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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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		<title>LINEA SUD. ANNO II, N. 2. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/linea-sud-anno-ii-n-2-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=linea-sud-anno-ii-n-2-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 06 Apr 2022 16:35:02 +0000</pubDate>
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					<description><![CDATA[Napoli: Linea Sud, 1967
22 x 16cm, unpaginated (32pp) plus original printed wrappers. A single number of this avant garde art journal here dedicated to experimental and visual poetry (poesia visiva). Included are

&#160;

&#160;

&#160;

L. Caruso, G. Desiato, E. Villa, I. Isou, M. Lemaitre, (unusually this journal includes Lettrisme as experimental visual poetry when it is often overlooked) J.P. Garnier and others. However importantly there are also two folded poem silkscreen posters by Ian Hamilton Finlay (each opens to 60 x 36cm) which are different in format to other prints of the same works - one is Planet which is printed in brown and somewhat loosely - and the other - is SEEM SEA which appears to be very similar to the Wild Hawthorn Press print SEAM with a similar use of the space between the letters of the word. Printed in blue this is a another nautical inspired work by the poet - with elements of alliteration and homophony playing with the relative placing of the works on the page. This print was only ever published as this insert into the magazine and is very rare - the journal is often found without the prints or with one or the other missing. This is a complete publication in VG+ condition with like prints.
We feel these works should be categorised as prints in their own right and not as contributions to a magazine.]]></description>
										<content:encoded><![CDATA[Napoli: Linea Sud, 1967
22 x 16cm, unpaginated (32pp) plus original printed wrappers. A single number of this avant garde art journal here dedicated to experimental and visual poetry (poesia visiva). Included are

&#160;

&#160;

&#160;

L. Caruso, G. Desiato, E. Villa, I. Isou, M. Lemaitre, (unusually this journal includes Lettrisme as experimental visual poetry when it is often overlooked) J.P. Garnier and others. However importantly there are also two folded poem silkscreen posters by Ian Hamilton Finlay (each opens to 60 x 36cm) which are different in format to other prints of the same works - one is Planet which is printed in brown and somewhat loosely - and the other - is SEEM SEA which appears to be very similar to the Wild Hawthorn Press print SEAM with a similar use of the space between the letters of the word. Printed in blue this is a another nautical inspired work by the poet - with elements of alliteration and homophony playing with the relative placing of the works on the page. This print was only ever published as this insert into the magazine and is very rare - the journal is often found without the prints or with one or the other missing. This is a complete publication in VG+ condition with like prints.
We feel these works should be categorised as prints in their own right and not as contributions to a magazine.]]></content:encoded>
					
		
		
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		<title>ANTI-PROCESS MANIFESTATION COLLECTIVE ORGANISEE PAR ALAIN JOUFFROY ET JEAN-JACQUES LABEL. 1960.</title>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 16 Jan 2020 13:48:02 +0000</pubDate>
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					<description><![CDATA[Paris: Galerie des Quatre Saisons, 1960
44.8 x 28 cm black on orange paper. Announcement poster/political tract for one of the three famous public protestations against the Algerian war, which took place in the form of artist exhibitions. The illustration on the poster is of a public execution by guillotine and beneath it a quotation by Marcel Duchamp: "Il faut abolir l'idee de jugement". The exhibition included works by various surrealists and nouvelle realists including Victor Brauner, Bona de Mandiargues, Camille Bryen, Jorge Camacho, Cardenas, CÃ©sar, Bernard Dufour, Ferro (who was not called yet Erro), Oyvind Falhstrom, Wifredo Lam, Hundertwasser, Henri Michaux, Roberto Matta amongst others. Others (such as Dufrene) played music or read poetry. The poster also reproduces a political tract signed by many of the artists entitled: "Pour le droit de l'homme a disposer de lui-meme". Folded but overall a very good example of an important political action.]]></description>
										<content:encoded><![CDATA[Paris: Galerie des Quatre Saisons, 1960
44.8 x 28 cm black on orange paper. Announcement poster/political tract for one of the three famous public protestations against the Algerian war, which took place in the form of artist exhibitions. The illustration on the poster is of a public execution by guillotine and beneath it a quotation by Marcel Duchamp: "Il faut abolir l'idee de jugement". The exhibition included works by various surrealists and nouvelle realists including Victor Brauner, Bona de Mandiargues, Camille Bryen, Jorge Camacho, Cardenas, CÃ©sar, Bernard Dufour, Ferro (who was not called yet Erro), Oyvind Falhstrom, Wifredo Lam, Hundertwasser, Henri Michaux, Roberto Matta amongst others. Others (such as Dufrene) played music or read poetry. The poster also reproduces a political tract signed by many of the artists entitled: "Pour le droit de l'homme a disposer de lui-meme". Folded but overall a very good example of an important political action.]]></content:encoded>
					
		
		
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