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	<title>Richard Wilson - Unoriginal Sins</title>
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	<title>Richard Wilson - Unoriginal Sins</title>
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		<title>TSWA3D. 1987.</title>
		<link>https://unoriginalsins.co.uk/product/tswa3d-1987/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tswa3d-1987</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 19:13:27 +0000</pubDate>
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					<description><![CDATA[<p class="p1">London: Television South West, 1987</p>
<p class="p1">30 x 21cm, 60pp plus card covers. Exhibition catalogue for a series of (in truth mostly dull) site specific / land works by George Wyllie, Kate Witeford, Antony Gormley, Richard Wilson, Holly Warburton, Hannah Collins, Edward Allington and others. One exception here is Wyllie's massively popularist yet still critically satisfying Straw Locomotive hung from a crane in Glasgow and Wilson is as always good for a look. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/tswa3d-1987/">TSWA3D. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p class="p1">London: Television South West, 1987</p>
<p class="p1">30 x 21cm, 60pp plus card covers. Exhibition catalogue for a series of (in truth mostly dull) site specific / land works by George Wyllie, Kate Witeford, Antony Gormley, Richard Wilson, Holly Warburton, Hannah Collins, Edward Allington and others. One exception here is Wyllie's massively popularist yet still critically satisfying Straw Locomotive hung from a crane in Glasgow and Wilson is as always good for a look. Fine.</p>
The post <a href="https://unoriginalsins.co.uk/product/tswa3d-1987/">TSWA3D. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>TURNING THE PLACE OVER. 2008.</title>
		<link>https://unoriginalsins.co.uk/product/turning-the-place-over-2008/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=turning-the-place-over-2008</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 22 Oct 2020 19:40:17 +0000</pubDate>
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					<description><![CDATA[<p>Liverpool: Liverpool Biennial, 2008</p>
<p>21 x 15cm, 8pp (single folded sheet) - the announcement for the major public artwork by Wilson where an eight m diameter oval slice out of the former Yates Wine Lodge building was made to turn over and over using huge hydraulic pistons. It was a spectacular work. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/turning-the-place-over-2008/">TURNING THE PLACE OVER. 2008.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Liverpool: Liverpool Biennial, 2008</p>
<p>21 x 15cm, 8pp (single folded sheet) - the announcement for the major public artwork by Wilson where an eight m diameter oval slice out of the former Yates Wine Lodge building was made to turn over and over using huge hydraulic pistons. It was a spectacular work. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/turning-the-place-over-2008/">TURNING THE PLACE OVER. 2008.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>IRONS IN THE FIRE. 2002.</title>
		<link>https://unoriginalsins.co.uk/product/irons-in-the-fire-2002/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=irons-in-the-fire-2002</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 22 Oct 2020 19:35:48 +0000</pubDate>
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					<description><![CDATA[<p>Edinburgh: Talbot Rice Gallery, 2002</p>
<p>10 x 21cm, 2pp. Announcement card for a show of drawings and maquettes used by Wilson for his large scale public works. On the front the preparatory drawing, the model and the actual work for "Slice of Reality" a major work in Greenwich, London. Verso gallery details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/irons-in-the-fire-2002/">IRONS IN THE FIRE. 2002.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Edinburgh: Talbot Rice Gallery, 2002</p>
<p>10 x 21cm, 2pp. Announcement card for a show of drawings and maquettes used by Wilson for his large scale public works. On the front the preparatory drawing, the model and the actual work for "Slice of Reality" a major work in Greenwich, London. Verso gallery details. VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/irons-in-the-fire-2002/">IRONS IN THE FIRE. 2002.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>20: 50. 1999.</title>
		<link>https://unoriginalsins.co.uk/product/20-50-1999/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=20-50-1999</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 22 Oct 2020 19:30:52 +0000</pubDate>
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					<description><![CDATA[<p>London: Saachi Gallery, 1999</p>
<p>10.5 x 15cm, 2pp. Artist's postcard displaying the first incarnation of the artist's signature work where a room is filled with sump oil such that the surface is highly reflective and becomes a mirror. The huge installation is here shown from the time when the gallery was based in the former Greater London Council HQ in Lambeth (which was sold off after Margaret Thatcher abolished the council in revenge for its left wing and highly popular policies). VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/20-50-1999/">20: 50. 1999.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Saachi Gallery, 1999</p>
<p>10.5 x 15cm, 2pp. Artist's postcard displaying the first incarnation of the artist's signature work where a room is filled with sump oil such that the surface is highly reflective and becomes a mirror. The huge installation is here shown from the time when the gallery was based in the former Greater London Council HQ in Lambeth (which was sold off after Margaret Thatcher abolished the council in revenge for its left wing and highly popular policies). VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/20-50-1999/">20: 50. 1999.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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		<title>UNSEEN WORKS. 2007.</title>
		<link>https://unoriginalsins.co.uk/product/unseen-works-2007/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unseen-works-2007</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 07 Sep 2020 20:39:43 +0000</pubDate>
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					<description><![CDATA[<p>London: Westbrook Gallery, 2007</p>
<p>21 x 15cm, 16pp plus wrappers. Fourteen full colour images of maquettes, major sculptural interventions into buildings and large scale public sculptures. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/unseen-works-2007/">UNSEEN WORKS. 2007.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>London: Westbrook Gallery, 2007</p>
<p>21 x 15cm, 16pp plus wrappers. Fourteen full colour images of maquettes, major sculptural interventions into buildings and large scale public sculptures. VG.</p>
The post <a href="https://unoriginalsins.co.uk/product/unseen-works-2007/">UNSEEN WORKS. 2007.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
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