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	<title>Bernard Kops - Unoriginal Sins</title>
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	<title>Bernard Kops - Unoriginal Sins</title>
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		<title>POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM.</title>
		<link>https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem</link>
					<comments>https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Tue, 15 May 1962 09:49:02 +0000</pubDate>
				<category><![CDATA[Poor Old Tired Horse + Broadsides]]></category>
		<category><![CDATA[Attila Jozsef]]></category>
		<category><![CDATA[Augusto de Campos]]></category>
		<category><![CDATA[Bernard Kops]]></category>
		<category><![CDATA[Edwin Morgan]]></category>
		<category><![CDATA[Günter Grass]]></category>
		<category><![CDATA[J.F. Hendry]]></category>
		<category><![CDATA[Jerome Rothenberg]]></category>
		<category><![CDATA[Larry Eigner]]></category>
		<category><![CDATA[Louis Zukofsky]]></category>
		<category><![CDATA[Marcelo Moura]]></category>
		<category><![CDATA[Mary Ellen Solt]]></category>
		<category><![CDATA[Michael Shayer]]></category>
		<category><![CDATA[Pedro Xista]]></category>
		<category><![CDATA[Spike Hawkins]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=18066</guid>

					<description><![CDATA[<p>Edinburgh; Wild Hawthorne Press, 1963<BR><br />
30 x 21cm, 4pp. The sixth number of Finlay’s monthly poetry publication with contributions by  Bernard Kops, Larry Eigner, J.F. Hendry, Attila Jozsef (translated by J.F. Hendry and Edwin Morgan), Louis Zukofsky, Mary Ellen Solt, Günter Grass (translated by Jerome Rothenberg), Michael Shayer, Spike Hawkins, Marcelo Moura, Pedro Xista, and Augusto de Campos.  This example is overall VG if slightly browned. Copies were sold for 9d each and were sometimes taken around University unions and departments or sold at poetry / literature evenings as well as by subscription.<BR><br />
Importantly this was the first number of POTH that contains a work that is clearly identifiable as a concrete or visual poem - the back cover has three works by Marcelo Moura, Pedro Xista, Augusto de Campos which Finlay notes are "Concrete Poems from Brazil". It appears it was the South American poets who first gained Finlay's attention and led him to primarily work in the milieu. <BR><br />
Some copies of POTH Nr 6 have a printed slip inserted announcing that "From now on, P.O.T.H. will contain graphic art as well as poetry" - although this copy does not have that slip - but that is a further indication that this was a pivotal number of the journal.<BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/">POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Edinburgh; Wild Hawthorne Press, 1963<br />
30 x 21cm, 4pp. The sixth number of Finlay’s monthly poetry publication with contributions by  Bernard Kops, Larry Eigner, J.F. Hendry, Attila Jozsef (translated by J.F. Hendry and Edwin Morgan), Louis Zukofsky, Mary Ellen Solt, Günter Grass (translated by Jerome Rothenberg), Michael Shayer, Spike Hawkins, Marcelo Moura, Pedro Xista, and Augusto de Campos.  This example is overall VG if slightly browned. Copies were sold for 9d each and were sometimes taken around Universities or sold at poetry / literature evenings as well as by subscription.</p>
<p>Importantly this was the first number of POTH that contains a work that is clearly identifiable as a concrete or visual poem &#8211; the back cover has three works by Marcelo Moura, Pedro Xista, Augusto de Campos which Finlay notes are &#8220;Concrete Poems from Brazil&#8221;. It appears it was the South American poets who first gained Finlay&#8217;s attention and led him to primarily work in the milieu. </p>
<p>Some copies of POTH Nr 6 have a printed slip inserted announcing that &#8220;From now on, P.O.T.H. will contain graphic art as well as poetry&#8221; &#8211; although this copy does not have that slip &#8211; but that is a further indication that this was a pivotal number of the journal.</p>The post <a href="https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/">POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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			</item>
		<item>
		<title>POTH (POOR OLD TIRED HORSE) NR 4. 1962.</title>
		<link>https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-4-1962/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=poth-poor-old-tired-horse-nr-4-1962</link>
					<comments>https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-4-1962/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 02 Mar 1962 09:40:19 +0000</pubDate>
				<category><![CDATA[Poor Old Tired Horse + Broadsides]]></category>
		<category><![CDATA[Alexander McNeish]]></category>
		<category><![CDATA[Bernard Kops]]></category>
		<category><![CDATA[Georg Trakl]]></category>
		<category><![CDATA[Heinrich von Morungen]]></category>
		<category><![CDATA[Helen B. Cruickshank]]></category>
		<category><![CDATA[J.F. Hendry]]></category>
		<category><![CDATA[Lorine Niedecker]]></category>
		<category><![CDATA[Spike Hawkins]]></category>
		<category><![CDATA[Suzan Livingstone]]></category>
		<category><![CDATA[Tom McGrath]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=18061</guid>

					<description><![CDATA[<p>Edinburgh; Wild Hawthorne Press, 1962<BR><br />
30 x 21cm, 4pp. The fourth number of Finlay’s poetry publication with contributions by Georg Trakl (translated by Jay Corbett). Spike Hawkins. Heinrich von Morungen (translated by Anselm Hollo). J.F. Hendry. Helen B. Cruickshank. Tom McGrath. Bernard Kops. Alexander McNeish. Suzan Livingstone, and Lorine Niedecker. As usual bits of Scots find themselves near more modern American poems. This is an extremely hard to find early number of this international review - hardly any exist on the open market. This example is overall VG. Copies were sold for 9d each and were sometimes taken around Universities or sold at poetry / literature evenings as well as by subscription.<BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-4-1962/">POTH (POOR OLD TIRED HORSE) NR 4. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Edinburgh; Wild Hawthorne Press, 1962<br />
30 x 21cm, 4pp. The fourth number of Finlay’s poetry publication with contributions by Georg Trakl (translated by Jay Corbett). Spike Hawkins. Heinrich von Morungen (translated by Anselm Hollo). J.F. Hendry. Helen B. Cruickshank. Tom McGrath. Bernard Kops. Alexander McNeish. Suzan Livingstone, and Lorine Niedecker. As usual bits of Scots find themselves near more modern American poems. This is an extremely hard to find early number of this international review &#8211; hardly any exist on the open market. This example is overall VG. Copies were sold for 9d each and were sometimes taken around Universities or sold at poetry / literature evenings as well as by subscription.</p>The post <a href="https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-4-1962/">POTH (POOR OLD TIRED HORSE) NR 4. 1962.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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