NOIR COMME LA NUIT QU’ON VOIT AVEC LES YEUX FEMMES. 2002.

Paris: Voix Editions, 2002

0pp (leporello paper folds but bound at the spine) and one double page fold outs each reproducing a minimalist painting of a phrase by Tremmlett (eg Yellow as the melons in my hand) – all from a series of wall paintings. Black card covers. VG although a slight crease on the rear French fold.