21 x 15cm, 12pp plus card covers. Exhibition catalogue for a show of paintings by the now reduced in size conceptual art group. Essay by Charles Harrison and four b/w images of the paintings. Slight rust to staples else This copy is signed in black ink by Charles Harrison on the title page. VG. Scarce.

85 uk pounds

30 x 21cm, 5pp (recto only). Vintage xerox. A curious document analysing Michael Baldwin's Planms and Procedures from Art- Language Vol1. No. 2. Found in Charles Harrison's archive the text looks at the article by Baldwin and carries out word counts, checks the most popular words utilised by the author, alliteration, and other less common methods of analysing a text. The article appeaars to be by a "Paul Lapworski" if the handwritten name on the documennt is correct. Three rusted staples on left else VG. Date and purpose unknown.

21 x 15cm, 72pp- plus card covers. Single number of this continuation of the Art-Language journal which had ceased production in 1985. Edited by Harrison there are two essays - "Mistaken Identities" by Paul Wood and "On Conceptual Art and Painting" by Baldwin, Harrison and Ramsden. Surprisingly scarce given it was the last of the series. VG+.

21 x 15cm, 12pp plus card covers. Exhibition catalogue for a show of paintings by the now reduced in size conceptual art group. Essay by Charles Harrison and four b/w images of the paintings. Slight rust to staples else VG. Scarce.

30 x 21cm, 9pp Xeroxed (as issued) pages with a text in French relating to cultural debates in the Senate and the Chamber of Representatives and the resulting votes. Written by Terry Atkinson, Michael Baldwin, David Bainbridge, Harold Hurrell and Charles Harrison this was the first edition thus of this very scarce document. Very good condition.

21 x 21cm, 8pp (self cover). Artist's book with a text by Michael Baldwin discussing the art market. Relatively unknown A&L publication. Minor browning at spine but overall VG+.

JOINT (AS ISSUED):

UNTITLED

N.p. (Coventry): n.p. (Art-Language Press), n.d. (1975)

13 x 13cm, 1pp red and black offset lithograph with a minimalist design (presumably by Baldwin). VG+.

30 x 21cm, unpaginated (40pp) plus card covers. Exhibition catalogue with a long text - "Proceedings I - VI" - in both English and a German translation. The Proceedings were based on original conversations between Terry Atkinson, David Bainbridge, Michael Baldwin, Charles Harrison, Graham Howard,  Harold Hurrell, Philip Pilkington, and David Rushton. Slight marks to mostly white wrappers else VG+. Scarce.

30 x 21cm, 87pp colour xerox pages in original A4 file. A record of conversations between Harrison and Baldwin that took place in 1973. The edition was only published 27 years later and is signed by both Baldwin and Harrison and is numbered 1/3. 

JOINT  

A folder of working notes and papers related to the book which are not included in the final work

2,950 uk pounds

The post TALKING TO MICHAEL BALDWIN: A COMPLETE INDEX. 1973. ONE OF ONLY THREE COPIES. appeared first on Unoriginal Sins.]]> N.p.: S.p. (Harrison), 2000 (1973)

30 x 21cm, 87pp colour xerox pages in original A4 file. A record of conversations between Harrison and Baldwin that took place in 1973. The edition was only published 27 years later and is signed by both Baldwin and Harrison and is numbered 1/3. 

JOINT  

A folder of working notes and papers related to the book which are not included in the final work

2,950 uk pounds

The post TALKING TO MICHAEL BALDWIN: A COMPLETE INDEX. 1973. ONE OF ONLY THREE COPIES. appeared first on Unoriginal Sins.]]> https://unoriginalsins.co.uk/product/untitled-text-on-pragmatic-semantic-dualism-first-draft-in-xerox-form-of-an-unpublished-text-c-1971/?utm_source=rss&utm_medium=rss&utm_campaign=untitled-text-on-pragmatic-semantic-dualism-first-draft-in-xerox-form-of-an-unpublished-text-c-1971 Sat, 06 Nov 1971 09:34:24 +0000 https://unoriginalsins.co.uk/?post_type=product&p=1758 Coventry: s.p. (Baldwin), n.d.(probably 1971 - 1972)

33 x 22cm, 5pp (recto only) consisting of xeroxed pages the originals torn from Baldwin’s notebook and then each line hand-numbered in red by the artist down the page. A text which was prepared for printing but to the best of our knowledge not completed. Paper a bit browned.