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	<title>Unoriginal Sins | </title>
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	<title>Unoriginal Sins | </title>
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		<title>TRANCHONS-EN. 1965.</title>
		<link>https://unoriginalsins.co.uk/product/tranchons-en-1965/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 21:23:25 +0000</pubDate>
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					<description><![CDATA[<p class="p1">n.p. (Paris): Surrealiste Group, n.d. (1965)</p>
<p class="p1">54 x 21pp, 2pp. Black on green paper Public tract (anonymously written) given to journalists during the exhibition L’Ecart absolu (also known as the Exposition internationale du Surréalisme,in the galerie de l'Œil à Paris) attempting to justify the movement's existence in the last years of its activities. Signed in print by the usual suspects - Alechinsky, Audoin, Bedoin, Benoit, Breton, Camacho, Dax, Legrand, Ivsic, Joubert, Le Brun, Mansour, Parent and Toyen amongst others.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">n.p. (Paris): Surrealiste Group, n.d. (1965)</p>
<p class="p1">54 x 21pp, 2pp. Black on green paper Public tract (anonymously written) given to journalists during the exhibition L’Ecart absolu (also known as the Exposition internationale du Surréalisme,in the galerie de l'Œil à Paris) attempting to justify the movement's existence in the last years of its activities. Signed in print by the usual suspects - Alechinsky, Audoin, Bedoin, Benoit, Breton, Camacho, Dax, Legrand, Ivsic, Joubert, Le Brun, Mansour, Parent and Toyen amongst others.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>LA PAYSAN DU TOUT-PARIS. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/la-paysan-du-tout-paris-1967/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 20:54:12 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43752</guid>

					<description><![CDATA[<p class="p1">Paris: Surrealist group, 1967</p>
<p class="p1">25 x 19cm, 2pp black on pink. Surrealist tract attacking the evolution of the French Communist Party into early euro-communism and leaving revolutionary activity behind as well as reawakening old scores between the Group and Aragon. Breton had died the previous year and the group was de facto leaderless at this point although there were no shortage of pretenders. Signed in print by Audoin, Bedoin, Benoit, Camacho, Dax, Ivsic, Le Brun, Mansour, Parent and Toyen amongst others. Fine.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Surrealist group, 1967</p>
<p class="p1">25 x 19cm, 2pp black on pink. Surrealist tract attacking the evolution of the French Communist Party into early euro-communism and leaving revolutionary activity behind as well as reawakening old scores between the Group and Aragon. Breton had died the previous year and the group was de facto leaderless at this point although there were no shortage of pretenders. Signed in print by Audoin, Bedoin, Benoit, Camacho, Dax, Ivsic, Le Brun, Mansour, Parent and Toyen amongst others. Fine.</p>]]></content:encoded>
					
		
		
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		<item>
		<title>LE &#8220;TROISIEME DEGRE&#8221; DE LA PEINTURE. 1965. SECOND EDITION.</title>
		<link>https://unoriginalsins.co.uk/product/le-troisieme-degre-de-la-peinture-1965-second-edition/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 20:50:24 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43751</guid>

					<description><![CDATA[<p class="p1">Paris: Surrealist group/Le Comite pour L'Espagne Libre, 1965</p>
<p class="p1">27 x 21cm, 1pp black on yellow paper. One of the last hurrahs of the official surrealists condemning the public representation of Marcel Duchamp (in a painting) being beaten up by the pop artists. Hardly worth the spleen but signed nonetheless by over 40 of the group including Breton, Audoin, Benoit, Dax, Estienne, Lebel, Lebrun, Mansour, Parent, Schwarz, and Toyen. This is the true first edition printed on red/orange - this copy came indirectly from Breton's own collection. Fine.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Surrealist group/Le Comite pour L'Espagne Libre, 1965</p>
<p class="p1">27 x 21cm, 1pp black on yellow paper. One of the last hurrahs of the official surrealists condemning the public representation of Marcel Duchamp (in a painting) being beaten up by the pop artists. Hardly worth the spleen but signed nonetheless by over 40 of the group including Breton, Audoin, Benoit, Dax, Estienne, Lebel, Lebrun, Mansour, Parent, Schwarz, and Toyen. This is the true first edition printed on red/orange - this copy came indirectly from Breton's own collection. Fine.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LE &#8220;TROISIEME DEGRE&#8221; DE LA PEINTURE. 1965. FIRST EDITION.</title>
		<link>https://unoriginalsins.co.uk/product/le-troisieme-degre-de-la-peinture-1965-first-edition/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 20:49:18 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43750</guid>

					<description><![CDATA[<p class="p1">Paris: Surrealist group/Le Comite pour L'Espagne Libre, 1965</p>
<p class="p1">27 x 21cm, 1pp black on red/orange. One of the last hurrahs of the official surrealists condemning the public representation of Marcel Duchamp (in a painting) being beaten up by the pop artists. Hardly worth the spleen but signed nonetheless by over 40 of the group including Breton, Audoin, Benoit, Dax, Estienne, Lebel, Lebrun, Mansour, Parent, Schwarz, and Toyen. This is the true first edition printed on red/orange - this copy came indirectly from Breton's own collection. Fine.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Surrealist group/Le Comite pour L'Espagne Libre, 1965</p>
<p class="p1">27 x 21cm, 1pp black on red/orange. One of the last hurrahs of the official surrealists condemning the public representation of Marcel Duchamp (in a painting) being beaten up by the pop artists. Hardly worth the spleen but signed nonetheless by over 40 of the group including Breton, Audoin, Benoit, Dax, Estienne, Lebel, Lebrun, Mansour, Parent, Schwarz, and Toyen. This is the true first edition printed on red/orange - this copy came indirectly from Breton's own collection. Fine.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>LETTRE OUVERTE A MM. DUHAMEL, MAURIAC, PAULHAN, ROSTAND, DE L&#8217;ACADEMIE FRANCAISE ET QUELQUES AUTRES. 1963.</title>
		<link>https://unoriginalsins.co.uk/product/lettre-ouverte-a-mm-duhamel-mauriac-paulhan-rostand-de-lacademie-francaise-et-quelques-autres-1963/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 08 Oct 2021 20:23:52 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=43746</guid>

					<description><![CDATA[<p class="p1">Paris: Surrealist group, 1963</p>
<p class="p1">28.4 x 21cm, 1pp black and yellow on white. Surrealist tract denouncing the named artists for signing a public appeal on behalf of the jailed Spanish painter Siqueiros who had been jailed for his (supposed) part in the assassination of Leon Trotsky. Signed in print by Alechinsky, Audouin, Bedoin, Benayoun, Benoit, Breton, Dax, Ivsic, Jaguer, Mansour, Mayoux, Parent and Toyen amongst others. Scarce. Near fine apart from a tiny tear top right.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">Paris: Surrealist group, 1963</p>
<p class="p1">28.4 x 21cm, 1pp black and yellow on white. Surrealist tract denouncing the named artists for signing a public appeal on behalf of the jailed Spanish painter Siqueiros who had been jailed for his (supposed) part in the assassination of Leon Trotsky. Signed in print by Alechinsky, Audouin, Bedoin, Benayoun, Benoit, Breton, Dax, Ivsic, Jaguer, Mansour, Mayoux, Parent and Toyen amongst others. Scarce. Near fine apart from a tiny tear top right.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>&#8220;LE TROISIEME DEGRE&#8221; DE LA PEINTURE. 1965. TRUE FIRST EDITION &#8211; WITH A MISTAKE CORRECTED BY HAND BY BRETON</title>
		<link>https://unoriginalsins.co.uk/product/le-troisieme-degre-de-la-peinture-1965-true-first-edition-with-a-mistake-corrected-by-hand-by-breton/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 30 Apr 2020 19:09:11 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=19792</guid>

					<description><![CDATA[Paris: Surrealist group/Le Comite pour L'Espagne Libre, 1965
27 x 21cm, 1pp black on red/orange. One of the last hurrahs of the official surrealists condemning the public representation of Marcel Duchamp (in a painting) being beaten up by the pop artists (as if we would ever put our money on the effete Andy in a face off with Marcel - even without calling up Arthur Craven to help tackle Basquiat in a tag match). Hardly worth the spleen but signed nonetheless by over 40 of the group including Breton, Audoin, Benoit, Dax, Estienne, Lebel, Lebrun, Mansour, Parent, Schwarz, and Toyen. 

This is the true first edition as it contains a typographic mistake ("dynamite") which is here corrected in Breton's own hand to "dynamatique" - this copy came indirectly from Breton's own collection. Fine.]]></description>
										<content:encoded><![CDATA[Paris: Surrealist group/Le Comite pour L'Espagne Libre, 1965
27 x 21cm, 1pp black on red/orange. One of the last hurrahs of the official surrealists condemning the public representation of Marcel Duchamp (in a painting) being beaten up by the pop artists (as if we would ever put our money on the effete Andy in a face off with Marcel - even without calling up Arthur Craven to help tackle Basquiat in a tag match). Hardly worth the spleen but signed nonetheless by over 40 of the group including Breton, Audoin, Benoit, Dax, Estienne, Lebel, Lebrun, Mansour, Parent, Schwarz, and Toyen. 

This is the true first edition as it contains a typographic mistake ("dynamite") which is here corrected in Breton's own hand to "dynamatique" - this copy came indirectly from Breton's own collection. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNTITLED (LOBSTER PENIS), SIGNED BY ARTIST.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-lobster-penis-signed-by-artist/</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 20 Dec 2019 13:38:59 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5327</guid>

					<description><![CDATA[<div>N.p. (Paris): n.p., n.d.
33 x 25cm (mage size: 13.5 x 10cm), black on white etching on thick cartridge paper. The image is a visual pun of a lobster made up of an ejaculating penis above a vaginal opening. Benoit's commitment to a sexualised surrealism came from his fascination with the Marquis de Sade. Signed in pencil below the work and marked "E.A." (Edition artiste - i.e. artist's proof copy) Fine.</div>]]></description>
										<content:encoded><![CDATA[<div>N.p. (Paris): n.p., n.d.
33 x 25cm (mage size: 13.5 x 10cm), black on white etching on thick cartridge paper. The image is a visual pun of a lobster made up of an ejaculating penis above a vaginal opening. Benoit's commitment to a sexualised surrealism came from his fascination with the Marquis de Sade. Signed in pencil below the work and marked "E.A." (Edition artiste - i.e. artist's proof copy) Fine.</div>]]></content:encoded>
					
		
		
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