30 x 21cm, 1pp mimeographed leaflet with a text to promote the immediate publication of the second number of the NUL=0 journal. The short text is repeated are in Dutch, French, English and German as befit the international nature of the grouping.

Along the left side the leaflet lists the contents of the issue and the artists taking part  or who contributed to the journal . Folded for mailing with soft handling creases, otherwise fine.<br ><br>

80 x 20cm, black on white offset exhibition poster for this group show based on the monochrome, achromic and kenetic works of some of the most important of early 60s artists. This was one of the more important exhibitions of Zero (and allied artists) organised by Galerie d (formerly known as Dato). Folded into eight sections as issued otherwise fine.

20 x 21cm, unpaginated (300pp approx). Original covers. The extremely rare exhibition catalogue which is mostly notable for the Klein contribution where his page was partly burnt by him (at a time when he was making fire paintings) but there are other aspects of the book which also make this an important publication for other artists such as Spoerri (who glued a match to the back page of the book - perhaps in response to Klein - and indicated the whole catalogue should be burnt using it), and Tinguely has a sunflower seed attached to the book and Pienne has an intervention in the form of a perforation on a blank page preceding his pageworks (to allow their removal being of course the most important contribution to the book in his view).

Other artists present in this book include Lucio Fontana and Mack as well as other artists associated with Zero including Arman, Enrico Castellani, Piero Manzoni, Daniel Spoerri, Diter Rot, Raphael Jesus Soto, Piero Dorazio, Gunter Uecker, Bury, Adrian, Pomodoro, Lo Savio, Mavignier, Manfred Kage and Arnulf Rainer.

In very good + condition apart from one slight bump on the bottom corner for the entire book with BOTH original seed and matchstick in place which is very rarely the case when this already very scarce book is offered on the market. Extremely rare in this complete condition.

Two volumes - all published - of this planned series of avant garde journals as edited by the team of Armando, Henk Peeters, Hans Sleutelaar Cornelis Bastiaan Vaandrager, Hans Verhage and Cherry Duyns.

Both volumes uniformly 20 x 12.4 cm, 180pp and 206pp respectively with pictorial card covers. Illustrated throughout in b/w with works and illustrations by the likes of Uecker and Klein as well as contributions by and on Armando, Sleutelaar Jan J. Schoonhoven, Yves Klein, Yayoi Kusama, Lucio Fontana, Arman, Soto, Heinz Mack, Henk Peeters, Kosice, Piero Manzoni, Getulio Alviani, Enrico Castellani, Hans Haacke and others with a particular attention paid to the activities of Gruppe Nul and Zero. Texts mostly in Dutch with some French and English translations in a special colour section at the back.

Both volumes have minor edge wear and yellowing to the laminated covers and some minor cracking to the spine but else VG+. Scarce as a set.

Price is for both volumes together.<br />

26 x 19 cm, outer folder with a b/w poster 102 x 70 cm, folded and tipped into the outer card. One side shows b/w images of works by the participating artists, the other side articles on the nul - Zero movement: Arman, Armando, Bury, Fontana, Kusama, Manzoni, Peeters, Schoonhoven, Uecker, Verheyen. One tiny cut (0.4cm) bottom left on the front cover else VG++. Amsterdam Cat. 299. Very hard to find and an important document of the historic Zero exhibition.

26.5 x 24cm, 20pp plus soft boards covered with fake fur - first edition of this exhibition catalogue which was published immediately after the early and unexpected death of the artist (due to alcoholism) with texts in Italian and Dutch. Twenty-four b/w reproductions after works, a biography by Henk Peeters as well as a listing of 81 items on display. Very scarce in this edition due to the publishers running out of artificial fur to cover the book and used a less attractive material on the remaining copies of the book. General design executed by Jan van Toorn (but not the Slowscan publisher) after Manzoni. Fine.