10.5 x 15cm, 2pp announcement card for a minor retrospective with a detail of one work "Le Decor" on the front in colour, verso gallery details. VG+.

10.5 x 15cm, 2pp announcement card for one of Le Gac's earliest exhibitions in the USA. The front of the card shows a typical narrative work - a photograph of a man with a slingshot and an invented text "This childish man is making a little boy believ e that he is going to shoot at a giant with a slingshot". Verso gallery details. Hard to find. VG+.

21 x 15cm, 1pp typographic design announcement card for a solo show. Unmailed example - VG+.

15.8 x 10.7cm, 2pp printed red on thick cream card. Announcement for a large scale group show of photography curated by Alessandro Vezzosi. Included works by Giovanni Anselmo, John Baldessari, Joseph Beuys, Giuseppe Chiari, James Coleman, James Collins, Jan Dibbets, Gilberrt & George, Dan Graham, Douglas Heubler, Peter Hutchison, Jiri Kolar, Jan (sic) Le Gac, Sol Lewitt, Irs Luthi, Naurizio Nannucci, Dennis Oppenheim, Giulio Paolini, Giuseppe Penone, Arnulf Rainer, Ulrike Rosenbach, Allen Kaprow and others. The card has a horizontal crease and a brown mark on the top right of the card else VG.

15 x 21cm, 2pp announcement card with with one painting Le Gac on the front, verso gallery details. VG+.

62 x 44cm, b/w offset lithographic exhibition poster with a design by the artist. Folded for storage with a small tear along the fold line on the left of the sheet else VG.

10.5 x 15cm, 1pp typographic announcement card for a show of paintings, verso gallery details. This is a mailed example with a glued on address label and franked stamp. VG+.

66 x 44cm, b/w offset lithographic artist's poster displaying Le Gac's car after a road trip to England (Dartmoor) in front of the restaurant "Aux Tamaris" in Paris . A text below the image reads:

"La voiture du Peintre photographiee devant le restaurant "Aux Tamaris" a Paris le jour ou il etait revenu sur le continent, quitant Postbridge un coin perdu de la lande de Dartmoor ou il s'etait fixe, sur la simple indication que ce restaurant, tenu par de vagues cousins croyait-il, s'appelait Tamaris comme la localite du Midi de la France ou il etait ne

Bien qu'il se trompat du tout au tout il avait ete heureux que ce nom de lieu (la Jerusalem celeste pour lui) se trouvat associe comme autrefois a des senteurs meridionales h'huile chaide et de sardine grilles."

which roughly translates to:

"

The Painter's car photographed in front of the restaurant "Aux Tamaris" in Paris the day he returned to the continent, leaving Postbridge, a lost corner of the Dartmoor moor where he had settled, on the simple indication that this restaurant, held by vague cousins, he believed, was called Tamaris after the locality in the South of France where he was born

Although he was totally wrong, he had been happy that this place name (heavenly Jerusalem for him) found itself associated, as in the past, with southern scents of hot oil and grilled sardines."

A work about homecoming after exile. And decent french food.

Folded and slightly browned with minor tears along fold lines but else VG. A scarce artwork in the form of a poster.

30 x 21cm, 60pp plus card covers. An exhibition of works by conceptual artists who were all represented by the NYC John Gibson Gallery. Texts and b/w images of works by David Askevold, Didier Bay, Bill Beckley, Robert Cumming, Peter Hutchinson, Jean le Gac and Roger Welsh with a preface by James Collins. Some grubbiness to wrappers but else VG. A lesser known conceptual show.