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	<title>Unoriginal Sins | </title>
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		<title>RENTYHORN (CROSSED OUT &#8211; AGAZZZIZHORN). 2010. SIGNED &#038; DEDICATED BY SASHA HUBLER.</title>
		<link>https://unoriginalsins.co.uk/product/rentyhorn-crossed-out-agazzzizhorn-2010-signed-dedicated-by-sasha-hubler/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=rentyhorn-crossed-out-agazzzizhorn-2010-signed-dedicated-by-sasha-hubler</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Wed, 18 Nov 2020 09:05:43 +0000</pubDate>
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					<description><![CDATA[Kiasma: Museum of Contemporary Art Kiasma, 2010

24.5 x 17.5cm, 110pp plus embossed boards. Artist's book and exhibition catalogue for Hubler's renaming of the Agassizhorn in the Swiss Alps (named after the significant scientist Louis Agassiz who was also a horrendous racist and apologist for slavery) as Rentyhorn - one of the black slaves transported to America from the Congo and who Agassiz had photographed for a "scientific" study. Illustrated thorughout in colour and b/w and with essays by Hubler,  Hans Fassler, Johanna Sarjas, Suzana Milevska and others on history and the role of naming and monuments. Hubler has attempted to visit most of the places named after Agassiz and create artworks that reclaim the spaces for non-racist causes (one such place is on the Moon so not all can be visited that easily).  This book is signed and dedicated by Hubler to Paul Robertson who curated a show in Edinburgh in 2013 where the Agassiz Stone (an important geological landmark that was important in showing the important role of glacial formation in landscape) was "reclaimed" by Huber with a photograph in front of the massive boulder of the artist posing naked as a slave photograph might be in Agassiz' time. VG+.]]></description>
										<content:encoded><![CDATA[Kiasma: Museum of Contemporary Art Kiasma, 2010

24.5 x 17.5cm, 110pp plus embossed boards. Artist's book and exhibition catalogue for Hubler's renaming of the Agassizhorn in the Swiss Alps (named after the significant scientist Louis Agassiz who was also a horrendous racist and apologist for slavery) as Rentyhorn - one of the black slaves transported to America from the Congo and who Agassiz had photographed for a "scientific" study. Illustrated thorughout in colour and b/w and with essays by Hubler,  Hans Fassler, Johanna Sarjas, Suzana Milevska and others on history and the role of naming and monuments. Hubler has attempted to visit most of the places named after Agassiz and create artworks that reclaim the spaces for non-racist causes (one such place is on the Moon so not all can be visited that easily).  This book is signed and dedicated by Hubler to Paul Robertson who curated a show in Edinburgh in 2013 where the Agassiz Stone (an important geological landmark that was important in showing the important role of glacial formation in landscape) was "reclaimed" by Huber with a photograph in front of the massive boulder of the artist posing naked as a slave photograph might be in Agassiz' time. VG+.]]></content:encoded>
					
		
		
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		<title>TRACES OF LOUIS AGASSIZ: PHOTOGRAPHY, BODY AND SCIENCE, YESTERDAY AND TODAY. 2010 WITH DEDICATION FROM HUBER TO PAUL ROBERTSON.</title>
		<link>https://unoriginalsins.co.uk/product/traces-of-louis-agassiz-photography-body-and-science-yesterday-and-today-2010-with-dedication-from-huber-to-paul-robertson/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=traces-of-louis-agassiz-photography-body-and-science-yesterday-and-today-2010-with-dedication-from-huber-to-paul-robertson</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 08 Sep 2020 15:44:59 +0000</pubDate>
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					<description><![CDATA[Sao Paolo: Capacete Entretenimentos, 2010

24 x 17cm, 190pp. Original pictorial wrappers. Artist's book which documents the racist attitudes and actions of the scientist Louis Agassiz who while identifying the important of glacial movement in rock and other geographical formations was on the other hand a disgusting supporter of eugenics and slavery. Huber has exposed this hidden history in a series of photographic and performance art events usually near to locations named after the geologist. The book was produced for the Sao Paolo Biennale in 2010 and the texts are in both pPortuguese and English, photographs by Agassis and Huber throughout.

]This example of the book is dedicated to Paul Robertson (who curated a show with the artist in Edinburgh, Scotland) in ink on the first blank end paper. VG+.]]></description>
										<content:encoded><![CDATA[Sao Paolo: Capacete Entretenimentos, 2010

24 x 17cm, 190pp. Original pictorial wrappers. Artist's book which documents the racist attitudes and actions of the scientist Louis Agassiz who while identifying the important of glacial movement in rock and other geographical formations was on the other hand a disgusting supporter of eugenics and slavery. Huber has exposed this hidden history in a series of photographic and performance art events usually near to locations named after the geologist. The book was produced for the Sao Paolo Biennale in 2010 and the texts are in both pPortuguese and English, photographs by Agassis and Huber throughout.

]This example of the book is dedicated to Paul Robertson (who curated a show with the artist in Edinburgh, Scotland) in ink on the first blank end paper. VG+.]]></content:encoded>
					
		
		
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		<title>LOUIS AGASSIZ(1807 &#8211; 2013): EINE HEIMSUCHUNG. 2013.</title>
		<link>https://unoriginalsins.co.uk/product/louis-agassiz1807-2013-eine-heimsuchung-2013/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=louis-agassiz1807-2013-eine-heimsuchung-2013</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 31 Mar 2020 16:29:34 +0000</pubDate>
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					<description><![CDATA[Frauenfeld: SHED, 2013
21 x 15cm, 2pp. Announcement card for an exhibition of Huber's continuing campaign against Louis Afassiz's memory - a man who was a disgusting pro-slavery racist yet a very important scientist. VG.]]></description>
										<content:encoded><![CDATA[Frauenfeld: SHED, 2013
21 x 15cm, 2pp. Announcement card for an exhibition of Huber's continuing campaign against Louis Afassiz's memory - a man who was a disgusting pro-slavery racist yet a very important scientist. VG.]]></content:encoded>
					
		
		
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