<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Stephen Bann - Unoriginal Sins</title>
	<atom:link href="https://unoriginalsins.co.uk/product-tag/stephen-bann/feed/" rel="self" type="application/rss+xml" />
	<link>https://unoriginalsins.co.uk</link>
	<description>AVANT-GARDES</description>
	<lastBuildDate>Sat, 20 Sep 2025 09:19:12 +0000</lastBuildDate>
	<language>en-GB</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.8.3</generator>

<image>
	<url>https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png</url>
	<title>Stephen Bann - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</title>
		<link>https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 20 Sep 2025 09:18:01 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=61502</guid>

					<description><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Cambridge: Form, n.d. (1967)</p>
<p>24.5 x 24.5cm, 32cm (self cover). Stapled. A single issue of the magazine which was published and designed by Phillip Steadman and often reproduced important texts by key artistic pioneers. This issue  was released to correspond with the  'Brighton Festival Exhibition of Concrete Poetry' and features a map and index of works alongside a text by curator Stephen Bann. Other articles include  translation of 'The first years of Concrete Poetry' by Eugen Gomringer, an essay by Lewis Shelley on the Black Mountain College,  Albers on 'My courses at the Hochschule fur Gestaltung at Ulm', and Irving Finkelstein on Albers' "Graphic Tectonics". Additionally  Lev Nusberg on "What is Kinetism?'and Charles Biederman on 'A Non-Aristotelian Creative Reality'. There is poetry by Anselm Hollo, alongside 'Two Men' by Kurt Schwitters and 'Towards a Constructive Poetry' by I.K. Bonset (aka Theo von Doesburg) and a "Manifesto on the Lawfulness of Sound" by Raoul Hausmann. Wrappers are a noit browned near the edges else VG+.</p>
The post <a href="https://unoriginalsins.co.uk/product/form-4-brighton-festival-exhibition-of-concrete-poetry-notees-map-1967/">FORM 4. BRIGHTON FESTIVAL EXHIBITION OF CONCRETE POETRY: NOTEES, MAP.  1967.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>FIELD. AFTER FRANCIS PONGE.</title>
		<link>https://unoriginalsins.co.uk/product/field-after-francis-ponge/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=field-after-francis-ponge</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 24 Dec 2021 13:35:20 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=46047</guid>

					<description><![CDATA[<p>East Markham: Tarasque Press, n.d. (172)</p>
<p>13 x 13cm, 12pp plus square stapled wrappers. A concrete poem by Bann based on texts from Le pre by Francis Ponge by extracting elements of the first visual poem on preceding pages - on one page the accents (´) are only arranged to create the "filed" . One of 250 copies. Very good condition. Somewhat scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/field-after-francis-ponge/">FIELD. AFTER FRANCIS PONGE.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>East Markham: Tarasque Press, n.d. (172)</p>
<p>13 x 13cm, 12pp plus square stapled wrappers. A concrete poem by Bann based on texts from Le pre by Francis Ponge by extracting elements of the first visual poem on preceding pages - on one page the accents (´) are only arranged to create the "filed" . One of 250 copies. Very good condition. Somewhat scarce.</p>
The post <a href="https://unoriginalsins.co.uk/product/field-after-francis-ponge/">FIELD. AFTER FRANCIS PONGE.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>NATURAL SCIENCE. 1998.</title>
		<link>https://unoriginalsins.co.uk/product/natural-science-1998/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=natural-science-1998</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Thu, 09 Jul 2020 22:17:29 +0000</pubDate>
				<guid isPermaLink="false">https://unoriginalsins.co.uk/?post_type=product&#038;p=28372</guid>

					<description><![CDATA[<p><span class="s1">Edinburgh: Stills Gallery, 1998</span></p>
<p>26 x 21cm, 12pp (self cover) Exhibition catalogue for this three person exhibition of photography as allied to installation, land and concept art. Three b/w images of works and essays by Stephen Bann and David Hopkins. VG+</p>
The post <a href="https://unoriginalsins.co.uk/product/natural-science-1998/">NATURAL SCIENCE. 1998.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p><span class="s1">Edinburgh: Stills Gallery, 1998</span></p>
<p>26 x 21cm, 12pp (self cover) Exhibition catalogue for this three person exhibition of photography as allied to installation, land and concept art. Three b/w images of works and essays by Stephen Bann and David Hopkins. VG+</p>
The post <a href="https://unoriginalsins.co.uk/product/natural-science-1998/">NATURAL SCIENCE. 1998.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>METAPHOR AND MOTIF. 1972.</title>
		<link>https://unoriginalsins.co.uk/product/metaphor-and-motif-1972-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=metaphor-and-motif-1972-2</link>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 05 Jul 2020 08:59:21 +0000</pubDate>
				<category><![CDATA[Exhibition Catalogues]]></category>
		<category><![CDATA[Ian Gardner]]></category>
		<category><![CDATA[Simon Cutts]]></category>
		<category><![CDATA[Stephen Bann]]></category>
		<category><![CDATA[Stuart Mills]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=27864</guid>

					<description><![CDATA[<p>Nottingham: The Tarasque Press, 1972<br />
22.5 x 20cm, 28pp plus pictorial wrappers. Exhibition catalogue of show of concrete poetry works edited by Stephen Bann. Contributions by Simon Cutts, Ian Gardner, Stuart Mills and Finlay who has three pages of b/w photographs (4 images) taken by Stuart Mills. Slight grubbiness along outer spine else VG. Scarce Catalogue.</p>
The post <a href="https://unoriginalsins.co.uk/product/metaphor-and-motif-1972-2/">METAPHOR AND MOTIF. 1972.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Nottingham: The Tarasque Press, 1972<br />
22.5 x 20cm, 28pp plus pictorial wrappers. Exhibition catalogue of show of concrete poetry works edited by Stephen Bann. Contributions by Simon Cutts, Ian Gardner, Stuart Mills and Finlay who has three pages of b/w photographs (4 images) taken by Stuart Mills. Slight grubbiness along outer spine else VG. Scarce Catalogue.</p>
The post <a href="https://unoriginalsins.co.uk/product/metaphor-and-motif-1972-2/">METAPHOR AND MOTIF. 1972.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
