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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
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		<title>CONCERNING ADA. 1997. WITH HANDWRITTEN CARD,</title>
		<link>https://unoriginalsins.co.uk/product/concerning-ada-1997/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=concerning-ada-1997</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=15083</guid>

					<description><![CDATA[NYC: Winstar Films, 1997
Standard DVD in plastic case with printed insert. The first commercial film by Hershmann which looks at the role of Ada Lovelace (Byron's daughter) in the development fo the world'ss first computational machine (computer). Starring Tilda Swinton.
Laid in:
5 x 9cm, 1pp business card for Hershman with verso a hand written note: "With Appreciation Lynn (Heart)".

Not currently for sale.]]></description>
										<content:encoded><![CDATA[NYC: Winstar Films, 1997
Standard DVD in plastic case with printed insert. The first commercial film by Hershmann which looks at the role of Ada Lovelace (Byron's daughter) in the development fo the world'ss first computational machine (computer). Starring Tilda Swinton.
Laid in:
5 x 9cm, 1pp business card for Hershman with verso a hand written note: "With Appreciation Lynn (Heart)".

Not currently for sale.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNTITLED. UNIQUE DIGITAL PRINT. SIGNED &#038; DEDICATED.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-unique-digital-print-signed-dedicated/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-unique-digital-print-signed-dedicated</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10745</guid>

					<description><![CDATA[28 x 13cm, unique full colour digital print (conservation inks on glass paper) of a machine/human photomontage by the artist. Dedicated "to Paul (Robertson), (heart) Lynn H". Fine condition. ]]></description>
										<content:encoded><![CDATA[28 x 13cm, unique full colour digital print (conservation inks on glass paper) of a machine/human photomontage by the artist. Dedicated "to Paul (Robertson), (heart) Lynn H". Fine condition. ]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WIRED MAGAZINE OFFPRINT ARTICLE. 2000. SIGNED BY LYNNE HERSHMANN.</title>
		<link>https://unoriginalsins.co.uk/product/wired-magazine-offprint-article-2000-signed-by-lynne-hersmann/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=wired-magazine-offprint-article-2000-signed-by-lynne-hersmann</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 01 Oct 2025 14:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=14437</guid>

					<description><![CDATA[NYC: Conde Nast, 2000
27.5 x 23cm, 24pp (self cover). Magazine offprint containing the article Why the future doesn;t need us by Bill Joy that discusses AI and robotics - something that Hershmann's artistic practice had taken a major interest in. This copy is soigned with a heart on the front cover by Hershmann. VG+.
JOINT WITH
mailing envelope hand addressed by the artist to Paul Robertson.]]></description>
										<content:encoded><![CDATA[NYC: Conde Nast, 2000
27.5 x 23cm, 24pp (self cover). Magazine offprint containing the article Why the future doesn;t need us by Bill Joy that discusses AI and robotics - something that Hershmann's artistic practice had taken a major interest in. This copy is soigned with a heart on the front cover by Hershmann. VG+.
JOINT WITH
mailing envelope hand addressed by the artist to Paul Robertson.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ANTI-BODIES. 2018.</title>
		<link>https://unoriginalsins.co.uk/product/anti-bodies-2018/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=anti-bodies-2018</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 30 Nov 2020 14:03:12 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=36265</guid>

					<description><![CDATA[Basel: HeK, 2018

21 x 15cm, 2pp announcement card for a late career solo show with many of the artist's films and photographs included. VG+.]]></description>
										<content:encoded><![CDATA[Basel: HeK, 2018

21 x 15cm, 2pp announcement card for a late career solo show with many of the artist's films and photographs included. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE ART AND FILMS OF LYNN HERSHMAN LEESON. 2005.</title>
		<link>https://unoriginalsins.co.uk/product/the-art-and-films-of-lynn-hershman-leeson-2005/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-art-and-films-of-lynn-hershman-leeson-2005</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 30 Mar 2020 10:09:23 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16568</guid>

					<description><![CDATA[Berkeley: University of California Press, 2005
22 x 18cm, 230pp. Original pictorial wrappers. Major monograph and catalogue released on the occasion of a west Coast retrospective of the work of Hershman. The long essays include original texts by the artist as well as a DVD tipped onto the back cover showing some early films. VG.]]></description>
										<content:encoded><![CDATA[Berkeley: University of California Press, 2005
22 x 18cm, 230pp. Original pictorial wrappers. Major monograph and catalogue released on the occasion of a west Coast retrospective of the work of Hershman. The long essays include original texts by the artist as well as a DVD tipped onto the back cover showing some early films. VG.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Y.W.C.A. 1974.</title>
		<link>https://unoriginalsins.co.uk/product/y-m-c-a-1974/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=y-m-c-a-1974</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Mar 2020 20:00:10 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16553</guid>

					<description><![CDATA[California: s.p. (the artist), 1974 
10 x 21cm, 16pp in spine binding. The very scarce documentation of this conceptual and site specific work where Hershman introduced a male statue into a YWCA room as a protest at management's refusal to allow men into the building. The installation lasted a day before being closed down by the administration. Fine.]]></description>
										<content:encoded><![CDATA[California: s.p. (the artist), 1974 
10 x 21cm, 16pp in spine binding. The very scarce documentation of this conceptual and site specific work where Hershman introduced a male statue into a YWCA room as a protest at management's refusal to allow men into the building. The installation lasted a day before being closed down by the administration. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>PLAZA HOTEL. 1974.</title>
		<link>https://unoriginalsins.co.uk/product/plaza-hotel-1974/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=plaza-hotel-1974</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Mar 2020 19:58:54 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16552</guid>

					<description><![CDATA[California: s.p. (the artist), 1974 
10 x 21cm, 16pp in spine binding. The very scarce documentation of a further conceptual and site specific work. Hershman invited a coach trip to view a room in a hotel which had been set up to suggest some unusual event had taken place. Eight photographs by the artist. The later Dante Hotel (co- created with Eleona Copolla) was a similar event but with the installation suggesting a murder had taken place: one visitor fearing foul play called the police - only for the rooms contents to be taken into custody and remain in police hands today. Fine. ]]></description>
										<content:encoded><![CDATA[California: s.p. (the artist), 1974 
10 x 21cm, 16pp in spine binding. The very scarce documentation of a further conceptual and site specific work. Hershman invited a coach trip to view a room in a hotel which had been set up to suggest some unusual event had taken place. Eight photographs by the artist. The later Dante Hotel (co- created with Eleona Copolla) was a similar event but with the installation suggesting a murder had taken place: one visitor fearing foul play called the police - only for the rooms contents to be taken into custody and remain in police hands today. Fine. ]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNTITLED. 2003.  INJET PRINT ONE OF 20. SIGNED &#038; DEDICATED BY HERMANN TO PAUL ROBERTSON.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-2003-injet-print-one-of-20-signed-dedicated-by-hermann-to-paul-robertson-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-2003-injet-print-one-of-20-signed-dedicated-by-hermann-to-paul-robertson-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 11 Mar 2020 16:24:42 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=14439</guid>

					<description><![CDATA[30 x 21cm, full colour digital print on gloss paper utilising conservation inks. A blue tinged female face is shown upside down as if being looked at in bed. This is signed and dedicated to Paul (Robertson) and numbered 1/20 although it is not clear that the full edition was ever produced. Fine. 

Not currently for sale due to being a gift from the artist.

]]></description>
										<content:encoded><![CDATA[30 x 21cm, full colour digital print on gloss paper utilising conservation inks. A blue tinged female face is shown upside down as if being looked at in bed. This is signed and dedicated to Paul (Robertson) and numbered 1/20 although it is not clear that the full edition was ever produced. Fine. 

Not currently for sale due to being a gift from the artist.

]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNTITLED. 2003.  INJET PRINT ONE OF 20. SIGNED &#038; DEDICATED BY HERSHMANN TO PAUL ROBERTSON.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-2003-injet-print-one-of-20-signed-dedicated-by-hermann-to-paul-robertson/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-2003-injet-print-one-of-20-signed-dedicated-by-hermann-to-paul-robertson</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 11 Mar 2020 16:23:30 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=14438</guid>

					<description><![CDATA[30 x 21cm, full colour digital print on gloss paper utilising conservation inks. A female face is blurred and photo-manipulated. This is signed and dedicated to Paul (Robertson) and numbered 1/20 although it is not clear that the full edition was ever produced. Fine. 

Not currently for sale due to being a gift from the artist.]]></description>
										<content:encoded><![CDATA[30 x 21cm, full colour digital print on gloss paper utilising conservation inks. A female face is blurred and photo-manipulated. This is signed and dedicated to Paul (Robertson) and numbered 1/20 although it is not clear that the full edition was ever produced. Fine. 

Not currently for sale due to being a gift from the artist.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A CHEQUE FROM ROBERTA BREITMORE MADE OUT TO PAUL ROBERTSON &#038; SIGNED BY &#8220;BREITMORE&#8221;. 1974 (ACTUALLY 2003).</title>
		<link>https://unoriginalsins.co.uk/product/a-cheque-from-roberta-breitmore-made-out-to-paul-robertson-signed-by-breitmore-1974-actually-2003/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-cheque-from-roberta-breitmore-made-out-to-paul-robertson-signed-by-breitmore-1974-actually-2003</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 11 Mar 2020 16:05:46 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=14436</guid>

					<description><![CDATA[7.2 x 15.4cm, printed commercial cheque from the "Breitmore Account" with the Bank of America in San Francisco. The cheque is blank but is made out to Parul Robertson and signed Roberta Breitmore in black ink. It is dated 6/17/1974 but this date is spurious as the cheque was actually signed and completed by Lynn Hershmann in 2003 as a thank you to Robertson for helping her appraise her archive. Roberta Breitmore was hermann's alter ego and was a famous feminist art performance where Hershmann took on the persona of another fictitious woman and lived a wholly separate life including visiting a psychologist and claiming she was troubled thinking she was not real and was really a different woman called Lynne Hershmann. A landmark action. Such cheques are uber rare and this is a significant holding of feminist and performance art.

Not currently for sale. ]]></description>
										<content:encoded><![CDATA[7.2 x 15.4cm, printed commercial cheque from the "Breitmore Account" with the Bank of America in San Francisco. The cheque is blank but is made out to Parul Robertson and signed Roberta Breitmore in black ink. It is dated 6/17/1974 but this date is spurious as the cheque was actually signed and completed by Lynn Hershmann in 2003 as a thank you to Robertson for helping her appraise her archive. Roberta Breitmore was hermann's alter ego and was a famous feminist art performance where Hershmann took on the persona of another fictitious woman and lived a wholly separate life including visiting a psychologist and claiming she was troubled thinking she was not real and was really a different woman called Lynne Hershmann. A landmark action. Such cheques are uber rare and this is a significant holding of feminist and performance art.

Not currently for sale. ]]></content:encoded>
					
		
		
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