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	<title>GRAHAM HOWARD - Unoriginal Sins</title>
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	<title>GRAHAM HOWARD - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>SOME FORMALITIES OF TECHNIC RELATIONSHIPS. UNPUBLISHED ESSAY CIRCULATED WITHIN ART &#038; LANGUAGE</title>
		<link>https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 04 Nov 1975 13:31:58 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=1732</guid>

					<description><![CDATA[<p class="p1">N.p.: Art &#38; Language, n.d. (c. 1972)<br />
33 x 21cm, 7pp vintage xerox copy of original typed sheet as issued. Stapled top left. An unpublished essay circulated to the members of the UK A+L group by Howard for consideration for inclusion in Art-Language journal. This is a text on the relationship between “work" and “worker” as a propositional attitude. It was commonplace for articles such as this to be circulated throughout the members of A+L for comment and decisions on publication. Folded for mailing otherwise VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/">SOME FORMALITIES OF TECHNIC RELATIONSHIPS. UNPUBLISHED ESSAY CIRCULATED WITHIN ART & LANGUAGE</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">N.p.: Art &#38; Language, n.d. (c. 1972)<br />
33 x 21cm, 7pp vintage xerox copy of original typed sheet as issued. Stapled top left. An unpublished essay circulated to the members of the UK A+L group by Howard for consideration for inclusion in Art-Language journal. This is a text on the relationship between “work" and “worker” as a propositional attitude. It was commonplace for articles such as this to be circulated throughout the members of A+L for comment and decisions on publication. Folded for mailing otherwise VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/">SOME FORMALITIES OF TECHNIC RELATIONSHIPS. UNPUBLISHED ESSAY CIRCULATED WITHIN ART & LANGUAGE</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ART &#038; LANGUAGE. 1974.</title>
		<link>https://unoriginalsins.co.uk/product/art-language-1974/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-language-1974</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 16 Jan 1974 08:50:22 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=52569</guid>

					<description><![CDATA[<p>Luzern: Kunstmuseum Luzern, 1974</p>
<p>30 x 21cm, unpaginated (40pp) plus card covers. Exhibition catalogue with a long text - "Proceedings I - VI" - in both English and a German translation. The Proceedings were based on original conversations between Terry Atkinson, David Bainbridge, Michael Baldwin, Charles Harrison, Graham Howard,  Harold Hurrell, Philip Pilkington, and David Rushton. Slight marks to mostly white wrappers else VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/art-language-1974/">ART & LANGUAGE. 1974.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Luzern: Kunstmuseum Luzern, 1974</p>
<p>30 x 21cm, unpaginated (40pp) plus card covers. Exhibition catalogue with a long text - "Proceedings I - VI" - in both English and a German translation. The Proceedings were based on original conversations between Terry Atkinson, David Bainbridge, Michael Baldwin, Charles Harrison, Graham Howard,  Harold Hurrell, Philip Pilkington, and David Rushton. Slight marks to mostly white wrappers else VG+. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/art-language-1974/">ART & LANGUAGE. 1974.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ART LANGUAGE: TERRY ATKINSON, MICHAEL BALDWIN,  IAN BURN, CHARLES HARRISON, GRAHAM HOWARD, HAROLD HURRELL, Lynn LEMASTER, DAVID RUSHTON, MEL RAMSDEN, PHILIP PILKINGTON. PROCEEDINGS 1972/3 ON PERMANENT MICROFILM INSTALLATION. 1973.</title>
		<link>https://unoriginalsins.co.uk/product/art-language-terry-atkinson-michael-baldwin-ian-burn-charles-harrison-graham-howard-harold-hurrell-lynn-lemaster-david-rushton-mel-ramsden-philip-pilkington-proceedings-1972-3-on-pern/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-language-terry-atkinson-michael-baldwin-ian-burn-charles-harrison-graham-howard-harold-hurrell-lynn-lemaster-david-rushton-mel-ramsden-philip-pilkington-proceedings-1972-3-on-pern</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 03 Nov 1973 12:43:36 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=1615</guid>

					<description><![CDATA[<p>Art + Language.<br />
ART LANGUAGE: TERRY ATKINSON, MICHAEL BALDWIN,  IAN BURN, CHARLES HARRISON, GRAHAM HOWARD, HAROLD HURRELL, Lynn LEMASTER, DAVID RUSHTON, MEL RAMSDEN, PHILIP PILKINGTON. PROCEEDINGS 1972/3 ON PERNAMENT MICROFILM INSTALLATION<br />
London: Lisson Gallery, n.d. (1973)<br />
10.5 x 15 cm, 1pp. Typographic announcement postcard printed red on white. One of the last Art &#38; Language initiatives as a group was the creation of an index of all of their works on microfilm. This work has since been "lost" according to the gallery. Some heavy marking to the card and one paper scuff slightly affecting text but a very scarce A+L card relating to a forgotten work. (We would be grateful for any information on this work - do contact us should you know more about it).</p>
The post <a href="https://unoriginalsins.co.uk/product/art-language-terry-atkinson-michael-baldwin-ian-burn-charles-harrison-graham-howard-harold-hurrell-lynn-lemaster-david-rushton-mel-ramsden-philip-pilkington-proceedings-1972-3-on-pern/">ART LANGUAGE: TERRY ATKINSON, MICHAEL BALDWIN,  IAN BURN, CHARLES HARRISON, GRAHAM HOWARD, HAROLD HURRELL, Lynn LEMASTER, DAVID RUSHTON, MEL RAMSDEN, PHILIP PILKINGTON. PROCEEDINGS 1972/3 ON PERMANENT MICROFILM INSTALLATION. 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Art + Language.<br />
ART LANGUAGE: TERRY ATKINSON, MICHAEL BALDWIN,  IAN BURN, CHARLES HARRISON, GRAHAM HOWARD, HAROLD HURRELL, Lynn LEMASTER, DAVID RUSHTON, MEL RAMSDEN, PHILIP PILKINGTON. PROCEEDINGS 1972/3 ON PERNAMENT MICROFILM INSTALLATION<br />
London: Lisson Gallery, n.d. (1973)<br />
10.5 x 15 cm, 1pp. Typographic announcement postcard printed red on white. One of the last Art &#38; Language initiatives as a group was the creation of an index of all of their works on microfilm. This work has since been "lost" according to the gallery. Some heavy marking to the card and one paper scuff slightly affecting text but a very scarce A+L card relating to a forgotten work. (We would be grateful for any information on this work - do contact us should you know more about it).</p>
The post <a href="https://unoriginalsins.co.uk/product/art-language-terry-atkinson-michael-baldwin-ian-burn-charles-harrison-graham-howard-harold-hurrell-lynn-lemaster-david-rushton-mel-ramsden-philip-pilkington-proceedings-1972-3-on-pern/">ART LANGUAGE: TERRY ATKINSON, MICHAEL BALDWIN,  IAN BURN, CHARLES HARRISON, GRAHAM HOWARD, HAROLD HURRELL, Lynn LEMASTER, DAVID RUSHTON, MEL RAMSDEN, PHILIP PILKINGTON. PROCEEDINGS 1972/3 ON PERMANENT MICROFILM INSTALLATION. 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ART-LANGUAGE. 1970 &#8211; 1978. A CONTINUOUS RUN OF 9 NUMBERS</title>
		<link>https://unoriginalsins.co.uk/product/art-language-1970-1978-a-continuous-run-of-11-numbers-one-later-number/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-language-1970-1978-a-continuous-run-of-11-numbers-one-later-number</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 04 Dec 1970 08:56:34 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=3760</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Art + Language</span><br />
ART-LANGUAGE Vol. 1 Nr 1<br />
Chipping Norton: Art &#38; Language, February 1970<br />
21.5 x 13.5cm, 32pp. Original card covers. First edition of this inaugural number of the important conceptual art journal with articles by Sol LeWitt, Dan Graham, Lawrence Weiner, David Bainbridge and Michael Baldwin. LeWitt's Sentences on conceptual art. Graham's Poem-Schema and Weiner's Statements had all been previously published elsewhere but being in a single journal allowed their views to be compared - LeWitt's 10th sentence is "Ideas alone can be works of art: they are in a chian of development that may eventually find other form. All ideas may not be made physical." - compare that with Weiner's more famous and more readily quoted dictum regarding the requirement that "1. an artist may construct a work 2. a work may be fabricated 3. a work need not be built. A reasonable assumption is that each being equal and consistant with the intent of an artist the decision as to condition rests within the needs of the receiver upon the occasion of receivership." A VG + to near fine copy.</p>
<p class="p1">JOINT WITH</p>
<p class="p1"><span class="s1">Art + Language</span><br />
ART-LANGUAGE Vol. 1 Nr 2<br />
Chipping Norton: Art &#38; Language, February 1970<br />
21.5 x 13.5cm, 88pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Joseph Kosuth, David Bainbridge, Frederic Barthelme, Stephen McKenna, Michael Baldwin, Ian Burn, Terry Atkinson, Harold Hurrell, Michael Thompson and Mel Ramsden. A VG + to near fine copy.</p>
<p class="p1"><span class="s1">JOINT WITH</span></p>
<p class="p1"><span class="s1">Art + Language</span><br />
ART-LANGUAGE Vol. 1 Nr 3<br />
Chipping Norton: Art &#38; Language, June 1970<br />
21.5 x 13.5cm, 36pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Ramsden, Bihari, Graham Howard, Ian Burn and Roger Cutford. A VG + to near fine copy.</p>
<p class="p1">JOINT WITH</p>
<p class="p1">Art &#38; Language<br />
ART-LANGUAGE Vol. 1 Nr 4<br />
Chipping Norton: Art &#38; Language, November 1971<br />
21.5 x 13.5cm, 72pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Terry Atkinson, Stuart Knight, Michael Baldwin and Graham Howard. A VG + to near fine copy.</p>
<p class="p5"><span class="s1">JOINT WITH</span></p>
<p>&#160;</p>
<pre class="">Art &#38; Language
ART-LANGUAGE Vol. 2 Nr 1
Chipping Norton: Art &#38; Language, February 1972
21.5 x 13.5cm, 58pp. Original card covers. A single number from the
conceptual art journal with articles by Michael Baldwin, Ian Burn, Terry
Atkinson, David Rushton, Kevin Lole, Philip Pilkington and Graham Howard. A
VG + to near fine copy.

JOINT WITH
</pre>
<p class="p7"><span class="s1">Art &#38; Language</span><br />
ART-LANGUAGE Vol. 2 Nr 2<br />
Chipping Norton: Art &#38; Language, November 1971<br />
21.5 x 13.5cm, 36pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Ian Burn, Mel Ramadan, Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge and Victor Burgin. A VG + to near fine copy.</p>
<p class="p7"><span class="s1">JOINT WITH</span></p>
<p>Art &#38; Language</p>
<p>ART-LANGUAGE Vol. 2 Nr 3 (Mis-numbered by editors as Vol 2 Nr 2)</p>
<p>Lemington Spa: Art &#38; Language, September 1973</p>
<p>21.5 x 13.5cm, 78pp. Original card covers. A single number from the conceptual art journal with articles by Michael Baldwin, Ian Burn, David Rushton, Philip Pilkington, Michael Corris, Mel Ramsden, David Bainbridge, John F. Hemmings and Graham Howard. A VG + to near fine copy. The designers mis-numbered this particular issue and the cover has the correct number tipped on as issued.</p>
<p>JOINT WITH</p>
<p><span class="s1">Art &#38; Language</span><br />
HANDBOOK(S) TO GOING ON. ART-LANGUAGE Vol. 2 Nr 4<br />
Chipping Norton: Art &#38; Language, June 1974<br />
30 x 21cm, 130pp. Original card covers. First edition of this single number from the conceptual art journal with for the first time anonymous articles. A VG + to near fine copy. Very scarce.</p>
<p>JOINT WITH</p>
<p class="p4">(Burn, Ian, Mel Ramsden and Terry Smith)<br />
Art + Language<br />
DRAFT FOR AN ANTI-TEXTBOOK ART-LANGUAGE  Volume 3 Number 1<br />
Leamington Spa: Art-Language Press, September 1974:<br />
30 x 21cm, 110pp plus card wrappers. Single number of this conceptual art journal with contributions solely by Burn, Ramsden and Smith. Very minot marks to white wrappers else VG+.</p>
<p>PRICE IS FOR ALL - WE MAY CONSIDER BREAKING UP THIS COLLECTION - PLEASE ENQUIRE</p>
The post <a href="https://unoriginalsins.co.uk/product/art-language-1970-1978-a-continuous-run-of-11-numbers-one-later-number/">ART-LANGUAGE. 1970 – 1978. A CONTINUOUS RUN OF 9 NUMBERS</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Art + Language</span><br />
ART-LANGUAGE Vol. 1 Nr 1<br />
Chipping Norton: Art &#38; Language, February 1970<br />
21.5 x 13.5cm, 32pp. Original card covers. First edition of this inaugural number of the important conceptual art journal with articles by Sol LeWitt, Dan Graham, Lawrence Weiner, David Bainbridge and Michael Baldwin. LeWitt's Sentences on conceptual art. Graham's Poem-Schema and Weiner's Statements had all been previously published elsewhere but being in a single journal allowed their views to be compared - LeWitt's 10th sentence is "Ideas alone can be works of art: they are in a chian of development that may eventually find other form. All ideas may not be made physical." - compare that with Weiner's more famous and more readily quoted dictum regarding the requirement that "1. an artist may construct a work 2. a work may be fabricated 3. a work need not be built. A reasonable assumption is that each being equal and consistant with the intent of an artist the decision as to condition rests within the needs of the receiver upon the occasion of receivership." A VG + to near fine copy.</p>
<p class="p1">JOINT WITH</p>
<p class="p1"><span class="s1">Art + Language</span><br />
ART-LANGUAGE Vol. 1 Nr 2<br />
Chipping Norton: Art &#38; Language, February 1970<br />
21.5 x 13.5cm, 88pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Joseph Kosuth, David Bainbridge, Frederic Barthelme, Stephen McKenna, Michael Baldwin, Ian Burn, Terry Atkinson, Harold Hurrell, Michael Thompson and Mel Ramsden. A VG + to near fine copy.</p>
<p class="p1"><span class="s1">JOINT WITH</span></p>
<p class="p1"><span class="s1">Art + Language</span><br />
ART-LANGUAGE Vol. 1 Nr 3<br />
Chipping Norton: Art &#38; Language, June 1970<br />
21.5 x 13.5cm, 36pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Ramsden, Bihari, Graham Howard, Ian Burn and Roger Cutford. A VG + to near fine copy.</p>
<p class="p1">JOINT WITH</p>
<p class="p1">Art &#38; Language<br />
ART-LANGUAGE Vol. 1 Nr 4<br />
Chipping Norton: Art &#38; Language, November 1971<br />
21.5 x 13.5cm, 72pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Terry Atkinson, Stuart Knight, Michael Baldwin and Graham Howard. A VG + to near fine copy.</p>
<p class="p5"><span class="s1">JOINT WITH</span></p>
<p>&#160;</p>
<pre class="">Art &#38; Language
ART-LANGUAGE Vol. 2 Nr 1
Chipping Norton: Art &#38; Language, February 1972
21.5 x 13.5cm, 58pp. Original card covers. A single number from the
conceptual art journal with articles by Michael Baldwin, Ian Burn, Terry
Atkinson, David Rushton, Kevin Lole, Philip Pilkington and Graham Howard. A
VG + to near fine copy.

JOINT WITH
</pre>
<p class="p7"><span class="s1">Art &#38; Language</span><br />
ART-LANGUAGE Vol. 2 Nr 2<br />
Chipping Norton: Art &#38; Language, November 1971<br />
21.5 x 13.5cm, 36pp. Original card covers. First edition of this single number from the conceptual art journal with articles by Ian Burn, Mel Ramadan, Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge and Victor Burgin. A VG + to near fine copy.</p>
<p class="p7"><span class="s1">JOINT WITH</span></p>
<p>Art &#38; Language</p>
<p>ART-LANGUAGE Vol. 2 Nr 3 (Mis-numbered by editors as Vol 2 Nr 2)</p>
<p>Lemington Spa: Art &#38; Language, September 1973</p>
<p>21.5 x 13.5cm, 78pp. Original card covers. A single number from the conceptual art journal with articles by Michael Baldwin, Ian Burn, David Rushton, Philip Pilkington, Michael Corris, Mel Ramsden, David Bainbridge, John F. Hemmings and Graham Howard. A VG + to near fine copy. The designers mis-numbered this particular issue and the cover has the correct number tipped on as issued.</p>
<p>JOINT WITH</p>
<p><span class="s1">Art &#38; Language</span><br />
HANDBOOK(S) TO GOING ON. ART-LANGUAGE Vol. 2 Nr 4<br />
Chipping Norton: Art &#38; Language, June 1974<br />
30 x 21cm, 130pp. Original card covers. First edition of this single number from the conceptual art journal with for the first time anonymous articles. A VG + to near fine copy. Very scarce.</p>
<p>JOINT WITH</p>
<p class="p4">(Burn, Ian, Mel Ramsden and Terry Smith)<br />
Art + Language<br />
DRAFT FOR AN ANTI-TEXTBOOK ART-LANGUAGE  Volume 3 Number 1<br />
Leamington Spa: Art-Language Press, September 1974:<br />
30 x 21cm, 110pp plus card wrappers. Single number of this conceptual art journal with contributions solely by Burn, Ramsden and Smith. Very minot marks to white wrappers else VG+.</p>
<p>PRICE IS FOR ALL - WE MAY CONSIDER BREAKING UP THIS COLLECTION - PLEASE ENQUIRE</p>
The post <a href="https://unoriginalsins.co.uk/product/art-language-1970-1978-a-continuous-run-of-11-numbers-one-later-number/">ART-LANGUAGE. 1970 – 1978. A CONTINUOUS RUN OF 9 NUMBERS</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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