Eindhoven: October Foundation, n.d. (1999)
42 x 30cm, full colour offset lithograph with an image of a "blue flower". Cornelia Wieg, curator of the Staatliche Galerie Moritzburg in Halle, Germany, took a photograph of a tree bark in the garden of the Novalis Haus in Weissenfels. Finlay digitally rotated a fragment of this photograph by 180 degress and found an abstract "Blue Flower" from the unfinished last novel Heinrich von Ofterdingen (1802) by Novalis, which became a symbol of Romanticism. If one turns the print then one can see the original carving of a date into the tree! One of only 125 such prints issued. VG+.

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Little Sparta: Wild Hawthorn Press, 1996
14.7 x 11.5cm, 2pp. A colour image by Cornelia Wieg of carved names on a tree that has been rotated by 90 degrees to make the work seem abstract and somewhat like a photograph of a flower. This is one of three times this image is used in a Finlay publication - once as an editioned print, once as a card (here) and also on an announcement card for the print. There is a longer discussion of this work on the print entry in this cataloguing. VG+.

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