Uniformly, 20.2 x 14cm, 32pp plus card covers. Modern board bindings with tape. Three separate numbers in two issues of this Danish art review which includes the rare double number (5/6) devoted to French surrealism with poems in their original language by Paul Eluard, Hugnet, Dali, Peret as well as illustrations by Dali, Valentine Hugo, Magritte, Man Ray, Arp.  Edited by the painter and writer Vilhelm Bjerke-Petersen.

Nr 1 has contributions by and on Arp, Kandinsky, Petersen and others and reproductions of works after Man Ray, Sophie Tauber Arp, Kandinsky, Arp, Dali and Max Ernst amongst others. Original wrappers retained, both copies have former owner's signatures on the first inside page and the wrappers of the double issue have some printer's ink stains and a minor water mark reducing what would have been otherwise near fine to very good+. Rare.

20.4 x 12.4cm, 32pp plus printed wrappers. Exhibition catalogue. Asger Jorn first joined the Linien group in Copenhagan in 1935 at the age of 21 after a period of creating mostly mediocre works of a realist nature. This established group of painters and sculptors were a melange of post-surrealist artists who painted in an abstract style which immediately influenced Jorn's expressionistic work. This exhibition contained works by members of Linien along some works by painters whom they regarded as their influences. Nine such works are noted herein and reproduced in b/w by Sophie Tauber Arp, Hans Arp, van Doesberg, Ernst, Kandinsky, Klee, Miro, Mondrian, Banguy, Bentsen, Hull and joined from the Linien group Olafsson, Olafsson, Heerup, Ferlov, Bille, Graumann, Dryberg-Petersen, Jacobsen and Asger O. Jorgensen (Jorn) himself. The latter earlier incarnation of Jorn displayed 7 works according to the catalogue (price for each was 250 kroner). Later Jorn (in the 1950s) was shown this catalogue and he wrote on the first internal page "ma premiere expedition a Copenhague/Jorn" in blue ink and on the page with his exhibition listing he crossed out parts of the printed name "Asger O. Jorgensen" and signed his name as Jorn above it. Sadly this book has become damp in the past and ink from the red printed card wrappers has leeched through the pages of the book. However as a flaw it is not so very terrible, all pages are easily read (red?) and visible - overall, with that noted flaw, it is in very good condition apart from rust on the staples. A rarity made even more so by Jorn's intervention.