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	<title>Peter Saville - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Peter Saville - Unoriginal Sins</title>
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		<title>FUSE 5. VIRTUAL FUSE. 1992.</title>
		<link>https://unoriginalsins.co.uk/product/fuse-5-virtual-fuse-1992/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=fuse-5-virtual-fuse-1992</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 21 Nov 2020 13:58:30 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=35778</guid>

					<description><![CDATA[<p>Berlin/London: FSI, Summer 1992</p>
<p>22.8 x 18cm, brown outer cardboard folder with printed adhesive closure label. A single number of this experimental typography magazine (the second) which was produced by the Jon Wozencroft and the Neville Body Studios. Internal to the folder 1s a 22.8 x 18cm 12pp booklet, 4 different A2 posters and a 1 floppy disk (for Mac) which contained the four font sets issued as part of the concept. The fonts in this number are by Peter Saville (of Factory fame), Lo Breier, Paul Elliman and Pierre di Sciullo. The issue has been opened but else all is present and in very good + condition. The floppy disk probably still works but the Macintosh OS and the hardware has moved on since 1992 and one would require some knowhow or an old Mac to make them work. Very scarce and important.</p>
The post <a href="https://unoriginalsins.co.uk/product/fuse-5-virtual-fuse-1992/">FUSE 5. VIRTUAL FUSE. 1992.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Berlin/London: FSI, Summer 1992</p>
<p>22.8 x 18cm, brown outer cardboard folder with printed adhesive closure label. A single number of this experimental typography magazine (the second) which was produced by the Jon Wozencroft and the Neville Body Studios. Internal to the folder 1s a 22.8 x 18cm 12pp booklet, 4 different A2 posters and a 1 floppy disk (for Mac) which contained the four font sets issued as part of the concept. The fonts in this number are by Peter Saville (of Factory fame), Lo Breier, Paul Elliman and Pierre di Sciullo. The issue has been opened but else all is present and in very good + condition. The floppy disk probably still works but the Macintosh OS and the hardware has moved on since 1992 and one would require some knowhow or an old Mac to make them work. Very scarce and important.</p>
The post <a href="https://unoriginalsins.co.uk/product/fuse-5-virtual-fuse-1992/">FUSE 5. VIRTUAL FUSE. 1992.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>FACES/ DIAMOND DUST PORTFOLIO. 2004.</title>
		<link>https://unoriginalsins.co.uk/product/faces-diamond-dust-portfolio-2004/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=faces-diamond-dust-portfolio-2004</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 16 Sep 2020 19:58:03 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=32655</guid>

					<description><![CDATA[<p>Edinburgh: Edinburgh Printmakers, 2004</p>
<p>10 x 21cm, 4pp. announcement and invite to opening of the launch of the title exhibition and the "diamond dust portoflio" with works by Peter Blake, Linder, Peter Liversidge, Simon Periton, Peter Saville and Gavin Turk. One work on the front (an appropriation of a Joseph Beuys' self portrait but replaced by Turk's features. The diamond dust also references Warhol's use of that material in print. VG+.</p>
<p>JOINT:</p>
<p>Edinburgh: Edinburgh Printmakers, 2004</p>
<p>30 x 21cm, 2pp gallery handout and price list for all works. VG.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/faces-diamond-dust-portfolio-2004/">FACES/ DIAMOND DUST PORTFOLIO. 2004.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Edinburgh: Edinburgh Printmakers, 2004</p>
<p>10 x 21cm, 4pp. announcement and invite to opening of the launch of the title exhibition and the "diamond dust portoflio" with works by Peter Blake, Linder, Peter Liversidge, Simon Periton, Peter Saville and Gavin Turk. One work on the front (an appropriation of a Joseph Beuys' self portrait but replaced by Turk's features. The diamond dust also references Warhol's use of that material in print. VG+.</p>
<p>JOINT:</p>
<p>Edinburgh: Edinburgh Printmakers, 2004</p>
<p>30 x 21cm, 2pp gallery handout and price list for all works. VG.</p>
<p>&#160;</p>
The post <a href="https://unoriginalsins.co.uk/product/faces-diamond-dust-portfolio-2004/">FACES/ DIAMOND DUST PORTFOLIO. 2004.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>UNTITLED (OPERA) LIGHT SENSITIVE CARD IN ENVELOPE. 2007.</title>
		<link>https://unoriginalsins.co.uk/product/untitled-opera-light-sensitive-card-in-envelope-2007/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-opera-light-sensitive-card-in-envelope-2007</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 21 Dec 2019 11:06:32 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=5501</guid>

					<description><![CDATA[<p class="p1"><span class="s1">Manchester: Manchester International Festival, 2007</span></p>
<p class="p1"><span class="s1">21 x 15cm, 2pp art postcard with on the front a photographic image by Peter Saville and Tony Wilson which is printed in lilac light-sensitive ink - the image is invisible under normal conditions but "develops" when the card is exposed to strong light displaying a road sign with a cross and the word "Opera" - a reference to both the site of the Il Tempo del Postino group show this was issued for (The Manchester Opera House) and the Italian for work. The cross also referenced the logo of the event. Saville and Wilson were, of course, at the heart of Manchester's Factory Records and this joint edition (limitation unknown) would have been one of the last things the duo co-operated on before Wilson's sadly untimely death. It appears this commission was for once delivered on time by Saville (a Madchester joke - see 24 Hour Party people if you don't get it). In black envelope as issued - both edition and promotional announcement card for the event. Both fine.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/untitled-opera-light-sensitive-card-in-envelope-2007/">UNTITLED (OPERA) LIGHT SENSITIVE CARD IN ENVELOPE. 2007.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1"><span class="s1">Manchester: Manchester International Festival, 2007</span></p>
<p class="p1"><span class="s1">21 x 15cm, 2pp art postcard with on the front a photographic image by Peter Saville and Tony Wilson which is printed in lilac light-sensitive ink - the image is invisible under normal conditions but "develops" when the card is exposed to strong light displaying a road sign with a cross and the word "Opera" - a reference to both the site of the Il Tempo del Postino group show this was issued for (The Manchester Opera House) and the Italian for work. The cross also referenced the logo of the event. Saville and Wilson were, of course, at the heart of Manchester's Factory Records and this joint edition (limitation unknown) would have been one of the last things the duo co-operated on before Wilson's sadly untimely death. It appears this commission was for once delivered on time by Saville (a Madchester joke - see 24 Hour Party people if you don't get it). In black envelope as issued - both edition and promotional announcement card for the event. Both fine.</span></p>
The post <a href="https://unoriginalsins.co.uk/product/untitled-opera-light-sensitive-card-in-envelope-2007/">UNTITLED (OPERA) LIGHT SENSITIVE CARD IN ENVELOPE. 2007.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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