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	<title>Unoriginal Sins | </title>
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		<title>THE ASSET STRIPPERS. 2019.</title>
		<link>https://unoriginalsins.co.uk/product/the-asset-strippers-2019/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-asset-strippers-2019</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
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					<description><![CDATA[London: Tate Britain, 2019

15 x 10.5cm, 16pp (single folded sheet) which was the gallery handout and small poster for the exhibition where Nelson displayed traditional factory machinery as if they were sculptures. Interview with the artist and the unfolded sheet shows one of the machines in situ. Folded as issued else VG+.]]></description>
										<content:encoded><![CDATA[London: Tate Britain, 2019

15 x 10.5cm, 16pp (single folded sheet) which was the gallery handout and small poster for the exhibition where Nelson displayed traditional factory machinery as if they were sculptures. Interview with the artist and the unfolded sheet shows one of the machines in situ. Folded as issued else VG+.]]></content:encoded>
					
		
		
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		<title>THE ASSET STRIPPERS. 2019.</title>
		<link>https://unoriginalsins.co.uk/product/the-asset-strippers-2019-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-asset-strippers-2019-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Oct 2025 18:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=55893</guid>

					<description><![CDATA[London: Tate Britain, 2019

15 x 10.5cm, 16pp (single foldeed two sided sheet that opens to 30 x 42cm. Exhibition catalogue for Nelson's large scale installation in Tate Britain where he placed vintage artefacts from Britain's industrial revolution in the new wing. The individual objects all functioned as sculptures as well as historical works. The catalogue has a long interview between nelson and Clarrie Wallis and Else Cousteau and five images in colour. The open publication also acts as a poster for the show with an image of an industrial tapestry machine in full colour. VG+.]]></description>
										<content:encoded><![CDATA[London: Tate Britain, 2019

15 x 10.5cm, 16pp (single foldeed two sided sheet that opens to 30 x 42cm. Exhibition catalogue for Nelson's large scale installation in Tate Britain where he placed vintage artefacts from Britain's industrial revolution in the new wing. The individual objects all functioned as sculptures as well as historical works. The catalogue has a long interview between nelson and Clarrie Wallis and Else Cousteau and five images in colour. The open publication also acts as a poster for the show with an image of an industrial tapestry machine in full colour. VG+.]]></content:encoded>
					
		
		
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		<title>STRANGE WEATHER. 2003.</title>
		<link>https://unoriginalsins.co.uk/product/strange-weather-2003/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=strange-weather-2003</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 28 Aug 2021 08:53:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=42658</guid>

					<description><![CDATA[London: Modern Art, n.d. (2003)

21 x 15cm, 2pp announcement card for a group show with Tom Burr, Felix Gonzalez-Torres, Phillip Lai, Mike Nelson, Cady Noland, Eva Rothschild, Ricky Swallow and Pae White with one work by Lai on the front in colour. VG+.]]></description>
										<content:encoded><![CDATA[London: Modern Art, n.d. (2003)

21 x 15cm, 2pp announcement card for a group show with Tom Burr, Felix Gonzalez-Torres, Phillip Lai, Mike Nelson, Cady Noland, Eva Rothschild, Ricky Swallow and Pae White with one work by Lai on the front in colour. VG+.]]></content:encoded>
					
		
		
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		<title>ART UPDATE VENICE. 2011.</title>
		<link>https://unoriginalsins.co.uk/product/art-update-venice-2011/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=art-update-venice-2011</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 01 Dec 2020 10:18:30 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=36344</guid>

					<description><![CDATA[Venice: British Council, 2011

21 x 10.5cm, single folded sheet that opens to 42 x 63cm, 2pp map of Vencie. Issued for the 2011 Venice Biennale the map promotes the British artists Mike Nelson, Tim Davies, and Karla Black with short texts and three works  (one each artist) reproduced in colour plus other information about the biennale. VG+.]]></description>
										<content:encoded><![CDATA[Venice: British Council, 2011

21 x 10.5cm, single folded sheet that opens to 42 x 63cm, 2pp map of Vencie. Issued for the 2011 Venice Biennale the map promotes the British artists Mike Nelson, Tim Davies, and Karla Black with short texts and three works  (one each artist) reproduced in colour plus other information about the biennale. VG+.]]></content:encoded>
					
		
		
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		<title>M6 SILKSCREEN PORTFOLIO. 2013, SIGNED AND NUMBERED FROM AN EDITION OF 50.</title>
		<link>https://unoriginalsins.co.uk/product/m6-silkscreen-portfolio-2013-signed-and-numbered-from-an-edition-of-50/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=m6-silkscreen-portfolio-2013-signed-and-numbered-from-an-edition-of-50</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 04 Jan 2020 11:29:56 +0000</pubDate>
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					<description><![CDATA[Birmingham: Eastside Projects, 2013
Eight different 67 x 97cm black on white silkscreens on newsprint each displaying a found blown out tyre found by the artist on the M6 motorway (which bypasses Birmingham) and displayed as a sculptural installation in the gallery. They are signed and numbered in an edition of 50. All VG+. Went out of print quickly,]]></description>
										<content:encoded><![CDATA[Birmingham: Eastside Projects, 2013
Eight different 67 x 97cm black on white silkscreens on newsprint each displaying a found blown out tyre found by the artist on the M6 motorway (which bypasses Birmingham) and displayed as a sculptural installation in the gallery. They are signed and numbered in an edition of 50. All VG+. Went out of print quickly,]]></content:encoded>
					
		
		
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