30 x 21cm, 4pp. A reproduced photograph by Drummond of a found dead Green finch and an original text by Drummond internally. The sixtEENTH  number of the series issued by Scott Robertson. VG+.

10.5 x 15cm, 2pp b/w artist designed postcard with the edition details in the form of a crossword. One of 50 copies issed by Scott Robertson and hand addressed by the artist and mailed to Paul Robertson. One slight mark from the mailing process on the front else VG.

30 x 21cm, 4pp . A reproduced collage from found newspaper texts internally. The sixth number of the series issued by Scott Robertson. VG+.

42 x 30cm, 4pp tabloid newspaper with minimal text. The front has the word WORK and its reversal and internally two texts: a small text "Too Little: and larger "Too late". The back cover has an asymetrical crossword with the answers printed upside down. Folded for distribution else VG+.

15 x 21cm, silver hall marked postcard with card insert and outer envelope with tie binding. The outer envelope has the title hand-written by Robertson. One of only 12 examples of this mail art work which has been stamped officially by a hallmark designed by the artist which is only to be used for this edition. All VG+.

10.5 x 15cm, 2pp artist postcard which is printed on one side and on the other a unique short text taken from a specific poem handwritten in black biro on masking tape. Each is a single line from a poem - here the line reads "descend ourselves to make" which is from The Rubaiyat of Omar Khayyam by Omar Khayyam, translated by Edward Fitzgerald. Unique within the series. VG+.

10.5 x 15cm, 2pp artists postcard with a telephone number on the front, verso a text: "The text message you received on 26th Bov 2021 from the number overleaf, is considered an artwork by the sender as is this postcard." The card is signed in initials by Scott Robertson in black ink. One of a small number of such cards (and text messages) sent by the conceptual artist. VG+.

22.8 x 15cm, 110pp plus card covers. In original sealed transparent plastic bag. Placed in is a small lead pencil and confetti. An assemblage artist's book with contributions from 47 artists, venues, collectors and comedians contribute texts with varying sincerity, seriousness and originality.

Contributors include Dominic Allan, Mariah Anwander, David Bellingham, Lorna Hamilton-Brown, Sara Korshøj Christensen, Caustic Coastal, Nick Davies (Loophole Projects), Charlie Duck, Daniel Eatock, The Arts Emergency, Steven Emmanuel, Mark Essen, Harrell Fletcher, Ryan Gander, Lauren Godfrey, Harry Grundy, Sam Harris, Sadie Hennessy, Jamie Holman & Alex Zawadzki (Uncultured Creatives), David Horvitz, IMT Gallery, Inglewood Centre for Contemporary Art (Jason & Lori Brown), Patrick Adam Jones, Dion Kitson, Nathaniel Pitt (Division of Labour), Tony Law, Micah Lexier, Sean McClusky, Trackie McLeod, Susan Morris, Simon Munnery, Originalprojects, Anna Reading, The Revelator, Scott Robertson, Motion Sickness, Stephen Skrynka, Trevor H. Smith, Clare Strand, Annika Ström, Milly Thompson, Demelza Watts, Russell Webb, Zembla Gallery. Epilogue written by Orion W Crane.

The pencil is an object multiple by Robertson. One of 300 copies released. VG+.

5 x 17cm, 2pp b/w offset - a ticket for an exhibition based on Bas Jan Ader's famous last work where he died trying to sail single handedly home from America to Holland. The ticket was issued by Robertson to act as a conceptual artwork. VG+.

30 x 21cm, 1pp b/w offset - the artist's double yawn has been tablulated as sheet music. One of a small number of signed sheets. Sadly there is a crease bottom right thanks to the mailing process else VG+.

5 x 14cm, 1pp black on white offset ticket for an exhibition curated by Robertson based on Bas Jan Ader's famous voyage across the Atlantic where the inexperienced artist drowned attempting to return to the Netherlands after an American exhibition. The ticket here is designated by Robertson as an object multiple and is numbered "No. 1" although it appears that number is specious as it appears on all copies.

This is one of two variants - a predominantly white design, the other being mostly black. VG+.

5 x 14cm, 1pp black on white offset ticket for an exhibition curated by Robertson based on Bas Jan Ader's famous voyage across the Atlantic where the inexperienced artist drowned attempting to return to the Netherlands after an American exhibition. The ticket here is designated by Robertson as an object multiple and is numbered "No. 1" although it appears that number is specious as it appears on all copies.

This is one of two variants - a predominantly black design, the other being mostly white. VG+.