<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Unoriginal Sins | </title>
	<atom:link href="https://unoriginalsins.co.uk/product-tag/richard-wilson/feed/" rel="self" type="application/rss+xml" />
	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
	<lastBuildDate>Wed, 11 Jun 2025 19:15:21 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.0</generator>

<image>
	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Unoriginal Sins | </title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>TSWA3D. 1987.</title>
		<link>https://unoriginalsins.co.uk/product/tswa3d-1987/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=tswa3d-1987</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 19:13:27 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=35710</guid>

					<description><![CDATA[<p class="p1">London: Television South West, 1987</p>
<p class="p1">30 x 21cm, 60pp plus card covers. Exhibition catalogue for a series of (in truth mostly dull) site specific / land works by George Wyllie, Kate Witeford, Antony Gormley, Richard Wilson, Holly Warburton, Hannah Collins, Edward Allington and others. One exception here is Wyllie's massively popularist yet still critically satisfying Straw Locomotive hung from a crane in Glasgow and Wilson is as always good for a look. Fine.</p>]]></description>
										<content:encoded><![CDATA[<p class="p1">London: Television South West, 1987</p>
<p class="p1">30 x 21cm, 60pp plus card covers. Exhibition catalogue for a series of (in truth mostly dull) site specific / land works by George Wyllie, Kate Witeford, Antony Gormley, Richard Wilson, Holly Warburton, Hannah Collins, Edward Allington and others. One exception here is Wyllie's massively popularist yet still critically satisfying Straw Locomotive hung from a crane in Glasgow and Wilson is as always good for a look. Fine.</p>]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>TURNING THE PLACE OVER. 2008.</title>
		<link>https://unoriginalsins.co.uk/product/turning-the-place-over-2008/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=turning-the-place-over-2008</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 22 Oct 2020 19:40:17 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34649</guid>

					<description><![CDATA[Liverpool: Liverpool Biennial, 2008

21 x 15cm, 8pp (single folded sheet) - the announcement for the major public artwork by Wilson where an eight m diameter oval slice out of the former Yates Wine Lodge building was made to turn over and over using huge hydraulic pistons. It was a spectacular work. VG+.]]></description>
										<content:encoded><![CDATA[Liverpool: Liverpool Biennial, 2008

21 x 15cm, 8pp (single folded sheet) - the announcement for the major public artwork by Wilson where an eight m diameter oval slice out of the former Yates Wine Lodge building was made to turn over and over using huge hydraulic pistons. It was a spectacular work. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>IRONS IN THE FIRE. 2002.</title>
		<link>https://unoriginalsins.co.uk/product/irons-in-the-fire-2002/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=irons-in-the-fire-2002</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 22 Oct 2020 19:35:48 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34648</guid>

					<description><![CDATA[Edinburgh: Talbot Rice Gallery, 2002

10 x 21cm, 2pp. Announcement card for a show of drawings and maquettes used by Wilson for his large scale public works. On the front the preparatory drawing, the model and the actual work for "Slice of Reality" a major work in Greenwich, London. Verso gallery details. VG+.]]></description>
										<content:encoded><![CDATA[Edinburgh: Talbot Rice Gallery, 2002

10 x 21cm, 2pp. Announcement card for a show of drawings and maquettes used by Wilson for his large scale public works. On the front the preparatory drawing, the model and the actual work for "Slice of Reality" a major work in Greenwich, London. Verso gallery details. VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>20: 50. 1999.</title>
		<link>https://unoriginalsins.co.uk/product/20-50-1999/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=20-50-1999</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 22 Oct 2020 19:30:52 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=34646</guid>

					<description><![CDATA[London: Saachi Gallery, 1999

10.5 x 15cm, 2pp. Artist's postcard displaying the first incarnation of the artist's signature work where a room is filled with sump oil such that the surface is highly reflective and becomes a mirror. The huge installation is here shown from the time when the gallery was based in the former Greater London Council HQ in Lambeth (which was sold off after Margaret Thatcher abolished the council in revenge for its left wing and highly popular policies). VG+.]]></description>
										<content:encoded><![CDATA[London: Saachi Gallery, 1999

10.5 x 15cm, 2pp. Artist's postcard displaying the first incarnation of the artist's signature work where a room is filled with sump oil such that the surface is highly reflective and becomes a mirror. The huge installation is here shown from the time when the gallery was based in the former Greater London Council HQ in Lambeth (which was sold off after Margaret Thatcher abolished the council in revenge for its left wing and highly popular policies). VG+.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>UNSEEN WORKS. 2007.</title>
		<link>https://unoriginalsins.co.uk/product/unseen-works-2007/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=unseen-works-2007</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 07 Sep 2020 20:39:43 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=32255</guid>

					<description><![CDATA[London: Westbrook Gallery, 2007

21 x 15cm, 16pp plus wrappers. Fourteen full colour images of maquettes, major sculptural interventions into buildings and large scale public sculptures. VG.]]></description>
										<content:encoded><![CDATA[London: Westbrook Gallery, 2007

21 x 15cm, 16pp plus wrappers. Fourteen full colour images of maquettes, major sculptural interventions into buildings and large scale public sculptures. VG.]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
