Keith Arnatt - Unoriginal Sins

KEITH ARNATT. 1958. KEITH ARNATT’S FIRST EXHIBITION.

paul robertson — Mon, 15 Sep 2025 14:56:10 +0000

n.p. (London): New Vision Centre Gallery, 1958
15 x 10.5cm, 4pp (single double folded sheet) announcement brochure for Arnatt’s first ever solo exhibition. One work in b/w on front, otherwise gallery details and a short text on the artist. VG++. Rare.

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TWO NEW WORKS. WALKING THE DOG & GARDENERS. 1979.

paul robertson — Tue, 07 Jun 2022 02:09:54 +0000

London: Anthony d'Offay, 1979

15 x 15.2cm, 4pp announcement card with one b/w photograph on the front, internally gallery details. VG+.

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WORKS 1968 – 1990. 2009.

paul robertson — Wed, 26 May 2021 18:42:37 +0000

London: Richard Saltoun Gallery, 2009
30 x 21cm, 32pp plus card covers. Exhibition catalogue for a selling exhibition of works by Arnatt - various reproduced in b/w and colour and essays by Charles Harrison and Martin Parr. VG+.

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JONATHAN MONK + KEITH ARNATT/PETER LIVERSIDGE & FISCHLI + WEISS. 2008.

paul robertson — Wed, 13 May 2020 14:51:02 +0000

Edinburgh: Ingleby Gallery, 2008

15 x 16.5cm, 2pp typographic announcement card for pairings of Jonathan Monk with Keith Arnatt and Peter Liversidge with Fischli + Weiss. VG.

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SEVEN EXHIBITIONS. 1972.

paul robertson — Tue, 31 Dec 2019 11:28:28 +0000

London: The Tate Gallery, London 1972.
31 x 24.5cm printed cardboard envelope content of four artist designed posters (Beuys, Arnatt, Craig-Martin and Bob Law) and three announcement cards (Tremlett, Hamish Fulton and Bruce McLean). Additional is a A4 text by the Tate Gallery explaining this the catalogue. All fine in like mailer. Very scarce.

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KEITH ARNATT. 1977.

paul robertson — Wed, 11 Dec 2019 10:12:38 +0000

London: Whitechapel Gallery, 1977
16.5 x 12cm, 2pp artist’s postcard with a b/w image from the “Looking at me” series. Fine.

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2448000 – 0000000. 1971.

paul robertson — Wed, 11 Dec 2019 10:11:10 +0000

London: Tate Gallery, n.d. (1971/2)
22 x 16cm (folded size) opens out to 62 x 44cm, printed both sides. Exhibition poster and exhibition catalogue for this conceptual show: one side is the title text and verso is a lengthy extract from Arnatt's 'Art & Egocentricity' text. Minor marks but overall very good - an interesting document from the last of the supposed "six years" of the dematerialism of the art object from the artist who suggested that if art was to disappear then the artist should also disappear.

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