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	<title>Unoriginal Sins | </title>
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		<title>ALICE NEEL&#8217;S PAINTING OF ANDY WARHOL SHOWING THE SCARS RESULTING FROM HIS SHOOTING BY VALERIE SOLANAS IN 1968&#8230; 2021. UNIQUE WORK.</title>
		<link>https://unoriginalsins.co.uk/product/alice-neels-painting-of-andy-warhol-showing-the-scars-resulting-from-his-shooting-by-valerie-solanas-in-1968-2021-unique-work/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=alice-neels-painting-of-andy-warhol-showing-the-scars-resulting-from-his-shooting-by-valerie-solanas-in-1968-2021-unique-work</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 22 Mar 2021 13:15:56 +0000</pubDate>
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					<description><![CDATA[30 x 21cm, crayon and pencil on paper. A work from a series of scenes from art history by the artist and critic - here displaying Warhol posing for Neel's famous portrait where she showed his scars from the emergency surgery he went through after being shot by Valerie Solanas in 1968. Extensive hand-written text on the reverse in in purple cyaon and pencil. Signed and dated 2021 by Collins. Fine. ]]></description>
										<content:encoded><![CDATA[30 x 21cm, crayon and pencil on paper. A work from a series of scenes from art history by the artist and critic - here displaying Warhol posing for Neel's famous portrait where she showed his scars from the emergency surgery he went through after being shot by Valerie Solanas in 1968. Extensive hand-written text on the reverse in in purple cyaon and pencil. Signed and dated 2021 by Collins. Fine. ]]></content:encoded>
					
		
		
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		<title>FRANCIS BACON IN MORROCO GETS INTO THE HABIT VISITING ALLAN GINSBERG AND WILLIAM BURROUGHS, THEY SMOKE HASH BUT IT DOESN;T AGREE WITH HIM AND HE STICKS TO ALCOHOL. 2021. UNIQUE WORK.</title>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 08 Feb 2021 22:09:59 +0000</pubDate>
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30 x 21cm, colour pastels and crayon on white paper. Unique drawing of a historic scene in 19the late 50s when Bacon was hanging with Ginsberg and Burroughs in Morocco smoking dope but not liking it very much. Title and various texts on reverse where the drawing is signed. A unique work. VG+.

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30 x 21cm, colour pastels and crayon on white paper. Unique drawing of a historic scene in 19the late 50s when Bacon was hanging with Ginsberg and Burroughs in Morocco smoking dope but not liking it very much. Title and various texts on reverse where the drawing is signed. A unique work. VG+.

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		<title>YOKO ONO INTRODUCES FELLOW FLUXUS ARTIST JOHN CAGE TO JOHN LENNON NEW YORK 1968. 2020.</title>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 14 Jan 2021 16:57:30 +0000</pubDate>
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					<description><![CDATA[30 x 21cm, colour pastels and crayon on white paper. Unique drawing of an imagined fictitious scene in 1968 where John Cage was introduced to John Lennon at George MacIunas' apartment in Soho in 1968. Title and various texts on reverse where the drawing is signed A unique work. VG+.

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										<content:encoded><![CDATA[30 x 21cm, colour pastels and crayon on white paper. Unique drawing of an imagined fictitious scene in 1968 where John Cage was introduced to John Lennon at George MacIunas' apartment in Soho in 1968. Title and various texts on reverse where the drawing is signed A unique work. VG+.

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		<title>SARAH LUCAS. 2000.</title>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Mar 2020 16:30:48 +0000</pubDate>
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					<description><![CDATA[London: Tate Gallery, 2000
30 x 24cm, 80pp. Original card covers. Exhibition catalogue for the large scale museum retrospective of the YBA. Illustrated in colours and b/w throughout. Useful catalogue. (Irrelevant fact - Matthew Collins was the reason I became an art dealer and collector having read one of his books, 30 years later I befriended him on Face book and within 6 months he had unfriended me because I called him out on his naive ultra left politics and support for the usurper and now objective failure Corbyn - never meet your heroes). Fine.]]></description>
										<content:encoded><![CDATA[London: Tate Gallery, 2000
30 x 24cm, 80pp. Original card covers. Exhibition catalogue for the large scale museum retrospective of the YBA. Illustrated in colours and b/w throughout. Useful catalogue. (Irrelevant fact - Matthew Collins was the reason I became an art dealer and collector having read one of his books, 30 years later I befriended him on Face book and within 6 months he had unfriended me because I called him out on his naive ultra left politics and support for the usurper and now objective failure Corbyn - never meet your heroes). Fine.]]></content:encoded>
					
		
		
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