Stoneypath; Wild Hawthorne Press, 1967
26 x 21cm, 8pp. The final number of Finlay’s poetry publication. Design and calligraphy by Jim Nicholson. Contributions from Ronald Johnson, Edwin Morgan, George Mackay Brown, Eli Siegel, Jerome Rothenberg, Alkman (translated by Guy Davenport), Hugh Creighton Hill, Stuart Mills, Pedro Xista, Alan Riddell, Martin Seymour-Smith, Kenelm Cox, Giles Gordon, Douglas Young, Edward Lucie-Smith, Stephen Bann, Dick Sheeler, Astrid Gillis, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Aram Saroyan, Jonathan Williams and Ian Hamilton Finlay. VG+.
Finlay whilst not inventing the One Word Poem format certainly helped popularise it - he uses the format in a number of his artist's books. The last poems in this publication are by Finlay and include some of his best known works reformatted in to such a form.

A SEE-SAW
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SEA

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Stoneypath; Wild Hawthorne Press, 1967
26 x 21cm, 12pp. The twenty-third number of Finlay’s poetry publication - here designed by John Furnival and contributions by Max Weber, Theodore Enslin, Pierre Albert-Birot (translated by Stephen Bann),Ian Hamilton Finlay, Eli Siegel, Gael Turnbull, George Mackay Brown, Edwin Morgan, and Ronald Johnson. This number reverting to the more common collection of poems by different artists. VG+ condition. Scarce.

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Ardgay, Ross-shire; Wild Hawthorne Press, 1965
26 x 21cm, 8pp. The fifteenth number of Finlay’s poetry publication with contributions by Margot Sandeman who provided drawings for the entire publication, George Mackay Brown, Eli Siegel, Edwin Morgan Ian Hamilton Finlay, Hamish McLaren, Theodore Enslin, Libby Houston and R.L. Cook. VG+ condition Scarce.

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Ardgay, Ross-shire; Wild Hawthorne Press, 1965
26 x 21cm, 8pp. The sixteenth number of Finlay’s poetry publication with contributions by Pierre Albert-Birot (translated by Barbara Wright), Enrique Uribe, Francis Ponge (translated by D.M. Black), Ernst Jandl, Ian Hamilton Finlay, Eli Siegel, Tristan Tzara (translated by John Adlard), Herman Hesse (translated by Lesley Lendrum), Barry Cole, Jonathan Williams, Edward Wright and Spike Hawkins. The entire number was designed by hand with woodcuts and hand-written typography by Edward Wright. VG+ condition Scarce.

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