROSPECTIVE (1950 – 1970). 1970. UNIQUE ANNOUNCEMENT CARD.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>L&#8217;ANTICONCEPT. POSTCARD. 1959. EACH INDIVIDUALLY NUMBERED.</title>
		<link>https://unoriginalsins.co.uk/product/lanticoncept-postcard-1959-each-individually-numbered/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=lanticoncept-postcard-1959-each-individually-numbered</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 19 May 2025 12:33:05 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60956</guid>

					<description><![CDATA[<p>Paris: Galerie de Peche, n.d. (1959)</p>
<p>100.5 x 15cm, 1pp printed postcard entitled "L'Anticoncept" (the same title as the artist's groundbreaking film) which is individually numbered with a stamp impression. The postcard was often issued with a drawing or a painting on the front but this is one of the unused examples. VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/lanticoncept-postcard-1959-each-individually-numbered/">L’ANTICONCEPT. POSTCARD. 1959. EACH INDIVIDUALLY NUMBERED.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Galerie de Peche, n.d. (1959)</p>
<p>100.5 x 15cm, 1pp printed postcard entitled "L'Anticoncept" (the same title as the artist's groundbreaking film) which is individually numbered with a stamp impression. The postcard was often issued with a drawing or a painting on the front but this is one of the unused examples. VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/lanticoncept-postcard-1959-each-individually-numbered/">L’ANTICONCEPT. POSTCARD. 1959. EACH INDIVIDUALLY NUMBERED.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VIENS DANSER/PORTOFINO.  c. 1958? A MUSICAL POSTCARD &#8211; PRODUCED BY GIL WOLMAN.</title>
		<link>https://unoriginalsins.co.uk/product/viens-danser-portofino-c-1958-a-musical-postcard-produced-by-gil-wolman/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=viens-danser-portofino-c-1958-a-musical-postcard-produced-by-gil-wolman</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 19 May 2025 12:16:31 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60954</guid>

					<description><![CDATA[<p>Paris: Production D.N.C.I., n.d. (c. 1958?)</p>
<p>17 x 23cm, purple and black postcard with an image of Notre Dam Cathedral on the front and verso production details. The card acts as a record also if placed on a record player and two pieces played by the Orchestre de le D.N.C.I. can be heard - Viens Danser by G. Becaud and P. Delange and Portofino by Loubusch et Bonifay. This is somewhat of a musical oddity / novelty but it was sourced from the Gil Wolman archive and Wolman  produced the music. Slight edge wear at two corners else VG+ and seemingly unplayed. Rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/viens-danser-portofino-c-1958-a-musical-postcard-produced-by-gil-wolman/">VIENS DANSER/PORTOFINO.  c. 1958? A MUSICAL POSTCARD – PRODUCED BY GIL WOLMAN.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Paris: Production D.N.C.I., n.d. (c. 1958?)</p>
<p>17 x 23cm, purple and black postcard with an image of Notre Dam Cathedral on the front and verso production details. The card acts as a record also if placed on a record player and two pieces played by the Orchestre de le D.N.C.I. can be heard - Viens Danser by G. Becaud and P. Delange and Portofino by Loubusch et Bonifay. This is somewhat of a musical oddity / novelty but it was sourced from the Gil Wolman archive and Wolman  produced the music. Slight edge wear at two corners else VG+ and seemingly unplayed. Rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/viens-danser-portofino-c-1958-a-musical-postcard-produced-by-gil-wolman/">VIENS DANSER/PORTOFINO.  c. 1958? A MUSICAL POSTCARD – PRODUCED BY GIL WOLMAN.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>LA NUIT DU CINÉMA. 1952.</title>
		<link>https://unoriginalsins.co.uk/product/la-nuit-du-cinema-1952/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=la-nuit-du-cinema-1952</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 18 May 2025 13:12:20 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60951</guid>

					<description><![CDATA[<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiPgM28_qyNAxUmTkEAHbsECqMQ3ewLegQIDRAV" aria-label="Translated text: June 1952, 275x215mm leaflet printed in black, single-sided on cream paper. Announcements for Isou's films: Traité de Bave et d'Eternité April 1951; Gil Wolman: L'Anticoncept February 1952; Guy Debord: Hurlements en faveur de Sade June 1952; Jean Louis Brau: La barque de la vie courante and Serge Berna: Du léger rire qu'il y a autour de la mort (these last two in progress). &#34;Screens are mirrors that petrify adventurers, by sending back their own images and stopping them. If you can't go through the screen of photos to go towards something deeper, cinema doesn't interest me.&#34; Jean Isidore Isou. Musée Tinguèly n°225.(100473) No dust jacket Paperback. Seller's ref. no. 100473"><span class="Y2IQFc" lang="en">June 1952, 
27.5 x 21.5cm 1pp b/w offset announcement for a night of Letteriste cinema which included sou's film "Traité de Bave et d'Eternité" from April 1951; Gil Wolman's "L'Anticoncept" (1952), Guy Debord's "Hurlements en faveur de Sade" from June 1952, Jean Louis Brau's "La barque de la vie courante" and Serge Berna's "Du léger rire qu'il y a autour de la mort" although the last two were still in production.
The leaflet ends with the statement "NOUS FAISONS LA REVOLUTION A NOS MOMENTS PERDUS". The leaflet as issued just as the Letterist movement was spliting apart with Berna, Brau, Debord and Wolman deciding to form the Letterist International. VG although some edge wear including a closed tear left and handling soft creases apxparent.</span></pre>
The post <a href="https://unoriginalsins.co.uk/product/la-nuit-du-cinema-1952/">LA NUIT DU CINÉMA. 1952.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiPgM28_qyNAxUmTkEAHbsECqMQ3ewLegQIDRAV" aria-label="Translated text: June 1952, 275x215mm leaflet printed in black, single-sided on cream paper. Announcements for Isou's films: Traité de Bave et d'Eternité April 1951; Gil Wolman: L'Anticoncept February 1952; Guy Debord: Hurlements en faveur de Sade June 1952; Jean Louis Brau: La barque de la vie courante and Serge Berna: Du léger rire qu'il y a autour de la mort (these last two in progress). &#34;Screens are mirrors that petrify adventurers, by sending back their own images and stopping them. If you can't go through the screen of photos to go towards something deeper, cinema doesn't interest me.&#34; Jean Isidore Isou. Musée Tinguèly n°225.(100473) No dust jacket Paperback. Seller's ref. no. 100473"><span class="Y2IQFc" lang="en">June 1952, 
27.5 x 21.5cm 1pp b/w offset announcement for a night of Letteriste cinema which included sou's film "Traité de Bave et d'Eternité" from April 1951; Gil Wolman's "L'Anticoncept" (1952), Guy Debord's "Hurlements en faveur de Sade" from June 1952, Jean Louis Brau's "La barque de la vie courante" and Serge Berna's "Du léger rire qu'il y a autour de la mort" although the last two were still in production.
The leaflet ends with the statement "NOUS FAISONS LA REVOLUTION A NOS MOMENTS PERDUS". The leaflet as issued just as the Letterist movement was spliting apart with Berna, Brau, Debord and Wolman deciding to form the Letterist International. VG although some edge wear including a closed tear left and handling soft creases apxparent.</span></pre>
The post <a href="https://unoriginalsins.co.uk/product/la-nuit-du-cinema-1952/">LA NUIT DU CINÉMA. 1952.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>FESTIVAL DE FORT BOYARD. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/festival-de-fort-boyard-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=festival-de-fort-boyard-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 18 May 2025 12:46:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60945</guid>

					<description><![CDATA[<div class="" dir="auto">Fort Boyard: Festival de Fort Boyard, 1967</div>
<div class="" dir="auto">17 x 12.5cm, 30pp plus card covers and printed dust-jacket. One of 500 such catalogues for a supposed art festival which was never intended to be staged. Works by Serge Beguier, Antonio Berni, Gianni Bertini, Julian Blaine, Henri Chopin, Nickos et Wolman are reproduced throughout. Mention of John Furnival and Mimmo Rotella's involvement on some page designs. Numbered from an edition of 1,000. A somewhat hard to find catalogue.</div>
The post <a href="https://unoriginalsins.co.uk/product/festival-de-fort-boyard-1967/">FESTIVAL DE FORT BOYARD. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<div class="" dir="auto">Fort Boyard: Festival de Fort Boyard, 1967</div>
<div class="" dir="auto">17 x 12.5cm, 30pp plus card covers and printed dust-jacket. One of 500 such catalogues for a supposed art festival which was never intended to be staged. Works by Serge Beguier, Antonio Berni, Gianni Bertini, Julian Blaine, Henri Chopin, Nickos et Wolman are reproduced throughout. Mention of John Furnival and Mimmo Rotella's involvement on some page designs. Numbered from an edition of 1,000. A somewhat hard to find catalogue.</div>
The post <a href="https://unoriginalsins.co.uk/product/festival-de-fort-boyard-1967/">FESTIVAL DE FORT BOYARD. 1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>DUHRING. 1980. ONE OF ONLY VERY FEW REMAINING AFTER AN ARSON ATTACK.</title>
		<link>https://unoriginalsins.co.uk/product/duhring-1980-one-of-only-very-few-remaining-after-an-arson-attack/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=duhring-1980-one-of-only-very-few-remaining-after-an-arson-attack</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 17 May 2025 12:44:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=60915</guid>

					<description><![CDATA[<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiwsIe3wqqNAxUBRkEAHXKfDSMQ3ewLegQICRAW" aria-label="Translated text: No place, no publisher's name, no date [Paris, Chez l'Auteur, 1980]. Tabloid of 64 pages, 41 x 28.5 cm, each illustrated with 64 &#34;decompositions&#34; separated by words borrowed from Friedrich Engels' Anti-Duhring. Rare first edition of this beautiful artist's book. Duhring Duhring was printed in 4,990 copies intended for hand-to-hand circulation. Almost the entire stock was destroyed in an arson attack. Seller Inventory # 1028"><span class="Y2IQFc" lang="en">N.p.(Paris): s.p.(Wolman), n.d.(1980)
41 x 28.5cm, 64PP. Tabloid newspaper. Important artist's book reproducing many b/w images of faces with the eyes replaced with nouns taken from Frederic Engles key "Anti-Duhring" book. 
This is a very rare publication since almost the entire stock of 5,000 copies were destroyed in an arson attack. This is a very good + example which came directly from Wolman's own archive. </span></pre>
The post <a href="https://unoriginalsins.co.uk/product/duhring-1980-one-of-only-very-few-remaining-after-an-arson-attack/">DUHRING. 1980. ONE OF ONLY VERY FEW REMAINING AFTER AN ARSON ATTACK.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<pre id="tw-target-text" class="tw-data-text tw-text-large tw-ta" dir="ltr" data-placeholder="Translation" data-ved="2ahUKEwiwsIe3wqqNAxUBRkEAHXKfDSMQ3ewLegQICRAW" aria-label="Translated text: No place, no publisher's name, no date [Paris, Chez l'Auteur, 1980]. Tabloid of 64 pages, 41 x 28.5 cm, each illustrated with 64 &#34;decompositions&#34; separated by words borrowed from Friedrich Engels' Anti-Duhring. Rare first edition of this beautiful artist's book. Duhring Duhring was printed in 4,990 copies intended for hand-to-hand circulation. Almost the entire stock was destroyed in an arson attack. Seller Inventory # 1028"><span class="Y2IQFc" lang="en">N.p.(Paris): s.p.(Wolman), n.d.(1980)
41 x 28.5cm, 64PP. Tabloid newspaper. Important artist's book reproducing many b/w images of faces with the eyes replaced with nouns taken from Frederic Engles key "Anti-Duhring" book. 
This is a very rare publication since almost the entire stock of 5,000 copies were destroyed in an arson attack. This is a very good + example which came directly from Wolman's own archive. </span></pre>
The post <a href="https://unoriginalsins.co.uk/product/duhring-1980-one-of-only-very-few-remaining-after-an-arson-attack/">DUHRING. 1980. ONE OF ONLY VERY FEW REMAINING AFTER AN ARSON ATTACK.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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