PAYMENT
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If you would prefer to pay by Bank Transfer (for orders over £500 only), please place the order online and we will contact you to complete the transaction and issue an invoice if required.

SHIPPING
We aim to dispatch all orders within 24 to 48 hours.

We prefer to use Royal Mail “Signed and Tracked“ option where possible but for some larger or more valuable items we may insist on using direct priority couriers.

We charge flat rate shipping ( up to a certain weight or value) based on three zones:

£15
United Kingdom

£25
Europe and USA and Canada


£45
Rest of the World including Asia and South America


If your order contains only items listed under Cards & Ephemera the following discounted rates apply:

£7
United Kingdom

£18
Europe and USA and Canada


£20
Rest of the World including Asia and South America


PACKING
We try to keep costs down and we are also aware of the effects of packing on the environment.

Where possible we try to recycle packaging materials. If you require new pristine packing boxes/envelopes (say for a gift) then please let us know.

Large posters are usually rolled and sent in firm tubes - if you require flat packing for any large item then please let us know on ordering:in such cases, there may be a surcharge to cover the extra costs.

Other items are send in appropriate packaging.

INSURANCE
We will cover all shipments with full loss insurance up to £250. Thereafter a surcharge is needed.

We will consider sending items without full insurance but this is at the purchaser’s decision and risk. If you wish us to do this then please indicate in writing what you want us to do.





Unoriginal Sins is an established venture trading in the field of the contemporary and modern avant garde movements from 1900 to the present day. We have a vast inventory of books, documents, artworks, ephemera, object multiples, LPs and other digital media as well as representing major collections from significant artists.

We trade almost entirely online - we purchase new material all the time and offer regular clients email lists (which you can sign up to here) of new arrivals. Soon after the distribution of those lists, new items are placed online so it is worth returning regularly to this site to see what new things are for sale.

It may be possible to visit in person and see our inventory but that is by appointment only - please email us. We can supply references for new clients should that be required.

We are always looking for new material to add to our stocks - we have a desiderata here but we are interested in all material that is similar to our core interests. Do get in touch.
ANY QUESTIONS OR TO ARRANGE A VISIT:






UNORIGINAL SINS
Eals Farm
Eals
Brampton
CA8 7PG


mail@unoriginalsins.com
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS.
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 2
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 3
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 4
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 5
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 6
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 7
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 8
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 9
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 10
LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 11
  1. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS.
  2. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 2
  3. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 3
  4. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 4
  5. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 5
  6. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 6
  7. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 7
  8. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 8
  9. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 9
  10. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 10
  11. LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST'S JOURNAL. SOME WITH UNIQUE WORKS. - Image 11

LE DAILY BUL. Nos. 1, 3, 4, 5, 6, 7, 9, 10, 12, 13. 1957-1969. A SUBSTANTIAL RUN OF THIS IMPORTANT BELGIUM ARTIST’S JOURNAL. SOME WITH UNIQUE WORKS.

£1,200.00

Bruxelles: La Louviere, 1957-1969

Ten separate issues of this artist journal which evolved out of the Benelux surrealist activity and Lettrisme/Cobra. Later Bury’s activities became more nihilist and adopted various aspects of Fluxus and the German avant garde and the journal took on a life of its own (with many off-shoots and “collections” specialising in reprints on a theme or individual artist’s books.  

Le Daily Bul is an important document if for no other reason that it charts the changes in artistic temperament and interests during an important period in Belgium, and nearby Holland, with the emergence of letterisme, Cobra, the anarchist movements such as Provo and the beginnings of the international situationists.  

The ten numbers offered here are more or less uniform at 22.5 x 17 cm (except nr 6 which is undersize at 21.5 x 19 cm and nr. 12 which is oversize at 36 x 21cm) with pagination varying per. Illustrated throughout with various collaged elements, pageworks, original articles, humorous editorial and lithographs (some are original contributions) throughout.

Notable is Number 7 which is hand coloured by the artists and is much sought after, number 9 with unique collaged elements (each issue is different) and No. 12: ‘Qui Etes-vous/Who are you?’ which has original contributions by Fluxus and post-Cobra activitists including Alechinsky, Vautier, Brecht, Cage, Christo, Dine, Higgins, Knowles, Paik, Oppenheim, Rot, Spoerri, Topor, Williams and Filliou and is perhaps the first use of the surrealists’ technique of published “surveys” within a different artistic context in Belgium.

In addition, in a bold move Number 13 is effectively an object multiple in the form of a badge (“Daly Bul”) inside an envelope within a faux book form made up of cardboard covers and hollowed out polystyrene.  

All are in very good condition with some minor closed tears and scuffs to some edges and are very scarce and even broken runs of 5 or more issues are rarely encountered however there is inevitable rust on the staples on most numbers .  The polystyrene in nr 13 is split but complete because it is glued onto the back board.

Price is for all 10 issues as a group

Out of stock

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