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	<title>Antonia Reeve - Unoriginal Sins</title>
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	<description>AVANT-GARDES</description>
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	<title>Antonia Reeve - Unoriginal Sins</title>
	<link>https://unoriginalsins.co.uk</link>
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		<title>INSCRIPTION. 1994.</title>
		<link>https://unoriginalsins.co.uk/inscription-1994/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=inscription-1994</link>
					<comments>https://unoriginalsins.co.uk/inscription-1994/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 20 Nov 1994 10:11:44 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<category><![CDATA[Antonia Reeve]]></category>
		<category><![CDATA[John Andrew]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=24907</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1994<BR><br />
13.0 x 15.4cm, 4pp. A tipped on colour photograph by Antonia Reeve of a Finlay wall sculpture by John Andrew. The marble inscription reads: "For the first time men earnestly relied upon heaven chronology became historical and astronomical at the same time." a quote by Michelet and an explanatory note by Finlay noting how the Republican calendar "ended" time. VG+.<BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/inscription-1994/">INSCRIPTION. 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1994<BR><br />
13.0 x 15.4cm, 4pp. A tipped on colour photograph by Antonia Reeve of a Finlay wall sculpture by John Andrew. The marble inscription reads: "For the first time men earnestly relied upon heaven chronology became historical and astronomical at the same time." a quote by Michelet and an explanatory note by Finlay noting how the Republican calendar "ended" time. VG+.<BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/inscription-1994/">INSCRIPTION. 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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		<title>STREIFLICHTER. 1994.</title>
		<link>https://unoriginalsins.co.uk/streiflichter-1994/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=streiflichter-1994</link>
					<comments>https://unoriginalsins.co.uk/streiflichter-1994/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 06 May 1994 12:04:05 +0000</pubDate>
				<category><![CDATA[Exhibition Catalogues]]></category>
		<category><![CDATA[Antonia Reeve]]></category>
		<category><![CDATA[Siegfried Blasche]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=21539</guid>

					<description><![CDATA[<p>NYC: Nolan/Eckman Gallery, 1994<BR><br />
10.7 x 13.5cm, 28pp plus card covers, a red dust jacket and a tipped on title label. This book is subtitled "six Inscribed Fragments Concerning the French Revolution 1789 -- 1805. Six b/w photographs (by Antonia Reeve) of stone reliefs by Finlay are tipped on opposite a commentary by Siegfried Blasche and different quotations from Michelet . The commentaries can be seen as an adjunct to the works as they are not explained. Still an interesting book that is arguably an artists book as well as exhibition catalogue. On consideration we regard it as one of the latter. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/streiflichter-1994/">STREIFLICHTER. 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<a href='https://unoriginalsins.co.uk/a9dc5709-b93d-4cbd-9265-5a3a502b33ca_1_201_a/'><img decoding="async" width="200" height="200" src="https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-200x200.jpeg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-200x200.jpeg 200w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-100x100.jpeg 100w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-800x800.jpeg 800w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-1000x1000.jpeg 1000w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-570x570.jpeg 570w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/A9DC5709-B93D-4CBD-9265-5A3A502B33CA_1_201_a-500x500.jpeg 500w" sizes="(max-width: 200px) 100vw, 200px" /></a>
<a href='https://unoriginalsins.co.uk/4fd268fc-3349-4b9f-8195-a534ee475743_1_201_a/'><img decoding="async" width="200" height="200" src="https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-200x200.jpeg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-200x200.jpeg 200w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-scaled-100x100.jpeg 100w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-800x800.jpeg 800w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-1000x1000.jpeg 1000w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-570x570.jpeg 570w, https://unoriginalsins.co.uk/wp-content/uploads/2020/05/4FD268FC-3349-4B9F-8195-A534EE475743_1_201_a-500x500.jpeg 500w" sizes="(max-width: 200px) 100vw, 200px" /></a>The post <a href="https://unoriginalsins.co.uk/streiflichter-1994/">STREIFLICHTER. 1994.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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		<title>CASCADE. 1993.</title>
		<link>https://unoriginalsins.co.uk/cascade-1993/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=cascade-1993</link>
					<comments>https://unoriginalsins.co.uk/cascade-1993/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 18 Sep 1993 09:43:47 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<category><![CDATA[Antonia Reeve]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=24820</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1993<BR><br />
11.4 x 8.9cm, 4pp card with a photograph variation by Antonia Reeve of the Upper Pool in Little Sparta printed black on green along with a poem:<BR><BR><br />
Cascade<BR><BR><br />
The one<BR><br />
water<BR><BR><br />
sings its<BR><br />
separate<BR><BR><br />
small<BR><br />
pop-songs<BR><BR><br />
as it <BR><br />
falls<BR><BR><br />
A cascade has a double meaning - falling as the water does here - and in music -  a descending melody. Finlay finds both appealing. This is apparently a variation of a Louis Zukofsky poem. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/cascade-1993/">CASCADE. 1993.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1993<BR><br />
11.4 x 8.9cm, 4pp card with a photograph variation by Antonia Reeve of the Upper Pool in Little Sparta printed black on green along with a poem:<BR><BR><br />
Cascade<BR><BR><br />
The one<BR><br />
water<BR><BR><br />
sings its<BR><br />
separate<BR><BR><br />
small<BR><br />
pop-songs<BR><BR><br />
as it <BR><br />
falls<BR><BR><br />
A cascade has a double meaning - falling as the water does here - and in music -  a descending melody. Finlay finds both appealing. This is apparently a variation of a Louis Zukofsky poem. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/cascade-1993/">CASCADE. 1993.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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			</item>
		<item>
		<title>LOAVES. 1987.</title>
		<link>https://unoriginalsins.co.uk/loaves-1987/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=loaves-1987</link>
					<comments>https://unoriginalsins.co.uk/loaves-1987/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 06 Jan 1987 22:13:06 +0000</pubDate>
				<category><![CDATA[Artist's Books]]></category>
		<category><![CDATA[Antonia Reeve]]></category>
		<category><![CDATA[Howard Eaglestone]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=22550</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
7.1 x 10.5cm, 8pp and card covers along with printed brown dust jacket. The artist's book has a visual poem:<BR><BR><br />
cottage<BR><br />
loaves<BR><BR><br />
loaf<BR>cottages<BR><BR><br />
and there is a drawing by Howard Eaglestone and a photo-montage by Antonia Reeve. <BR>The texts by reversing the words create first an image of squat country houses (brown and russet red as when painted by Paul Cezzane) and then a loaf with the shape of a solid loaf. The illustrations reflect those two poetic images. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/loaves-1987/">LOAVES. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
7.1 x 10.5cm, 8pp and card covers along with printed brown dust jacket. The artist's book has a visual poem:<BR><BR><br />
cottage<BR><br />
loaves<BR><BR><br />
loaf<BR>cottages<BR><BR><br />
and there is a drawing by Howard Eaglestone and a photo-montage by Antonia Reeve. <BR>The texts by reversing the words create first an image of squat country houses (brown and russet red as when painted by Paul Cezzane) and then a loaf with the shape of a solid loaf. The illustrations reflect those two poetic images. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/loaves-1987/">LOAVES. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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		<title>LE SILENCE ETERNEL DE CHECKPOINT SANDY. 1986.</title>
		<link>https://unoriginalsins.co.uk/le-silence-eternel-de-checkpoint-sandy-1986/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=le-silence-eternel-de-checkpoint-sandy-1986</link>
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		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 20 Oct 1986 21:57:48 +0000</pubDate>
				<category><![CDATA[Artist's Postcards]]></category>
		<category><![CDATA[Antonia Reeve]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=24558</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
17.4 x 18.3m, 1pp  Artist's card with a b/w photograph by Antonia Reeve  of the road up to Little Sparta and the first gate encountered after reaching the sheep field. . Finlay writes underneath "Little Sparta's Eastern Frontier at the time of The First Battle of Little Sparta february 4 1983. The old gate marks the site of the barrier, which has since been removed."  Checkpoint Charlie was the nickname for the best known crossing point between East and West Berlin during the cold war. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/le-silence-eternel-de-checkpoint-sandy-1986/">LE SILENCE ETERNEL DE CHECKPOINT SANDY. 1986.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
17.4 x 18.3m, 1pp  Artist's card with a b/w photograph by Antonia Reeve  of the road up to Little Sparta and the first gate encountered after reaching the sheep field. . Finlay writes underneath "Little Sparta's Eastern Frontier at the time of The First Battle of Little Sparta february 4 1983. The old gate marks the site of the barrier, which has since been removed."  Checkpoint Charlie was the nickname for the best known crossing point between East and West Berlin during the cold war. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/le-silence-eternel-de-checkpoint-sandy-1986/">LE SILENCE ETERNEL DE CHECKPOINT SANDY. 1986.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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