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	<title>Linien Group - Unoriginal Sins</title>
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	<title>Linien Group - Unoriginal Sins</title>
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		<title>LINIENS SAMMENSLUTNING EFTER-EXPRESSIONISME/ABSTRAKT KUNST/NEOPLASTICISME/SURREALISME. 1937. JORN&#8217;S FIRST EXHIBITION CATALOGUE IN COPENHAGEN SIGNED (TWICE) &#038; ANNOTATED.</title>
		<link>https://unoriginalsins.co.uk/product/liniens-sammenslutning-efter-expressionisme-abstrakt-kunst-neoplasticisme-surrealisme-1937-jorns-first-exhibition-catalogue-in-copenhagen-signed-twice-annotated/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=liniens-sammenslutning-efter-expressionisme-abstrakt-kunst-neoplasticisme-surrealisme-1937-jorns-first-exhibition-catalogue-in-copenhagen-signed-twice-annotated</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 01 Dec 2019 20:12:17 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=3523</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Copenhagen: Linien, 1937</span></p>
<p class="p1"><span class="s1">20.4 x 12.4cm, 32pp plus printed wrappers. Exhibition catalogue. Asger Jorn first joined the Linien group in Copenhagan in 1935 at the age of 21 after a period of creating mostly mediocre works of a realist nature. This established group of painters and sculptors were a melange of post-surrealist artists who painted in an abstract style which immediately influenced Jorn's expressionistic work. This exhibition contained works by members of Linien along some works by painters whom they regarded as their influences. Nine such works are noted herein and reproduced in b/w by Sophie Tauber Arp, Hans Arp, van Doesberg, Ernst, Kandinsky, Klee, Miro, Mondrian, Banguy, Bentsen, Hull and joined from the Linien group Olafsson, Olafsson, Heerup, Ferlov, Bille, Graumann, Dryberg-Petersen, Jacobsen and Asger O. Jorgensen (Jorn) himself. The latter earlier incarnation of Jorn displayed 7 works according to the catalogue (price for each was 250 kroner). Later Jorn (in the 1950s) was shown this catalogue and he wrote on the first internal page "ma premiere expedition a Copenhague/Jorn" in blue ink and on the page with his exhibition listing he crossed out parts of the printed name "Asger O. Jorgensen" and signed his name as Jorn above it. Sadly this book has become damp in the past and ink from the red printed card wrappers has leeched through the pages of the book. However as a flaw it is not so very terrible, all pages are easily read (red?) and visible - overall, with that noted flaw, it is in very good condition apart from rust on the staples. A rarity made even more so by Jorn's intervention.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/liniens-sammenslutning-efter-expressionisme-abstrakt-kunst-neoplasticisme-surrealisme-1937-jorns-first-exhibition-catalogue-in-copenhagen-signed-twice-annotated/">LINIENS SAMMENSLUTNING EFTER-EXPRESSIONISME/ABSTRAKT KUNST/NEOPLASTICISME/SURREALISME. 1937. JORN’S FIRST EXHIBITION CATALOGUE IN COPENHAGEN SIGNED (TWICE) & ANNOTATED.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Copenhagen: Linien, 1937</span></p>
<p class="p1"><span class="s1">20.4 x 12.4cm, 32pp plus printed wrappers. Exhibition catalogue. Asger Jorn first joined the Linien group in Copenhagan in 1935 at the age of 21 after a period of creating mostly mediocre works of a realist nature. This established group of painters and sculptors were a melange of post-surrealist artists who painted in an abstract style which immediately influenced Jorn's expressionistic work. This exhibition contained works by members of Linien along some works by painters whom they regarded as their influences. Nine such works are noted herein and reproduced in b/w by Sophie Tauber Arp, Hans Arp, van Doesberg, Ernst, Kandinsky, Klee, Miro, Mondrian, Banguy, Bentsen, Hull and joined from the Linien group Olafsson, Olafsson, Heerup, Ferlov, Bille, Graumann, Dryberg-Petersen, Jacobsen and Asger O. Jorgensen (Jorn) himself. The latter earlier incarnation of Jorn displayed 7 works according to the catalogue (price for each was 250 kroner). Later Jorn (in the 1950s) was shown this catalogue and he wrote on the first internal page "ma premiere expedition a Copenhague/Jorn" in blue ink and on the page with his exhibition listing he crossed out parts of the printed name "Asger O. Jorgensen" and signed his name as Jorn above it. Sadly this book has become damp in the past and ink from the red printed card wrappers has leeched through the pages of the book. However as a flaw it is not so very terrible, all pages are easily read (red?) and visible - overall, with that noted flaw, it is in very good condition apart from rust on the staples. A rarity made even more so by Jorn's intervention.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/liniens-sammenslutning-efter-expressionisme-abstrakt-kunst-neoplasticisme-surrealisme-1937-jorns-first-exhibition-catalogue-in-copenhagen-signed-twice-annotated/">LINIENS SAMMENSLUTNING EFTER-EXPRESSIONISME/ABSTRAKT KUNST/NEOPLASTICISME/SURREALISME. 1937. JORN’S FIRST EXHIBITION CATALOGUE IN COPENHAGEN SIGNED (TWICE) & ANNOTATED.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>NY INTERNATIONAL KUNST. 1960.</title>
		<link>https://unoriginalsins.co.uk/product/ny-international-kunst-1960/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ny-international-kunst-1960</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 01 Dec 2019 19:19:04 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=3487</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Silkeborg: Silkeborg Musuem, 1960</span></p>
<p class="p1"><span class="s1">19 x 12.7cm, 76 pp plus card covers. Exhibition catalogue of this extensive contemporary show which was organised and in part curated by Jorn. His choice included many of the important surrealists that influenced him and the Linien group (Baj, Arp, Matta) alongside many of his colleagues in Cobra (Constant, Alchinsky, Corneille and others). Almost all the artists represented were active in the areas of neo-expressionism or surrealist abstraction. All the paintings selected for this show are reproduced full page in b/w. An interesting and important document showing the influences on Jorn at the turn of the 50s. As a post-script to the catalogue there is a 2pp text by Jorn in Danish. Slight marking to the covers but over all very good. Scarce.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/ny-international-kunst-1960/">NY INTERNATIONAL KUNST. 1960.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Silkeborg: Silkeborg Musuem, 1960</span></p>
<p class="p1"><span class="s1">19 x 12.7cm, 76 pp plus card covers. Exhibition catalogue of this extensive contemporary show which was organised and in part curated by Jorn. His choice included many of the important surrealists that influenced him and the Linien group (Baj, Arp, Matta) alongside many of his colleagues in Cobra (Constant, Alchinsky, Corneille and others). Almost all the artists represented were active in the areas of neo-expressionism or surrealist abstraction. All the paintings selected for this show are reproduced full page in b/w. An interesting and important document showing the influences on Jorn at the turn of the 50s. As a post-script to the catalogue there is a 2pp text by Jorn in Danish. Slight marking to the covers but over all very good. Scarce.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/ny-international-kunst-1960/">NY INTERNATIONAL KUNST. 1960.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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