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	<title>Raoul Hausmann - Unoriginal Sins</title>
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	<title>Raoul Hausmann - Unoriginal Sins</title>
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		<title>POESIA SONORA DAGLI ARCHIVI DI ARRIGO LORA-TOTINO. 2024. ONE OF ONLY 57 DELUXE ALBUMS WITH TWO DISCS PLUS OFFSET LITHOGRAPH.</title>
		<link>https://unoriginalsins.co.uk/product/poesia-sonora-dagli-archivi-di-arrigo-lora-totino-2024-one-of-only-57-deluxe-albums-witth-two-discs-plus-offset-lithograph/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=poesia-sonora-dagli-archivi-di-arrigo-lora-totino-2024-one-of-only-57-deluxe-albums-witth-two-discs-plus-offset-lithograph</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 05 Feb 2026 15:14:47 +0000</pubDate>
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					<description><![CDATA[<p>s-Hortogenbosch: Slowscan Editions, 2023</p>
<p>Two standard 12 inch LPs (double album) in full colour sleeve with full colour design by Arrigo Lora-Totino. This record is one of 57 released (or a planned 200) with two records included because of a problem at the production plant that then went bankrupt. Musical works  by Arrigo Lora- Totino, Guillia Niccolai, Eugino Miccini, Patricia Vicinelli, Gerhard Ruhm, Jackson Mac Low, Larry Wendt, and Raoul Hausmann. Other copies released only have the first LP. Additionally there is a numbered 30 x 21cm, full colour offset lithographic insert with a work by Arrigo Lora- Totino on one side and verso musical details of the record. Original outer closing bandeau also included. Unplayed, mint in like sleeve and band. Rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/poesia-sonora-dagli-archivi-di-arrigo-lora-totino-2024-one-of-only-57-deluxe-albums-witth-two-discs-plus-offset-lithograph/">POESIA SONORA DAGLI ARCHIVI DI ARRIGO LORA-TOTINO. 2024. ONE OF ONLY 57 DELUXE ALBUMS WITH TWO DISCS PLUS OFFSET LITHOGRAPH.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>s-Hortogenbosch: Slowscan Editions, 2023</p>
<p>Two standard 12 inch LPs (double album) in full colour sleeve with full colour design by Arrigo Lora-Totino. This record is one of 57 released (or a planned 200) with two records included because of a problem at the production plant that then went bankrupt. Musical works  by Arrigo Lora- Totino, Guillia Niccolai, Eugino Miccini, Patricia Vicinelli, Gerhard Ruhm, Jackson Mac Low, Larry Wendt, and Raoul Hausmann. Other copies released only have the first LP. Additionally there is a numbered 30 x 21cm, full colour offset lithographic insert with a work by Arrigo Lora- Totino on one side and verso musical details of the record. Original outer closing bandeau also included. Unplayed, mint in like sleeve and band. Rare.</p>
The post <a href="https://unoriginalsins.co.uk/product/poesia-sonora-dagli-archivi-di-arrigo-lora-totino-2024-one-of-only-57-deluxe-albums-witth-two-discs-plus-offset-lithograph/">POESIA SONORA DAGLI ARCHIVI DI ARRIGO LORA-TOTINO. 2024. ONE OF ONLY 57 DELUXE ALBUMS WITH TWO DISCS PLUS OFFSET LITHOGRAPH.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<item>
		<title>FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 09:18:01 +0000</pubDate>
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					<description><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>R. HAUSMANN. HANNE KUNSTHANDEL. 1989. REPRINT OF ORIGINAL BOOKLET.</title>
		<link>https://unoriginalsins.co.uk/product/r-hausmann-1989-reprint-of-original-booklet/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=r-hausmann-1989-reprint-of-original-booklet</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 22 Jan 2023 12:15:21 +0000</pubDate>
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					<description><![CDATA[<p>Stuttgart: Reflexion Press, 1989</p>
<p>21 x 15cm, 14pp (single sided pages) plus paper wrappers. A reprint of Hausman's text 7 MANIFESTOS from 1919 redesigned by Albrecht d/. The cover has original rubber stamp impressions by Albrecht d/ and a handwritten text "Henne Kunsthandel". VG+. Scarce despite being a reprint.</p>
<p>&#160;</p>
<p>&#160;</p>
<p>7 MANIFESTOS (the hen art trade lays golden wind eggs again; dada gets upset and dies in Berlin; what is dadaism and what does it want in germany? (1919); SCHWEIGENREDEN; manifest of the lawfulness of the sound; here DADA emerges from the shadow ; victory triumph tobacco with beans! cockchafer fly!). Stuttgart: Reflection Press n.d. (approx. 1969) (= flug/fluxBLATTzeitung no. 7)</p>
The post <a href="https://unoriginalsins.co.uk/product/r-hausmann-1989-reprint-of-original-booklet/">R. HAUSMANN. HANNE KUNSTHANDEL. 1989. REPRINT OF ORIGINAL BOOKLET.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Stuttgart: Reflexion Press, 1989</p>
<p>21 x 15cm, 14pp (single sided pages) plus paper wrappers. A reprint of Hausman's text 7 MANIFESTOS from 1919 redesigned by Albrecht d/. The cover has original rubber stamp impressions by Albrecht d/ and a handwritten text "Henne Kunsthandel". VG+. Scarce despite being a reprint.</p>
<p>&#160;</p>
<p>&#160;</p>
<p>7 MANIFESTOS (the hen art trade lays golden wind eggs again; dada gets upset and dies in Berlin; what is dadaism and what does it want in germany? (1919); SCHWEIGENREDEN; manifest of the lawfulness of the sound; here DADA emerges from the shadow ; victory triumph tobacco with beans! cockchafer fly!). Stuttgart: Reflection Press n.d. (approx. 1969) (= flug/fluxBLATTzeitung no. 7)</p>
The post <a href="https://unoriginalsins.co.uk/product/r-hausmann-1989-reprint-of-original-booklet/">R. HAUSMANN. HANNE KUNSTHANDEL. 1989. REPRINT OF ORIGINAL BOOKLET.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>AFFICHE. 1961.</title>
		<link>https://unoriginalsins.co.uk/product/affiche-1961/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=affiche-1961</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 04 Jul 2022 13:51:22 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=50506</guid>

					<description><![CDATA[<p class="biblio"><span id="biblio-publisher">Stuttgart: Burkhard. 1961</span></p>
<p>48 x 62cm (unfolded), folded - 24 x 16cm, broadside/poster produced with 6 textual works by Hausmann. Minor wear at folds else VG. Printed one side only.</p>
The post <a href="https://unoriginalsins.co.uk/product/affiche-1961/">AFFICHE. 1961.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="biblio"><span id="biblio-publisher">Stuttgart: Burkhard. 1961</span></p>
<p>48 x 62cm (unfolded), folded - 24 x 16cm, broadside/poster produced with 6 textual works by Hausmann. Minor wear at folds else VG. Printed one side only.</p>
The post <a href="https://unoriginalsins.co.uk/product/affiche-1961/">AFFICHE. 1961.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>LES PEDALOS.  SIGNED, DATED &#038; TITLED UNIQUE PHOTOGRAPH. 1947.</title>
		<link>https://unoriginalsins.co.uk/product/les-pedalos-signed-dated-titled-unique-photograph-1947/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=les-pedalos-signed-dated-titled-unique-photograph-1947</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 24 Jan 2020 10:10:34 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=10562</guid>

					<description><![CDATA[<p>17 x 21cm, silver gelatine print taken by Hausmann during his residency in Limoges. One of a series of leisure scenes (here number 3 according to a handwritten note verso) taken on a "popular beach near Limoges" - the waterside is dominated by men and women flirting around small boats for hire. Verso is a handwritten description of the place, the date, the title and copyright notice all in Hausmann's hand along with his address. Some minor staining to the rear and a small rough area where a previous label has been removed as well as an inventory number placed there by Marthe Prevot; Hausmann's widow - from whom this photograph was indirectly obtained - otherwise very good. Unique later work from the former Dadaist. Image on request.</p>
The post <a href="https://unoriginalsins.co.uk/product/les-pedalos-signed-dated-titled-unique-photograph-1947/">LES PEDALOS.  SIGNED, DATED & TITLED UNIQUE PHOTOGRAPH. 1947.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>17 x 21cm, silver gelatine print taken by Hausmann during his residency in Limoges. One of a series of leisure scenes (here number 3 according to a handwritten note verso) taken on a "popular beach near Limoges" - the waterside is dominated by men and women flirting around small boats for hire. Verso is a handwritten description of the place, the date, the title and copyright notice all in Hausmann's hand along with his address. Some minor staining to the rear and a small rough area where a previous label has been removed as well as an inventory number placed there by Marthe Prevot; Hausmann's widow - from whom this photograph was indirectly obtained - otherwise very good. Unique later work from the former Dadaist. Image on request.</p>
The post <a href="https://unoriginalsins.co.uk/product/les-pedalos-signed-dated-titled-unique-photograph-1947/">LES PEDALOS.  SIGNED, DATED & TITLED UNIQUE PHOTOGRAPH. 1947.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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