PAYMENT
We currently process orders online by PayPal. You do not need to have a PayPal account for your card to be processed securely.

If you would prefer to pay by Bank Transfer (for orders over £500 only), please place the order online and we will contact you to complete the transaction and issue an invoice if required.

SHIPPING
We aim to dispatch all orders within 24 to 48 hours.

We prefer to use Royal Mail “Signed and Tracked“ option where possible but for some larger or more valuable items we may insist on using direct priority couriers.

We charge flat rate shipping ( up to a certain weight or value) based on three zones:

£15
United Kingdom


£25
Europe and USA and Canada


£45
Rest of the World including Asia and South America


If your order contains only items listed under Cards & Ephemera the following discounted rates apply:

£7
United Kingdom


£18
Europe and USA and Canada


£20
Rest of the World including Asia and South America


PACKING
We try to keep costs down and we are also aware of the effects of packing on the environment.

Where possible we try to recycle packaging materials. If you require new pristine packing boxes/envelopes (say for a gift) then please let us know.

Large posters are usually rolled and sent in firm tubes - if you require flat packing for any large item then please let us know on ordering:in such cases, there may be a surcharge to cover the extra costs.

Other items are send in appropriate packaging.

INSURANCE
We will cover all shipments with full loss insurance up to £250. Thereafter a surcharge is needed.

We will consider sending items without full insurance but this is at the purchaser’s decision and risk. If you wish us to do this then please indicate in writing what you want us to do.





Unoriginal Sins is an established venture trading in the field of the contemporary and modern avant garde movements from 1900 to the present day. We have a vast inventory of books, documents, artworks, ephemera, object multiples, LPs and other digital media as well as representing major collections from significant artists.

We trade almost entirely online - we purchase new material all the time and offer regular clients email lists (which you can sign up to here) of new arrivals. Soon after the distribution of those lists, new items are placed online so it is worth returning regularly to this site to see what new things are for sale.

It may be possible to visit in person and see our inventory but that is by appointment only - please email us. We can supply references for new clients should that be required.

We are always looking for new material to add to our stocks - we have a desiderata here but we are interested in all material that is similar to our core interests. Do get in touch.
ANY QUESTIONS OR TO ARRANGE A VISIT:






UNORIGINAL SINS
Eals Farm
Eals
Brampton
CA8 7PG


mail@unoriginalsins.com

Two different announcement cards for exhibitions by John Furnival on the back of which is a lengthy hand written note in black ink noting that a librarian at the former Bath Academy had contacted Furnival about Robertson's interest in the early portfolios Furnival printed at the college.
He noted that he had completed one with Finlay: "Headlines/Eavelines" and others with dsh and "Eddie" Morgan as well as one by himself. The note explains how only 20 of each portfolio were made and that a further portfolio with Ernst Jandl was planned but aborted after only 3 prints were made. The missive continues noting how Finlay had allowed Furnival to continue distributing "After The Russia" despite a full stop being missing in the text.
Furnival then noted his boat-prints for the Wild Hawthorn Press and how Finlay "cast me back to Athens from Little Sparta (after refusing to beat up Stuart Mongomery!)."
Furnival then invited Robertson to call him and supplied a number .
Robertson relates the tale told to him by Furnival in the subsequent call about how Finlay had hosted Montgomery for a few days at Little Sparta (then Stoneypath) but had fallen out with him during the drive to the train station where Finlay left him off so that he could go to Furnival next. Furnival received a call from Finlay while Montgomery was in transit "asking me to punch Stuart in the face as soon as he got off the train which of course I refused to do". Thereafter Finlay refused to talk to Furnival for not administering what he saw as justice for a slight and their collaborations ended.
JOPINT: Original mailing envelope franked 22 September 2003.

...

London: National Poetry Centre, 1971
25.5 x 20.5cm, 6pp (recto only). The programme for this evening debate on "British Modernism, fact or fiction" between Bob Cobbing and Edward Lucie-Smith. The publication consists only of 5 sheets of stapled images of works by Ian Hamilton Finlay, John Furnival, dsh, Bob Cobbing, and one unidentified work and a cover. This is a very scarce item in VG+ condition.

...

Wisconsin: The Beloit Poetry Journal, 1966
21 x 14cm, 40pp plus pictorial wrappers. Single number of this long running Chapbook which here dedicates itself to the concrete poets. Works by all the leading figures including Gomringer, de Campos, dsh, Gerhard Ruhm, Poierre Garnier, Edwin Morgan and Robert Lax amongst others are joined by Finlay - who has three page works including a schematic redrawing of his 4 Sails standing poems which as best we know is not reproduced elsewhere. The cover is also a glass work by Finlay - Rock Wave. VG+.

...

London: The Builder, n.d. (1964)
17.5 x 21cm, 52pp. Oversize printed orange wrappers. A single number of this remarkably on point small journal which has here essays on dsh, John Furnival, Henri Chopin, David Hockney (all with illustrations) and Ian Hamilton Finlay who has contributed two works in b/w and there is an uncredited portrait drawing of the poet. One article of note is dsh's translation of Garnier's 'Spacialist Manifesto' which Chopin responds to.
Sadly the inner text block has come away from the wrappers but this is a rare and very early item.

...

Shopping cart0
There are no products in the cart!
Continue shopping