<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Unoriginal Sins | </title>
	<atom:link href="https://unoriginalsins.co.uk/product-tag/lawrence-upton/feed/" rel="self" type="application/rss+xml" />
	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
	<lastBuildDate>Thu, 19 Dec 2024 22:32:23 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>POEMS UNDER CONSTRUCTION AND REPAIR. 1975.</title>
		<link>https://unoriginalsins.co.uk/product/poems-under-construction-and-repair-1975/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=poems-under-construction-and-repair-1975</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 17:21:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22939</guid>

					<description><![CDATA[London: Good Elf Publications, 1975

21 x 15cm, 18pp plus light green printed wrappers designed by the artist. Staple binding and tape. Mimeograph, A long experimental poem by the sound and concrete poet. VG+ although after 45 years the tape binding is partly coming away due to glue loss but the staples are fine.]]></description>
										<content:encoded><![CDATA[London: Good Elf Publications, 1975

21 x 15cm, 18pp plus light green printed wrappers designed by the artist. Staple binding and tape. Mimeograph, A long experimental poem by the sound and concrete poet. VG+ although after 45 years the tape binding is partly coming away due to glue loss but the staples are fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>FOUR TEXTS FOR TEXTS-SOUND COMPOSTIGNITION (sic). 1976.</title>
		<link>https://unoriginalsins.co.uk/product/four-texts-for-texts-sound-compostignition-sic-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=four-texts-for-texts-sound-compostignition-sic-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 16:56:16 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22929</guid>

					<description><![CDATA[Stockholm: Alv Bokforlag), 1976

21 x 15cm, 8pp (self cover). Staple binding. four works - all of which are sound art poetry performance works (including one intended for the JgJgJgJgJKgJgJ group formed by Upton alongside Chris Cheek and P C Fencott. VG+.]]></description>
										<content:encoded><![CDATA[Stockholm: Alv Bokforlag), 1976

21 x 15cm, 8pp (self cover). Staple binding. four works - all of which are sound art poetry performance works (including one intended for the JgJgJgJgJKgJgJ group formed by Upton alongside Chris Cheek and P C Fencott. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>JgJgJgJgJgJgJ. 1976.</title>
		<link>https://unoriginalsins.co.uk/product/jgjgjgjgjgjgj-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=jgjgjgjgjgjgj-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 16:50:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22928</guid>

					<description><![CDATA[N.P. (London): N.P. ( Good Elf Publications?), N.D. (1977)

21 x 15cm, 8pp plus card wrappers. Staple binding. A programme for public performances of the group consisting of Chris Cheek, P C Fencott and Lawrence Upton. The trio performed not just traditional poetry but sound art which they compare to "jazz experimention".  each performance was intended to be different from each other. Visual poetry cover by Upton. Contact details for all poets were included. VG+.]]></description>
										<content:encoded><![CDATA[N.P. (London): N.P. ( Good Elf Publications?), N.D. (1977)

21 x 15cm, 8pp plus card wrappers. Staple binding. A programme for public performances of the group consisting of Chris Cheek, P C Fencott and Lawrence Upton. The trio performed not just traditional poetry but sound art which they compare to "jazz experimention".  each performance was intended to be different from each other. Visual poetry cover by Upton. Contact details for all poets were included. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SAME CHANT. 1974.</title>
		<link>https://unoriginalsins.co.uk/product/the-same-chant-1974/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-same-chant-1974</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 16:30:49 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22925</guid>

					<description><![CDATA[London: Good Elf Publications, 1974

25.4 x 20cm, 16pp plus green wrappers. Mimeograph with different colour sheets. A long visual poem by Upton which is also a performative sound work (first performed in 1972). Cover by Upton. VG+.]]></description>
										<content:encoded><![CDATA[London: Good Elf Publications, 1974

25.4 x 20cm, 16pp plus green wrappers. Mimeograph with different colour sheets. A long visual poem by Upton which is also a performative sound work (first performed in 1972). Cover by Upton. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>VIEWS OF LYONNESSE. BOOK 1. 1977.</title>
		<link>https://unoriginalsins.co.uk/product/views-of-lyonnesse-book-1-1977/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=views-of-lyonnesse-book-1-1977</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 16:11:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22924</guid>

					<description><![CDATA[London: Writers Forum, 1977

30 x 21cm, 24pp plus green wrappers. A long poem by Upton followed by a 1pp visual poetry "performance" score. Cover by Upton. VG+.]]></description>
										<content:encoded><![CDATA[London: Writers Forum, 1977

30 x 21cm, 24pp plus green wrappers. A long poem by Upton followed by a 1pp visual poetry "performance" score. Cover by Upton. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>4 VORTICES? 1976.</title>
		<link>https://unoriginalsins.co.uk/product/4-vortices-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=4-vortices-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 11:23:55 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22883</guid>

					<description><![CDATA[N.p.: n.p. (Upton), 1976

27 x 21cm, 1pp printed cover sheet with four additional 27 x 21cm, 1pp black on pink (2), green and yellow card. The "four vortices" are reworked images taken from the outside of John Lewis partnership paper carrier bags (a rather progressive co-operative company founded on Quaker principles and at the time one of the larger department stores in many UK cities). The drawings by Upton should "be taken as scores for electronic treatment of this section...". The text is noted as having been written during the Ninth International Festival of Sound Poetry on June 5 1976. All elements are VG+. Each of the four poems has the artist's name and London address on verso.]]></description>
										<content:encoded><![CDATA[N.p.: n.p. (Upton), 1976

27 x 21cm, 1pp printed cover sheet with four additional 27 x 21cm, 1pp black on pink (2), green and yellow card. The "four vortices" are reworked images taken from the outside of John Lewis partnership paper carrier bags (a rather progressive co-operative company founded on Quaker principles and at the time one of the larger department stores in many UK cities). The drawings by Upton should "be taken as scores for electronic treatment of this section...". The text is noted as having been written during the Ninth International Festival of Sound Poetry on June 5 1976. All elements are VG+. Each of the four poems has the artist's name and London address on verso.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WRECKS ROUND THE ISLES OF SCILLY. THIRD VERSION. 1975.</title>
		<link>https://unoriginalsins.co.uk/product/wrecks-round-the-isles-of-scilly-third-version/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wrecks-round-the-isles-of-scilly-third-version</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 23 May 2020 08:10:57 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=22876</guid>

					<description><![CDATA[London: Good Elf Publications, 1975

30 x 21cm, 12pp plus orange printed wrappers. Glued binding. The third version (and the third published but all are different) of a sound poem by Upton that was previously performed by b p Nichol and others at the Eighth International Festival of Sound Art. An evoloving work where the names of shipwrecks to be found around the Isles of Scilly are read out in four voices simultaneously. VG+. Scarce.]]></description>
										<content:encoded><![CDATA[London: Good Elf Publications, 1975

30 x 21cm, 12pp plus orange printed wrappers. Glued binding. The third version (and the third published but all are different) of a sound poem by Upton that was previously performed by b p Nichol and others at the Eighth International Festival of Sound Art. An evoloving work where the names of shipwrecks to be found around the Isles of Scilly are read out in four voices simultaneously. VG+. Scarce.]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
