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	<title>Unoriginal Sins | </title>
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		<title>NEW LABOUR. 2001.</title>
		<link>https://unoriginalsins.co.uk/product/new-labour-2001-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=new-labour-2001-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 19 Nov 2020 09:26:30 +0000</pubDate>
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					<description><![CDATA[London: Saatchi Gallery, n.d. (2001)

21 x 29cm, 82pp plus card covers. Exhibition catalogue for a group show of new work from Jake and Dinos Chapman , Enrico David , Elizabeth Wright , Grayson Perry, Martin Maloney and others - illustrated in colour throughout. ironically the title New Labour while referencing the rebranding that political party took under Tony Blair was also used as an attack title in an advert created by Saatchi's PR company which allowed his to buy all the art. He took the money, and the tax cuts from his chosen political party and ran. VG+.]]></description>
										<content:encoded><![CDATA[London: Saatchi Gallery, n.d. (2001)

21 x 29cm, 82pp plus card covers. Exhibition catalogue for a group show of new work from Jake and Dinos Chapman , Enrico David , Elizabeth Wright , Grayson Perry, Martin Maloney and others - illustrated in colour throughout. ironically the title New Labour while referencing the rebranding that political party took under Tony Blair was also used as an attack title in an advert created by Saatchi's PR company which allowed his to buy all the art. He took the money, and the tax cuts from his chosen political party and ran. VG+.]]></content:encoded>
					
		
		
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		<title>ARTCLUB MAGAZINE AUTUMN 2000. WITH MARTIN MALONEY POSTER.</title>
		<link>https://unoriginalsins.co.uk/product/artclub-magazine-autumn-2000-with-martin-maloney-poster/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=artclub-magazine-autumn-2000-with-martin-maloney-poster</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 03 Aug 2020 19:43:24 +0000</pubDate>
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					<description><![CDATA[London: Habitat, 2000

15 x 10.5cm, 16pp plus card covers with French folds. A single number of this short-lived commercial magazine in small format designed to promote the furniture and interior decoration chain store. interview with Max Wigram, and short promotional articles for shows of Gillian Wearing, Rich Ross and a cover by Glenn Brown.

Inserted in the back French fold is an especially designed full colour poster/lithograph by Martin Maloney of a painting - Total Devotion. Folded several times - opens to 25 x 59cm.

Inner staples are rusty else VG+.

&#160;]]></description>
										<content:encoded><![CDATA[London: Habitat, 2000

15 x 10.5cm, 16pp plus card covers with French folds. A single number of this short-lived commercial magazine in small format designed to promote the furniture and interior decoration chain store. interview with Max Wigram, and short promotional articles for shows of Gillian Wearing, Rich Ross and a cover by Glenn Brown.

Inserted in the back French fold is an especially designed full colour poster/lithograph by Martin Maloney of a painting - Total Devotion. Folded several times - opens to 25 x 59cm.

Inner staples are rusty else VG+.

&#160;]]></content:encoded>
					
		
		
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		<title>MARTIN MALONEY: NEW PAINTINGS. 2005.</title>
		<link>https://unoriginalsins.co.uk/product/martin-maloney-new-paintings-2005/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=martin-maloney-new-paintings-2005</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 04 Jun 2020 09:46:28 +0000</pubDate>
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					<description><![CDATA[<pre class="">London: Timothy Taylor Gallery, 2005
23 x 20cm, 40pp plus boards and pictorial dust jacket. Exhibition catalogue with 13 paintings reproduced in full colour - scenes of urban youth painted in a slightly fauvist, naive manner. Essay by Matthew Collins. Fine.
</pre>]]></description>
										<content:encoded><![CDATA[<pre class="">London: Timothy Taylor Gallery, 2005
23 x 20cm, 40pp plus boards and pictorial dust jacket. Exhibition catalogue with 13 paintings reproduced in full colour - scenes of urban youth painted in a slightly fauvist, naive manner. Essay by Matthew Collins. Fine.
</pre>]]></content:encoded>
					
		
		
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