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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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		<title>THREE POSTERS FROM PRALINEN PROJECT. 1996.</title>
		<link>https://unoriginalsins.co.uk/product/three-posters-from-pralinen-project-1996/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=three-posters-from-pralinen-project-1996</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 06 Feb 2020 22:05:01 +0000</pubDate>
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					<description><![CDATA[Innsbruck: s.p. (Fuchs), 1996
Three different posters all from Fuch's Pralinen project - each uniformly 61 x 42cm, printed in full colour but with the main image in b/w. This was a playful conceit on Fuch's part and he indicated that the others involved in the exhibition (which included Martin Kippenberger) should supply self-portraits of themselves for the posters all looking at the floor. Here we have three of the posters sent out - for Jeannot Schwartz, H.C. Artmann and Anton Bruhim. All are folded for mailing and the original orange envelope is also offered here which is hand addressed and on the reverse a return address for Fuchs is also handwritten - hence signed! Fine in slightly worn envelope.

PRICE IS FOR ALL AS A GROUP]]></description>
										<content:encoded><![CDATA[Innsbruck: s.p. (Fuchs), 1996
Three different posters all from Fuch's Pralinen project - each uniformly 61 x 42cm, printed in full colour but with the main image in b/w. This was a playful conceit on Fuch's part and he indicated that the others involved in the exhibition (which included Martin Kippenberger) should supply self-portraits of themselves for the posters all looking at the floor. Here we have three of the posters sent out - for Jeannot Schwartz, H.C. Artmann and Anton Bruhim. All are folded for mailing and the original orange envelope is also offered here which is hand addressed and on the reverse a return address for Fuchs is also handwritten - hence signed! Fine in slightly worn envelope.

PRICE IS FOR ALL AS A GROUP]]></content:encoded>
					
		
		
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		<title>EINSTELLUNGSGESPRACH. ROMAN. 1994. WITH A DEDICATION DRAWING BY KIPPENBERGER</title>
		<link>https://unoriginalsins.co.uk/product/einstellungsgesprach-roman-1994-with-a-dedication-drawing-by-kippenberger/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=einstellungsgesprach-roman-1994-with-a-dedication-drawing-by-kippenberger</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 11 Apr 1994 16:15:18 +0000</pubDate>
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					<description><![CDATA[N.p.: s.p. Herbet Fuchs, 1994
21 x 13.8 cm, 48pp with white card wrappers - an artist's book which was one of those associated with the Kippenberger installation "The Happy End of Kafka's Amerkia". That installation took the motif of a the job interview as its metaphor (and displayed chairs and tables for the imaginary meetings in Rotterdam)  and a number of artist’s books were encouraged by Kippenberger to be released as part of that exhibition. This is described as a “somewhat confusing, associative, occasionally surreal novel” in German. Edition size unknown given it was probably priviately published. This example is additionally graced with a drawing in blue in on the frontispiece dedicated to Kippenberger’s “rival in love” Tony Hunt of one of the pieces of furniture in the exhibition along with the text “deckt auf Sexgangster mitten unter uns!/TONY” which means “we have found a sex gangster amongst us!” and either a date or initials bottom right (as with Kippneberger’s writing hard to read). On the inside back cover there is also the text: “JUST IMAGINE” in English also in blue fountain pen ink. Purchased from Tony Hunt directly. Fine and unique. Kippenberger Books (Koch) Nr 134. 
]]></description>
										<content:encoded><![CDATA[N.p.: s.p. Herbet Fuchs, 1994
21 x 13.8 cm, 48pp with white card wrappers - an artist's book which was one of those associated with the Kippenberger installation "The Happy End of Kafka's Amerkia". That installation took the motif of a the job interview as its metaphor (and displayed chairs and tables for the imaginary meetings in Rotterdam)  and a number of artist’s books were encouraged by Kippenberger to be released as part of that exhibition. This is described as a “somewhat confusing, associative, occasionally surreal novel” in German. Edition size unknown given it was probably priviately published. This example is additionally graced with a drawing in blue in on the frontispiece dedicated to Kippenberger’s “rival in love” Tony Hunt of one of the pieces of furniture in the exhibition along with the text “deckt auf Sexgangster mitten unter uns!/TONY” which means “we have found a sex gangster amongst us!” and either a date or initials bottom right (as with Kippneberger’s writing hard to read). On the inside back cover there is also the text: “JUST IMAGINE” in English also in blue fountain pen ink. Purchased from Tony Hunt directly. Fine and unique. Kippenberger Books (Koch) Nr 134. 
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