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	<title>Lev Nusberg - Unoriginal Sins</title>
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	<title>Lev Nusberg - Unoriginal Sins</title>
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		<title>FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 09:18:01 +0000</pubDate>
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					<description><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>GRUPPE BEWEGUNG &#8220;DVIZENIE&#8221; MOSKAU 1962 &#8211; 1972. 1973.</title>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 16 May 2022 13:12:32 +0000</pubDate>
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					<description><![CDATA[<p>Krefeld: Kaiser Haus Wilhelm Museum, 1973</p>
<p>30 x 21cm, 2pp announcement card for a solo show of works by Galina Bill, Tatjana Bystrova, Sascha Grigoriev, Wladimir Grabenko, Francisco Infante, Klawa Nedelko, Lev Nusberg, and Natalia Prokuratova who acted as the art collective Gruppe Bewegung. A printing by Galina Bilt in colour on reverse. This has four die-cut holes for storage in a ring binder as issued by the Museum. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/gruppe-bewegung-dvizenie-moskau-1962-1972-1973/">GRUPPE BEWEGUNG “DVIZENIE” MOSKAU 1962 – 1972. 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Krefeld: Kaiser Haus Wilhelm Museum, 1973</p>
<p>30 x 21cm, 2pp announcement card for a solo show of works by Galina Bill, Tatjana Bystrova, Sascha Grigoriev, Wladimir Grabenko, Francisco Infante, Klawa Nedelko, Lev Nusberg, and Natalia Prokuratova who acted as the art collective Gruppe Bewegung. A printing by Galina Bilt in colour on reverse. This has four die-cut holes for storage in a ring binder as issued by the Museum. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/gruppe-bewegung-dvizenie-moskau-1962-1972-1973/">GRUPPE BEWEGUNG “DVIZENIE” MOSKAU 1962 – 1972. 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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