https://unoriginalsins.co.uk AVANT-GARDES Thu, 02 Mar 2023 16:23:01 +0000 en-GB hourly 1 https://wordpress.org/?v=6.8.3 https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png https://unoriginalsins.co.uk 32 32 https://unoriginalsins.co.uk/product/contratto-di-trasferimento-di-opere-darte-1971-signed-by-seth-siegelaub/?utm_source=rss&utm_medium=rss&utm_campaign=contratto-di-trasferimento-di-opere-darte-1971-signed-by-seth-siegelaub Thu, 02 Apr 2020 20:34:46 +0000 https://unoriginalsins.co.uk/?post_type=product&p=16880 Milan: Marina Le Noci, n.d. (1971)
29.5 x 21cm, 8pp single folded sheet which opens to 42 x 59cm. This is the first Italian edition of the famous conceptual documents "The Artist's Reserved Rights Transfer and Sale Agreement". This example is signed by Seth Siegelaub in blue ink on an inner page. VG+. Very rare.

The post CONTRATTO DI TRASFERIMENTO DI OPERE D’ARTE. 1971., SIGNED BY SETH SIEGELAUB. appeared first on Unoriginal Sins.]]> Milan: Marina Le Noci, n.d. (1971)
29.5 x 21cm, 8pp single folded sheet which opens to 42 x 59cm. This is the first Italian edition of the famous conceptual documents "The Artist's Reserved Rights Transfer and Sale Agreement". This example is signed by Seth Siegelaub in blue ink on an inner page. VG+. Very rare.

The post CONTRATTO DI TRASFERIMENTO DI OPERE D’ARTE. 1971., SIGNED BY SETH SIEGELAUB. appeared first on Unoriginal Sins.]]> https://unoriginalsins.co.uk/product/contrat-preservation-des-droits-de-lartist-1972-signed-by-seth-siegelaub/?utm_source=rss&utm_medium=rss&utm_campaign=contrat-preservation-des-droits-de-lartist-1972-signed-by-seth-siegelaub Thu, 02 Apr 2020 20:32:06 +0000 https://unoriginalsins.co.uk/?post_type=product&p=16879 NYC: s.p. (Siegelaub), 1972
The French language variant of this famous legal document. First edition. 30 x 22cm, 8pp folded contract (opens to 60 x 44cm, 2pp) designed to improve the rights of artist's and give them certain rights - including a 15% cut of any future monetary exchange involving their work. Siegelaub's wish was to diminish the role of dealers (hmmph!) and give art back some of its purity outside of the tawdry matter of monetary value. The failure of the venture lead indirectly, and in part, to his decision to retire as a major influence in the world of contemporary art and deal in books about Chinese crockery (and nowadays theoretical physics). This copy is signed in ink by Siegelaub and is a very fine copy of this now scarce document. Other copies were produced in English and German. It is not lost on us that the contract states:"Cette feullille n'est pas a vendre".

The post CONTRAT. PRESERVATION DES DROITS DE L’ARTIST. 1972. SIGNED BY SETH SIEGELAUB. appeared first on Unoriginal Sins.]]> NYC: s.p. (Siegelaub), 1972
The French language variant of this famous legal document. First edition. 30 x 22cm, 8pp folded contract (opens to 60 x 44cm, 2pp) designed to improve the rights of artist's and give them certain rights - including a 15% cut of any future monetary exchange involving their work. Siegelaub's wish was to diminish the role of dealers (hmmph!) and give art back some of its purity outside of the tawdry matter of monetary value. The failure of the venture lead indirectly, and in part, to his decision to retire as a major influence in the world of contemporary art and deal in books about Chinese crockery (and nowadays theoretical physics). This copy is signed in ink by Siegelaub and is a very fine copy of this now scarce document. Other copies were produced in English and German. It is not lost on us that the contract states:"Cette feullille n'est pas a vendre".

The post CONTRAT. PRESERVATION DES DROITS DE L’ARTIST. 1972. SIGNED BY SETH SIEGELAUB. appeared first on Unoriginal Sins.]]>