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	<title>Johannes Albers - Unoriginal Sins</title>
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	<title>Johannes Albers - Unoriginal Sins</title>
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		<title>FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 09:18:01 +0000</pubDate>
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					<description><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>SOME WENT MAD, SOME RAN AWAY. 1994. YBA SHOW CURATED BY DAMIEN HIRST.</title>
		<link>https://unoriginalsins.co.uk/product/some-went-mad-some-ran-away-1994-yba-show-curated-by-damien-hirst/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=some-went-mad-some-ran-away-1994-yba-show-curated-by-damien-hirst</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 28 Mar 2020 14:30:18 +0000</pubDate>
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					<description><![CDATA[<p>London: Serpentine Gallery, 1994<br />
30 x 23cm, 48pp plus pictorial card covers with extended folds. Exhibition catalogue of a travelling group show which was curated by Damien Hirst and included Ashley Bickerton, Kiki Smith, Angus Fairhurst, Marcus Harvey, Hiroshi Sugimoto, Sophie Calle, Johannes Albers, Robert Peacock, Jane Simpson, Andreas Slominski, Alexis Rockman, Michael Joaquin Grey, Michael Joo and Abigail Lane.Thirty full page, full colour reproductions of works (two per artist) and a short essay by Richard Shone in English and Danish. Fine. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/some-went-mad-some-ran-away-1994-yba-show-curated-by-damien-hirst/">SOME WENT MAD, SOME RAN AWAY. 1994. YBA SHOW CURATED BY DAMIEN HIRST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Serpentine Gallery, 1994<br />
30 x 23cm, 48pp plus pictorial card covers with extended folds. Exhibition catalogue of a travelling group show which was curated by Damien Hirst and included Ashley Bickerton, Kiki Smith, Angus Fairhurst, Marcus Harvey, Hiroshi Sugimoto, Sophie Calle, Johannes Albers, Robert Peacock, Jane Simpson, Andreas Slominski, Alexis Rockman, Michael Joaquin Grey, Michael Joo and Abigail Lane.Thirty full page, full colour reproductions of works (two per artist) and a short essay by Richard Shone in English and Danish. Fine. Scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/some-went-mad-some-ran-away-1994-yba-show-curated-by-damien-hirst/">SOME WENT MAD, SOME RAN AWAY. 1994. YBA SHOW CURATED BY DAMIEN HIRST.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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