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	<title>Lucy Lippard - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Lucy Lippard - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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		<title>UN CERTAIN ART ANGLAIS! ART FROM THE BRITISH LEFT. 1979.</title>
		<link>https://unoriginalsins.co.uk/product/un-certain-art-anglais-art-from-the-british-left-1979/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=un-certain-art-anglais-art-from-the-british-left-1979</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 06 Jul 2023 15:39:21 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=55944</guid>

					<description><![CDATA[<p>NYC: Artist's Space, 1979</p>
<p>15 x 10.5cm, 2pp announcement card for a group show including work by Rasheed Araeen &#38; The Black Phoenix, Conrad Atkinson, Margaret Harrison, Alexis Hunter, Mary Kelly, Tony Rickaby and Marie Yates. The card however has a typed text in blue which states: "This postcard piece originally protested the exclusion of Third World artists from a recent British Art show in Paris." - the front being "Un Certann Art Anglais" by Rasheed Araeen, 1979. The group show was a politically committed exhibition which was the first in what Artist's Space claimed to "intended to expand international communicaiton and to form an archive of political art. Anyone interested in participating in future manifestations should contact Lucy R. Lippard." This card was a mailed example and has an address label for James Collins in New York on the back along with gallery details.</p>
The post <a href="https://unoriginalsins.co.uk/product/un-certain-art-anglais-art-from-the-british-left-1979/">UN CERTAIN ART ANGLAIS! ART FROM THE BRITISH LEFT. 1979.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Artist's Space, 1979</p>
<p>15 x 10.5cm, 2pp announcement card for a group show including work by Rasheed Araeen &#38; The Black Phoenix, Conrad Atkinson, Margaret Harrison, Alexis Hunter, Mary Kelly, Tony Rickaby and Marie Yates. The card however has a typed text in blue which states: "This postcard piece originally protested the exclusion of Third World artists from a recent British Art show in Paris." - the front being "Un Certann Art Anglais" by Rasheed Araeen, 1979. The group show was a politically committed exhibition which was the first in what Artist's Space claimed to "intended to expand international communicaiton and to form an archive of political art. Anyone interested in participating in future manifestations should contact Lucy R. Lippard." This card was a mailed example and has an address label for James Collins in New York on the back along with gallery details.</p>
The post <a href="https://unoriginalsins.co.uk/product/un-certain-art-anglais-art-from-the-british-left-1979/">UN CERTAIN ART ANGLAIS! ART FROM THE BRITISH LEFT. 1979.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>WOMEN ARTIST NEWLETTER. JAN 1976 &#8211; NOV 1977.  17 DIFFERENT NUMBERS. A NEAR CONTINUOUS RUN.</title>
		<link>https://unoriginalsins.co.uk/product/women-artist-newletter-jan-1976-nov-1977-17-different-numbers-a-near-continuous-run/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=women-artist-newletter-jan-1976-nov-1977-17-different-numbers-a-near-continuous-run</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 05 Jun 2022 19:00:58 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=50266</guid>

					<description><![CDATA[<p>NYC: Woman Artists Newsletter, January 1976 to November 1977.</p>
<p>17 different numbers - a near continuous run of journals beginning at Vol Nr 8 and ending with Vol 3 Nr 5 with only Vol 2 Nr 7 missing from the run.  Uniformly 30 x 21cm, pagination varies but typically 6pp or 8pp.</p>
<p>A venture by published by Cynthia Navaretta (who also founded the Women's Caucus for Art, the Coalition of Women's Arts Organizations, and Women in the Arts) who appointed Judy Seigel as editor.</p>
<p>The Women Artist Newsletter (later Women Artists News)  acted as an information exchange and communication medium for women artists and carried books reviews, articles, museum and gallery listings, event listings, interviews, how-to information, and other assorted news related to art, feminism and women's issues. It had a readership of around 6,000.</p>
<p>Contributors included Joyce Kozloff, Lil Picard, Miriam Schapiro, Sylvia Sleigh, Joan Snyder, Nancy Spero and May Stevens.</p>
<p>A couple of the numbers here sh0w some browning but it is minor - overall each is VG+. A scarce publication to find in a lengthy if incomplete run.</p>
<p>Price is for all 17 numbers as a group.</p>
The post <a href="https://unoriginalsins.co.uk/product/women-artist-newletter-jan-1976-nov-1977-17-different-numbers-a-near-continuous-run/">WOMEN ARTIST NEWLETTER. JAN 1976 – NOV 1977.  17 DIFFERENT NUMBERS. A NEAR CONTINUOUS RUN.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Woman Artists Newsletter, January 1976 to November 1977.</p>
<p>17 different numbers - a near continuous run of journals beginning at Vol Nr 8 and ending with Vol 3 Nr 5 with only Vol 2 Nr 7 missing from the run.  Uniformly 30 x 21cm, pagination varies but typically 6pp or 8pp.</p>
<p>A venture by published by Cynthia Navaretta (who also founded the Women's Caucus for Art, the Coalition of Women's Arts Organizations, and Women in the Arts) who appointed Judy Seigel as editor.</p>
<p>The Women Artist Newsletter (later Women Artists News)  acted as an information exchange and communication medium for women artists and carried books reviews, articles, museum and gallery listings, event listings, interviews, how-to information, and other assorted news related to art, feminism and women's issues. It had a readership of around 6,000.</p>
<p>Contributors included Joyce Kozloff, Lil Picard, Miriam Schapiro, Sylvia Sleigh, Joan Snyder, Nancy Spero and May Stevens.</p>
<p>A couple of the numbers here sh0w some browning but it is minor - overall each is VG+. A scarce publication to find in a lengthy if incomplete run.</p>
<p>Price is for all 17 numbers as a group.</p>
The post <a href="https://unoriginalsins.co.uk/product/women-artist-newletter-jan-1976-nov-1977-17-different-numbers-a-near-continuous-run/">WOMEN ARTIST NEWLETTER. JAN 1976 – NOV 1977.  17 DIFFERENT NUMBERS. A NEAR CONTINUOUS RUN.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
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		<title>ART AND CLASS: A FORUM. SOME MARXIST VIEWPOINTS. 1976.</title>
		<link>https://unoriginalsins.co.uk/product/art-and-class-a-forum-some-marxist-viewpoints-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-and-class-a-forum-some-marxist-viewpoints-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 01 Aug 2021 10:00:04 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=41738</guid>

					<description><![CDATA[<p>NYC: Artist's Space, n.d. (1976)</p>
<p>21 X 28cm, 1pp. Typographic announcement on paper for a one day symposium on being an art worker. Listed as participating (not all of whom were actual Marxists) were Carl Andre, Kay Brouwn, Lee Baxandall, Leon Golub, Lucy Lippard, May Stevens, Alan Wallach and Kevin Whitfield with the event moderated by Patricia Hills. Folded and with staples hole for mailing to James Collins the conceptual artist (who has bracketed and underlined the sub-title "Some Marxist Viewpoints" in ink else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/art-and-class-a-forum-some-marxist-viewpoints-1976/">ART AND CLASS: A FORUM. SOME MARXIST VIEWPOINTS. 1976.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Artist's Space, n.d. (1976)</p>
<p>21 X 28cm, 1pp. Typographic announcement on paper for a one day symposium on being an art worker. Listed as participating (not all of whom were actual Marxists) were Carl Andre, Kay Brouwn, Lee Baxandall, Leon Golub, Lucy Lippard, May Stevens, Alan Wallach and Kevin Whitfield with the event moderated by Patricia Hills. Folded and with staples hole for mailing to James Collins the conceptual artist (who has bracketed and underlined the sub-title "Some Marxist Viewpoints" in ink else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/art-and-class-a-forum-some-marxist-viewpoints-1976/">ART AND CLASS: A FORUM. SOME MARXIST VIEWPOINTS. 1976.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>SIX YEARS: THE DEMATERIALIZATION OF THE ART OBJECT&#8230; 1973.</title>
		<link>https://unoriginalsins.co.uk/product/six-years-the-dematerialization-of-the-art-object-1973/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=six-years-the-dematerialization-of-the-art-object-1973</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 27 Sep 2020 09:24:40 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=33563</guid>

					<description><![CDATA[<p class="p1">NYC: Praeger Publishers Inc., 1973</p>
<p class="p1">22 x 19cm, 272pp. Boards with dustjacket. First edition (USA simulatanously with the London UK edition) of this formidable if chaotic listing of conceptual art's beginnings illustrated throughout in b/w of works. There are chips and tears to the dustjacket else VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/six-years-the-dematerialization-of-the-art-object-1973/">SIX YEARS: THE DEMATERIALIZATION OF THE ART OBJECT… 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">NYC: Praeger Publishers Inc., 1973</p>
<p class="p1">22 x 19cm, 272pp. Boards with dustjacket. First edition (USA simulatanously with the London UK edition) of this formidable if chaotic listing of conceptual art's beginnings illustrated throughout in b/w of works. There are chips and tears to the dustjacket else VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/six-years-the-dematerialization-of-the-art-object-1973/">SIX YEARS: THE DEMATERIALIZATION OF THE ART OBJECT… 1973.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ULRIKE ROSENBACH. 1978.</title>
		<link>https://unoriginalsins.co.uk/product/ulrike-rosenbach-1978/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ulrike-rosenbach-1978</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 17 Aug 2020 18:00:36 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=30182</guid>

					<description><![CDATA[<p>(, Lucy)<br />
Rosenbach, Ulrike</p>
<p>Lisboa: Quadrum, n.d. (1978)<br />
25 x 20.5cm, 4pp plus 4pp wrap around wrappers. Exhibition catalogue for a solo show by the feminist performance artist. Two large b/w photographs of the artist performing standing on her head on the wrappers and internally a text written by Lucy Lippard and published in both Portuguese and English. VG. Very scarce.</p>
<p>95 uk pounds</p>
The post <a href="https://unoriginalsins.co.uk/product/ulrike-rosenbach-1978/">ULRIKE ROSENBACH. 1978.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>(, Lucy)<br />
Rosenbach, Ulrike</p>
<p>Lisboa: Quadrum, n.d. (1978)<br />
25 x 20.5cm, 4pp plus 4pp wrap around wrappers. Exhibition catalogue for a solo show by the feminist performance artist. Two large b/w photographs of the artist performing standing on her head on the wrappers and internally a text written by Lucy Lippard and published in both Portuguese and English. VG. Very scarce.</p>
<p>95 uk pounds</p>
The post <a href="https://unoriginalsins.co.uk/product/ulrike-rosenbach-1978/">ULRIKE ROSENBACH. 1978.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>APPEAL FOR PRINTED MATTER. 2015.</title>
		<link>https://unoriginalsins.co.uk/product/appeal-for-printed-matter-2015/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=appeal-for-printed-matter-2015</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 05 May 2020 10:09:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=20311</guid>

					<description><![CDATA[<p>NYC: Printed Matter, 2015<br />
13.5 x 18.5cm, printed envelope content of a 37 x 13cm, 1pp letter from Lucy Lippard with an original text and an appeal card from the artist. Printed matter annually releases an appeal for contributions and invites an artist to create the work (others have included Yoko Ono). VG in like envelope.</p>
The post <a href="https://unoriginalsins.co.uk/product/appeal-for-printed-matter-2015/">APPEAL FOR PRINTED MATTER. 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>NYC: Printed Matter, 2015<br />
13.5 x 18.5cm, printed envelope content of a 37 x 13cm, 1pp letter from Lucy Lippard with an original text and an appeal card from the artist. Printed matter annually releases an appeal for contributions and invites an artist to create the work (others have included Yoko Ono). VG in like envelope.</p>
The post <a href="https://unoriginalsins.co.uk/product/appeal-for-printed-matter-2015/">APPEAL FOR PRINTED MATTER. 2015.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>SUSAN HILLER . 1985. WITH BOUND-IN WALL-PAPER SAMPLES.</title>
		<link>https://unoriginalsins.co.uk/product/susan-hiller-1985-with-bound-in-wall-paper-samples/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=susan-hiller-1985-with-bound-in-wall-paper-samples</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 05 Apr 2020 09:00:14 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=17006</guid>

					<description><![CDATA[<p>London: ICA, 1985<br />
30 x 21 cm, 48pp plus 3pp of randomly bound in cut-off wallpaper samples (this one is from the Children's show Transformers) as end-papers thus this exhibition catalogue is also in a way an artist's book by Hiller. Text by Lucy Lippard. Very slight grubbiness to wrappers otherwise very good.</p>
The post <a href="https://unoriginalsins.co.uk/product/susan-hiller-1985-with-bound-in-wall-paper-samples/">SUSAN HILLER . 1985. WITH BOUND-IN WALL-PAPER SAMPLES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: ICA, 1985<br />
30 x 21 cm, 48pp plus 3pp of randomly bound in cut-off wallpaper samples (this one is from the Children's show Transformers) as end-papers thus this exhibition catalogue is also in a way an artist's book by Hiller. Text by Lucy Lippard. Very slight grubbiness to wrappers otherwise very good.</p>
The post <a href="https://unoriginalsins.co.uk/product/susan-hiller-1985-with-bound-in-wall-paper-samples/">SUSAN HILLER . 1985. WITH BOUND-IN WALL-PAPER SAMPLES.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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