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	<title>Unoriginal Sins | </title>
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	<description>AVANT-GARDES</description>
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	<title>Unoriginal Sins | </title>
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	<item>
		<title>DEMARCO&#8217;S TRAVE1LS.  2013.</title>
		<link>https://unoriginalsins.co.uk/product/demarcos-trave1ls-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=demarcos-trave1ls-2013</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 12 Mar 2021 11:03:45 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39956</guid>

					<description><![CDATA[Edinburgh: Palm Ensemble, 2012
10.5 x 15cm, 1pp announcement card for "an animation of the Demarco spaces at Summerhall". One image of the gallerist on board the ship he hired to sail around the north of Scotland. VG+.]]></description>
										<content:encoded><![CDATA[Edinburgh: Palm Ensemble, 2012
10.5 x 15cm, 1pp announcement card for "an animation of the Demarco spaces at Summerhall". One image of the gallerist on board the ship he hired to sail around the north of Scotland. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A GIFT FOR DEMARCO. 2010.</title>
		<link>https://unoriginalsins.co.uk/product/a-gift-for-demarco-2010/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-gift-for-demarco-2010</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 23 Feb 2021 11:42:44 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39237</guid>

					<description><![CDATA[Edinburgh: Palm Ensemble, 2010

13 x 9.5cm, 1pp digital announcement card with portrait of the gallerist - a performance in honour of his 80th birthday. VG+.]]></description>
										<content:encoded><![CDATA[Edinburgh: Palm Ensemble, 2010

13 x 9.5cm, 1pp digital announcement card with portrait of the gallerist - a performance in honour of his 80th birthday. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>WHAT IS THE DEMARCO ARCHIVE? 2014.</title>
		<link>https://unoriginalsins.co.uk/product/what-is-the-demarco-archive-2014/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=what-is-the-demarco-archive-2014</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 22 Feb 2021 10:44:40 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=39227</guid>

					<description><![CDATA[Edinburgh: Demarco Archive, 2014

21 x 15cm, 16pp (single folded sheet) promoting the Demarco archiver and claiming there were 4,500 contemporary artworks in the collection and a million photographs of people performances and events. Small colour images of Demarco and friends throughout including Beuys, Abramovic, Finlay and others. VG+.]]></description>
										<content:encoded><![CDATA[Edinburgh: Demarco Archive, 2014

21 x 15cm, 16pp (single folded sheet) promoting the Demarco archiver and claiming there were 4,500 contemporary artworks in the collection and a million photographs of people performances and events. Small colour images of Demarco and friends throughout including Beuys, Abramovic, Finlay and others. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>1ST EDINBURGH OPEN 100 EXHIBITION OF THE 100 BEST PAINTINGS……. 1967.</title>
		<link>https://unoriginalsins.co.uk/product/1st-edinburgh-open-100-exhibition-of-the-100-best-paintings-1967-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=1st-edinburgh-open-100-exhibition-of-the-100-best-paintings-1967-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 03 Aug 2020 19:24:35 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=29330</guid>

					<description><![CDATA[<div>Edinburgh: Demarco, 1967
21 x 21cm, 16pp plus printed wrappers. Exhibition catalogue of this open submission show with work from Robyn Denny (who won't the major price here of £1,000), John Hoyland, Telfer Stokes and others. Works by Denny, Hoyland, Victor Newsome reproduced full page in b/w and some additional images. Essay by Demarco. Mention of works by Passmore, Hitchens and Ceri Richards, List of works exhibited.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: Demarco, 1967
21 x 21cm, 16pp plus printed wrappers. Exhibition catalogue of this open submission show with work from Robyn Denny (who won't the major price here of £1,000), John Hoyland, Telfer Stokes and others. Works by Denny, Hoyland, Victor Newsome reproduced full page in b/w and some additional images. Essay by Demarco. Mention of works by Passmore, Hitchens and Ceri Richards, List of works exhibited.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>FRIDAY 8 MAY. 2003. SIGNED BY THE ARTISTS.</title>
		<link>https://unoriginalsins.co.uk/product/friday-8-may-2003-signed-by-the-artists/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=friday-8-may-2003-signed-by-the-artists</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 01 Aug 2020 15:52:55 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=29219</guid>

					<description><![CDATA[Edinburgh/Newcastle: Morning Star Press/Baltic, 2003

12 x 18cm, 64pp plus card covers. Artist's book which takes original photographs of Joseph Beuys (taken by Richard Demarco) and Demarco's young female assistant Sally Holman of a visit to Loch awe and then later Rannoch Moor on Friday 8 May 1970 when Beuys dissolved a chunk of fat into the rivers there by burying it.

Maris later found the exact locations where this happened and re-photogrpahs the views 30 years later (using the exact same models of photographic equipment) along with geolocated coordinates.  The scenes are shown in reverse order from the originals. VG+. This copy is signed by Maris on the first page.]]></description>
										<content:encoded><![CDATA[Edinburgh/Newcastle: Morning Star Press/Baltic, 2003

12 x 18cm, 64pp plus card covers. Artist's book which takes original photographs of Joseph Beuys (taken by Richard Demarco) and Demarco's young female assistant Sally Holman of a visit to Loch awe and then later Rannoch Moor on Friday 8 May 1970 when Beuys dissolved a chunk of fat into the rivers there by burying it.

Maris later found the exact locations where this happened and re-photogrpahs the views 30 years later (using the exact same models of photographic equipment) along with geolocated coordinates.  The scenes are shown in reverse order from the originals. VG+. This copy is signed by Maris on the first page.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>THE SPECIAL UNIT BARLINNIE PRISON. 1975. ONE OF 500 HANDNUMBERED COPIES.</title>
		<link>https://unoriginalsins.co.uk/product/the-special-unit-barlinnie-prison-1975-one-of-500-handnumbed-copies/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-special-unit-barlinnie-prison-1975-one-of-500-handnumbed-copies</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 10:40:58 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26966</guid>

					<description><![CDATA[Edinburgh: Demarco Gallery, 1975
43 x 29cm, 36pp plus wrappers. Large format documentation in book form of the Special Unit at Barlinnie Prison where the most famous inmate was Jimmy Boyle - a convicted murder and "hard man" was in jail but part of a special scheme to see the effects of art therapy on recidivism.

Later to be a Scottish cause celebre, Boyle became a wholly reformed character through his development as a sculptor - much to the disbelief of the UK tabloid press who seemed to want Boyle to revert to his former violent ways. Boyle was later released from prison on parole and never re-offended.  Despite protests, and some evidence to show the Unit was a positive force for reform of otherwise difficult offenders, the unit was later shut down by the Tory Government/prison authorities during a period of political agitation by the tabloid press who complained of any treatment of prisoners which seemed "soft”.

This book reproduces many letters and images shared between Boyle, others in the Unit and Demarco. The upbeat nature of all (and some remarkably over optimistic bleeding heart postcards) does chafe a little - the unit was a fantastic idea and had real effect but those letters from the upper class who have never experienced one minute of the sort of background Boyle had as a child and teenager seem a tad dreamy. Demarco however has to be given credit for a genuine attempt to improve the lot of Scottish prisoners and this is an early example of social engagement art.

Anyhow this is very scarce and one of 500 numbered copies. VG+.]]></description>
										<content:encoded><![CDATA[Edinburgh: Demarco Gallery, 1975
43 x 29cm, 36pp plus wrappers. Large format documentation in book form of the Special Unit at Barlinnie Prison where the most famous inmate was Jimmy Boyle - a convicted murder and "hard man" was in jail but part of a special scheme to see the effects of art therapy on recidivism.

Later to be a Scottish cause celebre, Boyle became a wholly reformed character through his development as a sculptor - much to the disbelief of the UK tabloid press who seemed to want Boyle to revert to his former violent ways. Boyle was later released from prison on parole and never re-offended.  Despite protests, and some evidence to show the Unit was a positive force for reform of otherwise difficult offenders, the unit was later shut down by the Tory Government/prison authorities during a period of political agitation by the tabloid press who complained of any treatment of prisoners which seemed "soft”.

This book reproduces many letters and images shared between Boyle, others in the Unit and Demarco. The upbeat nature of all (and some remarkably over optimistic bleeding heart postcards) does chafe a little - the unit was a fantastic idea and had real effect but those letters from the upper class who have never experienced one minute of the sort of background Boyle had as a child and teenager seem a tad dreamy. Demarco however has to be given credit for a genuine attempt to improve the lot of Scottish prisoners and this is an early example of social engagement art.

Anyhow this is very scarce and one of 500 numbered copies. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TEN POLISH CONTEMPORARY ARTISTS FROM THE COLELCTION OF MUZEUM SZTUKI, LODZ. 1979.</title>
		<link>https://unoriginalsins.co.uk/product/ten-polish-contemporary-artists-from-the-colelction-of-muzeum-sztuki-lodz-1979-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ten-polish-contemporary-artists-from-the-colelction-of-muzeum-sztuki-lodz-1979-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 09:23:45 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26955</guid>

					<description><![CDATA[<div>Edinburgh: Richard Demarco Gallery, 1979
30 x 21cm, 26pp + (4pp) + 4pp pictorial covers, exhibition catalogue. B/w throughout. Ten reproductions of works by Beres, Jurkiewicz, Kantor, Krasinski, Opalka, Pierzgalski, Starcewski, Strumillo, Winiarski, Wodiczko.</div>
<div>Kantor also provides a text "From collage to emballage" in which he outlines his discovery of a technique which "allowed me to go beyond painting". His reproduced work here is 'Man with Suitcase' from 1967. Opalka's contribution is a detail of "Description of the world" (a number painting of course) also from 1967. One of 1,000 copies produced. Fine condition.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: Richard Demarco Gallery, 1979
30 x 21cm, 26pp + (4pp) + 4pp pictorial covers, exhibition catalogue. B/w throughout. Ten reproductions of works by Beres, Jurkiewicz, Kantor, Krasinski, Opalka, Pierzgalski, Starcewski, Strumillo, Winiarski, Wodiczko.</div>
<div>Kantor also provides a text "From collage to emballage" in which he outlines his discovery of a technique which "allowed me to go beyond painting". His reproduced work here is 'Man with Suitcase' from 1967. Opalka's contribution is a detail of "Description of the world" (a number painting of course) also from 1967. One of 1,000 copies produced. Fine condition.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>GEORGE MACKIE. 1969.</title>
		<link>https://unoriginalsins.co.uk/product/george-mackie-1969/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=george-mackie-1969</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 09:20:00 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26953</guid>

					<description><![CDATA[<div>Edinburgh: Richard Demarco Gallery, 1969
21 x 21cm, 2pp. Announcement card and catalogue - two b/w reproductions of photographs and list of the 26 works exhibited. Minimal biographic details and a quote from the photographer and book designer. VG albeit slightly browned at edges.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: Richard Demarco Gallery, 1969
21 x 21cm, 2pp. Announcement card and catalogue - two b/w reproductions of photographs and list of the 26 works exhibited. Minimal biographic details and a quote from the photographer and book designer. VG albeit slightly browned at edges.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>10 DIALOGUES. 2010.</title>
		<link>https://unoriginalsins.co.uk/product/10-dialogues-2010/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=10-dialogues-2010</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 09:16:56 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26951</guid>

					<description><![CDATA[<div>Edinburgh: National Galleries, 2010
36 x 26cm, unpaginated (approx 54pp). Card covers. Exhibition catalogue for this retrospective where ten artists associated with Richard Demarco lent works for a massive show in the RSA. Included are works and biographies and essays on Magdalena Abakanowicz, Gunther Uecker, Alastair Maclennan, David Mach, Ainslie Yule, Marina Abramovic, Rory McEwen, and Paul Neagu. Illustrated thoughout. Fine.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: National Galleries, 2010
36 x 26cm, unpaginated (approx 54pp). Card covers. Exhibition catalogue for this retrospective where ten artists associated with Richard Demarco lent works for a massive show in the RSA. Included are works and biographies and essays on Magdalena Abakanowicz, Gunther Uecker, Alastair Maclennan, David Mach, Ainslie Yule, Marina Abramovic, Rory McEwen, and Paul Neagu. Illustrated thoughout. Fine.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A LIFE IN PICTURES. 1995. SIGNED BY DEMARCO.</title>
		<link>https://unoriginalsins.co.uk/product/a-life-in-pictures-1995-signed-by-demarco/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-life-in-pictures-1995-signed-by-demarco</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 09:15:22 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26950</guid>

					<description><![CDATA[<div>Aberdeen: Northern Books, 1995
29 x 20.51cm, unpaginated (c. 220pp) plus pictorial covers. Perfect binding. First edition of this collection of reproduced drawings by Demarco and short explanatory texts in the artist's facsimile hand. This example is unusually signed by Demarco on the half title. VG++.</div>]]></description>
										<content:encoded><![CDATA[<div>Aberdeen: Northern Books, 1995
29 x 20.51cm, unpaginated (c. 220pp) plus pictorial covers. Perfect binding. First edition of this collection of reproduced drawings by Demarco and short explanatory texts in the artist's facsimile hand. This example is unusually signed by Demarco on the half title. VG++.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>EDINBURGH ARTS &#8217;77 EXHIBITION PART ONE/PART TWO. 1977. WITH HAND WRITTEN DEDICATION BY RICHARD DEMARCO.</title>
		<link>https://unoriginalsins.co.uk/product/edinburgh-arts-77-exhibition-part-one-part-two-1977-with-hand-written-dedication-by-richard-demarco/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=edinburgh-arts-77-exhibition-part-one-part-two-1977-with-hand-written-dedication-by-richard-demarco</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 09:13:40 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26949</guid>

					<description><![CDATA[<div>Edinburgh: Edinburgh Arts/Richard Demarco Gallery, 1977
Two volumes - uniformly 22.2 x 14cm, 44pp plus printed card wrappers. The first volume consists of a foreword by Demarco and short sections dedicated to David Nash, Ivan Osborne, Piccolo Sillani and Alistair Wilson. Illustrated throughout by works and drawings in b/w plus adverts. Volume two also has a long essay by Demarco - "Techne and psyche must be conjoined to form the synergistic force which reveals the point of balance we long to find, the point which indeed the Renaissance itself created, the point symbolised by every medieval cathedral. It is the artists' work to bring this about."</div>
<div>Sections on Chris Castle, Bob Chaplin, Adrian Hall, James Howie, Maryrose Pilcher, Paul Neagu, Joseph Reeder and Keir Smith. Again illustrated throughout. This second volume has a hand-written dedication by Demarco to "Rob and Cecilia Huntington/with good wishes". Both fine.</div>
<div>
PRIUCE IS FOR BOTH AS A PAIR.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: Edinburgh Arts/Richard Demarco Gallery, 1977
Two volumes - uniformly 22.2 x 14cm, 44pp plus printed card wrappers. The first volume consists of a foreword by Demarco and short sections dedicated to David Nash, Ivan Osborne, Piccolo Sillani and Alistair Wilson. Illustrated throughout by works and drawings in b/w plus adverts. Volume two also has a long essay by Demarco - "Techne and psyche must be conjoined to form the synergistic force which reveals the point of balance we long to find, the point which indeed the Renaissance itself created, the point symbolised by every medieval cathedral. It is the artists' work to bring this about."</div>
<div>Sections on Chris Castle, Bob Chaplin, Adrian Hall, James Howie, Maryrose Pilcher, Paul Neagu, Joseph Reeder and Keir Smith. Again illustrated throughout. This second volume has a hand-written dedication by Demarco to "Rob and Cecilia Huntington/with good wishes". Both fine.</div>
<div>
PRIUCE IS FOR BOTH AS A PAIR.</div>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>A JOURNEY FROM HAGAR QIM TO THE RING OF BRODGAR. 1976.</title>
		<link>https://unoriginalsins.co.uk/product/a-journey-from-hagar-qim-to-the-ring-of-brodgar-1976/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=a-journey-from-hagar-qim-to-the-ring-of-brodgar-1976</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 25 Jun 2020 09:11:37 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=26948</guid>

					<description><![CDATA[<div>Edinburgh: Edinburgh Arts/Richard Demarco Gallery, 1976
21.5 x 14.8cm, 192pp plus card covers, plastic spine binder. First edition of this collectively produced narrative about a 70 day, 7,500 mile journey undertaken by Edinburgh Arts Europe to investigate the roots of European culture "with particular reference to prehistoric art as the compliment to the most advanced manifestation of 20th century art". Sections on each of the 14 sections of the journey. Basically an over-romanticised road trip but interesting nonetheless. Illustrated throughout with photographs (mostly by Demarco). Some rubbing to mostly black card covers and near to the spine holes but overall no significant damage and VG.</div>]]></description>
										<content:encoded><![CDATA[<div>Edinburgh: Edinburgh Arts/Richard Demarco Gallery, 1976
21.5 x 14.8cm, 192pp plus card covers, plastic spine binder. First edition of this collectively produced narrative about a 70 day, 7,500 mile journey undertaken by Edinburgh Arts Europe to investigate the roots of European culture "with particular reference to prehistoric art as the compliment to the most advanced manifestation of 20th century art". Sections on each of the 14 sections of the journey. Basically an over-romanticised road trip but interesting nonetheless. Illustrated throughout with photographs (mostly by Demarco). Some rubbing to mostly black card covers and near to the spine holes but overall no significant damage and VG.</div>]]></content:encoded>
					
		
		
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