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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
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	<item>
		<title>THE ARCHIVES. 1981. THE IMPORTANT ASSEMBLAGE. SOME ITEMS SIGNED.</title>
		<link>https://unoriginalsins.co.uk/product/the-archives-1981-the-important-assemblage-some-items-signed/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-archives-1981-the-important-assemblage-some-items-signed</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 11 Apr 2022 09:12:36 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=7197</guid>

					<description><![CDATA[Rotterdam / Hasselt: The Archives Art Information Centre / Provinciaal Museum, 1981
29 x 21cm, unpaginated with original imitation leather boards. The first edition of this artist assemblage brought together by van Beveren as part of his attempt to create an all encompassing collection of works by avant garde artists - the book contains original artists' contributions by Woody van Amen (signed), Carl Andre, Joseph Beuys (signed), Boezem, Christian Boltanski, Buren (Photo/Souvenir), Cardena, Christo, Robin Crozier (signed), Geurt van Dijk, Pieter Engels, Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Nannucci, Nonas, Arnulf Rainer, Dieter Roth (Nur Dies (Brief)), Yves de Smet, Souza, Tot, Ulrichs, Vautier and Vostell (six event cards relating to the T.O.T. project). - In fine condition with all items extant. One of 500 numbered copies. Rare.]]></description>
										<content:encoded><![CDATA[Rotterdam / Hasselt: The Archives Art Information Centre / Provinciaal Museum, 1981
29 x 21cm, unpaginated with original imitation leather boards. The first edition of this artist assemblage brought together by van Beveren as part of his attempt to create an all encompassing collection of works by avant garde artists - the book contains original artists' contributions by Woody van Amen (signed), Carl Andre, Joseph Beuys (signed), Boezem, Christian Boltanski, Buren (Photo/Souvenir), Cardena, Christo, Robin Crozier (signed), Geurt van Dijk, Pieter Engels, Eijkelboom, Ken Friedman, Ad Gerritsen, Klaas Gubbels, Wim Gijzen, Richard Hamilton, Dick Higgins, Tommy Mew, Nannucci, Nonas, Arnulf Rainer, Dieter Roth (Nur Dies (Brief)), Yves de Smet, Souza, Tot, Ulrichs, Vautier and Vostell (six event cards relating to the T.O.T. project). - In fine condition with all items extant. One of 500 numbered copies. Rare.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ENVIRONMENTS. 1968. ELECTRONIC GAME AS CATALOGUE.</title>
		<link>https://unoriginalsins.co.uk/product/environments-1968-electronic-game-as-catalogue/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=environments-1968-electronic-game-as-catalogue</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 15 Mar 2021 13:38:14 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=40034</guid>

					<description><![CDATA[Utrecht: Stadium Generale Rijksuniversiteit Utrecht, 1968
30 x 21 x 3cm, two part printed cardboard box content of a battery powered electronic game designed by Swip Stolk as the exhibition catalogue for a group exhibition. The box contains two questions and answer sheets, a moveable wheel with information about the artists and a 30 x 21cm, 36pp catalogue. The purpose of the game was to link by a buzzer the artist and the work. Artists included: Gianni Colombo, GRAV / Groupe de Recherche d'Art Visuel, Adolf Luther, Christian Megert, Pieter Engels, Event Structure Research Group, Karl Gerstner, Boezem, Hans Koetsier, Konrad Lueg, Lutz Moomartz, Klaus Rinke, Swip Stolk and Peter Struycken.
The battery power has long declined after 50 years but else the box appears to be in working condition. One corner of the box has a clear tear down the fold else all is VG with a little grubbiness on the lid.]]></description>
										<content:encoded><![CDATA[Utrecht: Stadium Generale Rijksuniversiteit Utrecht, 1968
30 x 21 x 3cm, two part printed cardboard box content of a battery powered electronic game designed by Swip Stolk as the exhibition catalogue for a group exhibition. The box contains two questions and answer sheets, a moveable wheel with information about the artists and a 30 x 21cm, 36pp catalogue. The purpose of the game was to link by a buzzer the artist and the work. Artists included: Gianni Colombo, GRAV / Groupe de Recherche d'Art Visuel, Adolf Luther, Christian Megert, Pieter Engels, Event Structure Research Group, Karl Gerstner, Boezem, Hans Koetsier, Konrad Lueg, Lutz Moomartz, Klaus Rinke, Swip Stolk and Peter Struycken.
The battery power has long declined after 50 years but else the box appears to be in working condition. One corner of the box has a clear tear down the fold else all is VG with a little grubbiness on the lid.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ENGELS PRODUCTS -&#062; EPO-&#062;ART-&#062;LAST LUXURY. 1966.</title>
		<link>https://unoriginalsins.co.uk/product/engels-products-epo-art-last-luxury-1966/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=engels-products-epo-art-last-luxury-1966</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 17 Dec 2020 09:12:12 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37613</guid>

					<description><![CDATA[<div>
<div class="space-top space-bottom">

<span style="font-family: Arial;font-size: small">Amsterdam: Gallery 20d, 1966</span>
<div><span style="color: #333333;font-family: Arial;font-size: small">19 x 12.5cm which unfolds to 19 x 75 cm. An artist’s book that, like much of Engels production, was meant to parody the means of production of capitalism. The sheet is designed,  cut and folded in such a manner that it is difficult to read but the texts in English and the b/w illustrations (self-portraits inferring the success of the artist as an entrepreneur) are by the artist. VG+. </span></div>
</div>
</div>]]></description>
										<content:encoded><![CDATA[<div>
<div class="space-top space-bottom">

<span style="font-family: Arial;font-size: small">Amsterdam: Gallery 20d, 1966</span>
<div><span style="color: #333333;font-family: Arial;font-size: small">19 x 12.5cm which unfolds to 19 x 75 cm. An artist’s book that, like much of Engels production, was meant to parody the means of production of capitalism. The sheet is designed,  cut and folded in such a manner that it is difficult to read but the texts in English and the b/w illustrations (self-portraits inferring the success of the artist as an entrepreneur) are by the artist. VG+. </span></div>
</div>
</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE TWO (F)ACES OF ENGLES PRODUCTIONS. THE FIRST MOVE TO A NEW ROMANTIC SCENE. 1968.</title>
		<link>https://unoriginalsins.co.uk/product/the-two-faces-of-engles-productions-the-first-move-to-a-new-romantic-scene-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-two-faces-of-engles-productions-the-first-move-to-a-new-romantic-scene-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 17 Dec 2020 09:10:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37612</guid>

					<description><![CDATA[<div><span style="font-family: Arial;font-size: small">Amsterdam: Gallery 20d, 1968</span></div>
<div><span style="color: #333333;font-family: Arial;font-size: small">65 x 48.5cm, with cutouts - folded down to 26 x 2cm, A broadside which is designed to open with odd folds and gaps. Texts by the artist in English and b/w images. An artist’s book in unusual format by the Dutch artist who turned himself and his art into a corporate structure to ape capitalist means of production. VG+.</span></div>]]></description>
										<content:encoded><![CDATA[<div><span style="font-family: Arial;font-size: small">Amsterdam: Gallery 20d, 1968</span></div>
<div><span style="color: #333333;font-family: Arial;font-size: small">65 x 48.5cm, with cutouts - folded down to 26 x 2cm, A broadside which is designed to open with odd folds and gaps. Texts by the artist in English and b/w images. An artist’s book in unusual format by the Dutch artist who turned himself and his art into a corporate structure to ape capitalist means of production. VG+.</span></div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SELFPORTRAIT OF THIS CENTURY. 1968.</title>
		<link>https://unoriginalsins.co.uk/product/the-selfportrait-of-this-century-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-selfportrait-of-this-century-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 12 Dec 2020 13:27:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=37500</guid>

					<description><![CDATA[Amsterdam: Engels Products Organization and Gallery 20, 1968

34 x 24cm, 8pp plus card covers. Artist’s book with four b/w images of works and texts from the conceptual artist - the entire designed by Engels. Back cover is a portrait of the artist. Engels parodied capitalism by pretending to be a businessman who sold his own works with a flair of marketing. A scare publication of Dutch conceptual art but sadly some foxing to the front cover and browning in areas else VG+.]]></description>
										<content:encoded><![CDATA[Amsterdam: Engels Products Organization and Gallery 20, 1968

34 x 24cm, 8pp plus card covers. Artist’s book with four b/w images of works and texts from the conceptual artist - the entire designed by Engels. Back cover is a portrait of the artist. Engels parodied capitalism by pretending to be a businessman who sold his own works with a flair of marketing. A scare publication of Dutch conceptual art but sadly some foxing to the front cover and browning in areas else VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ENGELS PRODUCTS EPO ART LAST LUXERY. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/engels-products-epo-art-last-luxery-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=engels-products-epo-art-last-luxery-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 25 Oct 2020 14:50:05 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34726</guid>

					<description><![CDATA[<div>Antwerpen: Wide White Space Gallery, 1967
26.2 x 19.7 which opens up to a two sided 77 x 52.4cm yellow on white exhibition poster/catalogue. Design by the artist including texts and small images of works. Folded as issued. VG+ condition. Very scarce.</div>]]></description>
										<content:encoded><![CDATA[<div>Antwerpen: Wide White Space Gallery, 1967
26.2 x 19.7 which opens up to a two sided 77 x 52.4cm yellow on white exhibition poster/catalogue. Design by the artist including texts and small images of works. Folded as issued. VG+ condition. Very scarce.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNTITLED (ENGLES PRODUCTS). 1966. SIGNED ON THE COVER BY ENGELS</title>
		<link>https://unoriginalsins.co.uk/product/untitled-engles-products-1966-signed-on-the-cover-by-engels/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=untitled-engles-products-1966-signed-on-the-cover-by-engels</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 02 Apr 2020 20:52:10 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=16885</guid>

					<description><![CDATA[Amsterdam: s.p. (Engles in association with Galerie A), 1966
30 x 10.5cm, 6pp plus specially folded card covers. Artist's book designed by Engles which displays his conceptual items for sale. Here the cover is creased deliberately in a diagonal (as issued) so it can fold down to allow the inside of the book to be seen immediately. The second page is similarly creased to allow further exposure. This copy is signed in pencil on the front yellow covers above the fold. The edition size of this publication is not known but it is a scarce period conceptual work made more so by the uncalled for signature. Very good.]]></description>
										<content:encoded><![CDATA[Amsterdam: s.p. (Engles in association with Galerie A), 1966
30 x 10.5cm, 6pp plus specially folded card covers. Artist's book designed by Engles which displays his conceptual items for sale. Here the cover is creased deliberately in a diagonal (as issued) so it can fold down to allow the inside of the book to be seen immediately. The second page is similarly creased to allow further exposure. This copy is signed in pencil on the front yellow covers above the fold. The edition size of this publication is not known but it is a scarce period conceptual work made more so by the uncalled for signature. Very good.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE ADVENTURES OF WILLEM DE RIDDER. 2017. SPECIAL EDITION OF 50 COPIES WITH ARTWORKS BY VARIOUS ARTISTS.</title>
		<link>https://unoriginalsins.co.uk/product/the-adventures-of-willem-de-ridder-2017-special-edition-of-50-copies-with-artworks-by-various-artists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-adventures-of-willem-de-ridder-2017-special-edition-of-50-copies-with-artworks-by-various-artists</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 21 Mar 2020 00:15:16 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=15884</guid>

					<description><![CDATA[Amsterdam: CultClub, 2017
32 x 23.5 x 4.5cm, white box content of 21 x 26cm, 74pp plus original pictorial wrappers. A monograph on the life and work of Willem De Riddder - promoter of avant-garde theatre, Fluxus agent, founder of an art mail order house, publisher of taboo-breaking magazines, producer of controversial Radio Art programmes, and much more. Based on the artist's own archive of dozens of folders, clippings, dusty boxes, and attic treasures. 

In this special edition there are editions by various artists - as follows: Eric Andersen, For Willem, print, signed and numbered. Philip Corner, Ugly Ball for Willem, object. Pieter Engels, text. Ken Friedman, A double portrait, print, monogrammed. Geoffrey Hendricks, Wiesbaden, 2012, photograph. Jon Hendricks, text. Frank Herrebout, The Lost Art of Willem de Ridder, DVD. Hugo Kaagman, Het Draadloze Individu, Koecrant, VPRO, audio work. Bengt af Klintberg, text. Alison Knowles, text. Bob Lens, print. Ben Patterson, CultClub, December 1, 2012, photograph. Peter Pontiac, Portrait of Willem, print. Willem de Ridder, Wie is die Worst, selfportrait, late '60s. Willem de Ridder, Paper Constellation, signed. Wim T. Schippers, Romance Magazine, June 1964, article. Mieko Shiomi, Replying Music for Walkman Piece, score. Annie Sprinkle, hand coloured print, signed. Ben Vautier, screenprint with audio object. 

Most are signed by the artist and in an edition of 50 total copies. Near fine.





74 p, ills colour &#38; bw, ]]></description>
										<content:encoded><![CDATA[Amsterdam: CultClub, 2017
32 x 23.5 x 4.5cm, white box content of 21 x 26cm, 74pp plus original pictorial wrappers. A monograph on the life and work of Willem De Riddder - promoter of avant-garde theatre, Fluxus agent, founder of an art mail order house, publisher of taboo-breaking magazines, producer of controversial Radio Art programmes, and much more. Based on the artist's own archive of dozens of folders, clippings, dusty boxes, and attic treasures. 

In this special edition there are editions by various artists - as follows: Eric Andersen, For Willem, print, signed and numbered. Philip Corner, Ugly Ball for Willem, object. Pieter Engels, text. Ken Friedman, A double portrait, print, monogrammed. Geoffrey Hendricks, Wiesbaden, 2012, photograph. Jon Hendricks, text. Frank Herrebout, The Lost Art of Willem de Ridder, DVD. Hugo Kaagman, Het Draadloze Individu, Koecrant, VPRO, audio work. Bengt af Klintberg, text. Alison Knowles, text. Bob Lens, print. Ben Patterson, CultClub, December 1, 2012, photograph. Peter Pontiac, Portrait of Willem, print. Willem de Ridder, Wie is die Worst, selfportrait, late '60s. Willem de Ridder, Paper Constellation, signed. Wim T. Schippers, Romance Magazine, June 1964, article. Mieko Shiomi, Replying Music for Walkman Piece, score. Annie Sprinkle, hand coloured print, signed. Ben Vautier, screenprint with audio object. 

Most are signed by the artist and in an edition of 50 total copies. Near fine.





74 p, ills colour &#38; bw, ]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ENVIRONMENTS. 1968. ELECTRONIC GAME AS EXHIBITION CATALOGUE.</title>
		<link>https://unoriginalsins.co.uk/product/environments-1968-electronic-game-as-exhibition-catalogue/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=environments-1968-electronic-game-as-exhibition-catalogue</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 17 Mar 2020 10:40:28 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=15167</guid>

					<description><![CDATA[Utrecht, Studium Generale Rijksuniversiteit, 1968
32 x 22 x 4cm, two part printed cardboard box content of a 36pp. exhibition catalogue the cover of which is part of an electronic game in the box with two inlay-sheets. Designed by Swip Stolk and published on the occasion of the Environments-exhibition held at the Studium Generale Rijksuniversiteit Utrecht / Catharijne Convent and curated by Frans Haks. Booklet contains contributions by Gianni Colombo, Groupe de Recherche d'Art Visuel, Adolf Luther, Christian Megert, Pieter Engels, Eventstructure Research Group, Karl Gerstner, Boezem, Hans Koetsier, Konrad Lueg, Lutz. The batter had died but the game still works. The box is a little grubby and one edge is split but overall it is in vg condition and the internal aspects are VG+.]]></description>
										<content:encoded><![CDATA[Utrecht, Studium Generale Rijksuniversiteit, 1968
32 x 22 x 4cm, two part printed cardboard box content of a 36pp. exhibition catalogue the cover of which is part of an electronic game in the box with two inlay-sheets. Designed by Swip Stolk and published on the occasion of the Environments-exhibition held at the Studium Generale Rijksuniversiteit Utrecht / Catharijne Convent and curated by Frans Haks. Booklet contains contributions by Gianni Colombo, Groupe de Recherche d'Art Visuel, Adolf Luther, Christian Megert, Pieter Engels, Eventstructure Research Group, Karl Gerstner, Boezem, Hans Koetsier, Konrad Lueg, Lutz. The batter had died but the game still works. The box is a little grubby and one edge is split but overall it is in vg condition and the internal aspects are VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE TWO FACES OF ENGLES PRODUCTS. 1968.</title>
		<link>https://unoriginalsins.co.uk/product/the-two-faces-of-engles-products-1968/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-two-faces-of-engles-products-1968</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 28 Jan 2020 12:43:57 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10941</guid>

					<description><![CDATA[Amsterdam/Ehrenfeld: s.p. (Engles in association with Galerie U. Kuckels), 1968
30 x 10.5cm, 8pp - single sheet die-cut (the inner parts of the sheet are angled at the top unlike the outer folds). Announcement / print multiple by the artist noting future products/installations as well as recent projects. Two broken frame works in b/w and a small b/w portrait of the artist. Some marking to the top of some sheets - possibly nascent foxing and the unusual edges at the top have caused the card to slightly fold in part. Priced to reflect this,]]></description>
										<content:encoded><![CDATA[Amsterdam/Ehrenfeld: s.p. (Engles in association with Galerie U. Kuckels), 1968
30 x 10.5cm, 8pp - single sheet die-cut (the inner parts of the sheet are angled at the top unlike the outer folds). Announcement / print multiple by the artist noting future products/installations as well as recent projects. Two broken frame works in b/w and a small b/w portrait of the artist. Some marking to the top of some sheets - possibly nascent foxing and the unusual edges at the top have caused the card to slightly fold in part. Priced to reflect this,]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ENGELS &#038; ES.</title>
		<link>https://unoriginalsins.co.uk/product/engels-es/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=engels-es</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 28 Jan 2020 12:42:02 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10940</guid>

					<description><![CDATA[Amsterdam: ES Gallery, n.d.
10.5 x 15cm, 1pp. Subscription card for a limited edition artist’s book. Typographic only. Fine.]]></description>
										<content:encoded><![CDATA[Amsterdam: ES Gallery, n.d.
10.5 x 15cm, 1pp. Subscription card for a limited edition artist’s book. Typographic only. Fine.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>ENGELS ROOM/ENGELS.</title>
		<link>https://unoriginalsins.co.uk/product/engels-room-engels/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=engels-room-engels</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 28 Jan 2020 12:40:44 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10939</guid>

					<description><![CDATA[N.P. (Amsterdam): n.p., n.d.
10.2 x 10.2cm, diamond shape 1pp. Announcement card - typographic design only.
]]></description>
										<content:encoded><![CDATA[N.P. (Amsterdam): n.p., n.d.
10.2 x 10.2cm, diamond shape 1pp. Announcement card - typographic design only.
]]></content:encoded>
					
		
		
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