16 x 24cm. 78pp. 14 full-page reproductions after drawings by the artist (three in colour). Edited by Christiane Meyer-Thoss. Wrappers. First edition of this bookwork. Composed of diary entries and accompanying drawings by Oppenheim, spanning 50+ years of activity. A fine copy.

24 x 16cm, 20pp. Original wrappers. Five b/w illustrations (including three photographs of Oppenheim in a cave). First edition of this scenario: an adaptation by the artist of the famous life story of Kasper Hauser. A fine example.

17 x 24cm. 184pp. Frontispiece b/w photo-portrait of the artist. Seventy-three photo-reproductions of works by Oppenheim. Wrappers. First edition of this detailed monograph/study. A fine copy.

30.8 x 23.8cm, 2pp. Black on green (Ca commerce bien!) and red on white (Familiers¦) - a double sided tract. The rare re-issue of this attack on the bourgeois appropriation of Rimbaud by critics on the centenary of the poet's birth as signed by Bedouin, Benayoun, Dax, Flamond, Goldfayn, Hantai, Lebreton, Legrand, Mitrani, Paalen, Peret, Pierre, Reigl, Schuster, Seghers, Toyen and Valore for the surrealist group (mostly those around Phases) and Michele Bernstein, Mohamed Dahou, Guy Debord, Jacques Fillon and Gil Wolman for the International Lettristes.

The original publication of the tract was produced only a few months beforehand but the surrealists had second thoughts and immediately withdrew their support for the text  (which had been originally written by one amongst their own number and signed as an act of solidarity by Debord etc). The surrealists apparently felt the text to be too leftist despite the original being from their own hand! Hence the reissue here by the the Surrealist Group with an additional printing on the back of the text: "Familiers du grand truc"  where many of the same signatories (now with Breton's name significantly added along with Meret Oppenheim and Nora Mitrami amongst others) denounced their former signatories in harsh terms (suggesting scandalously that they were Stalinists and future participants in Moscow show trials).

One closed paper tear (0.6 x 0.8cm) bottom right which does not affect the texts on either side and wear and tear around margins.

This is a rare publication in any condition from the early debates that led clearly to formation of the International Situationists after the splits of the 50s and 60s within the avant garde.

30 x 21cm, 82pp plus covers. The exhibition catalogue for Oppenheims FIRST solo show in a French museum which took place only one year before her death. Interview (10pp) with the artist by Suzanne Page and Beatrice Parent and 72 b/w and colour illustrations after works as well as a biographical review and lists of exhibitions etc. Not often encountered. Very good.

7 x 21cm, 40pp plus card covers. Exhibition catalogue which was one of the last to take place before the surrealist's death in1985. Texts by the artist in German and reproductions of mostly sculptural works in b/w and colours. Lists 246 works with short descriptions. VG although slight discolouration around the margins of the front cover.

25 x 17.5cm, two colour offset lithograph of a human - animal hybrid which reflects a furry mirror's shape. Verso - title in (printed) the artist's facsimile hand and initialled in print. A very good example from 1,200 total edition but still a scarce item as many of the SMS sets were lost or destroyed. Very slight soft handling creases at right edge.

24 x 16cm, 20pp. Original wrappers. Five b/w illustrations (including three photographs of Oppenheim in a cave). First edition of this scenario: an adaptation by the artist of the famous life story of Kaspar Hauser.

A fine example although an ex libis sticker on the inside cover.