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	<title>Eugen Gomringer - Unoriginal Sins</title>
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	<title>Eugen Gomringer - Unoriginal Sins</title>
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		<title>POTH (POOR OLD TIRED HORSE) NR 24 . 1967. CONCRETE POETRY AT THE BRIGHTON (’67) FESTIVAL</title>
		<link>https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-24-1967-concrete-poetry-at-the-brighton-67-festival/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=poth-poor-old-tired-horse-nr-24-1967-concrete-poetry-at-the-brighton-67-festival</link>
					<comments>https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-24-1967-concrete-poetry-at-the-brighton-67-festival/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sat, 15 Jul 1967 15:33:46 +0000</pubDate>
				<category><![CDATA[Poor Old Tired Horse + Broadsides]]></category>
		<category><![CDATA[Alistair Cant]]></category>
		<category><![CDATA[Claus Bremer]]></category>
		<category><![CDATA[Edwin Morgan]]></category>
		<category><![CDATA[Eugen Gomringer]]></category>
		<category><![CDATA[Graham Keen]]></category>
		<category><![CDATA[Hansjörg Mayer]]></category>
		<category><![CDATA[John Furnival]]></category>
		<category><![CDATA[Kenelm Cox]]></category>
		<category><![CDATA[Stephen Bann]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=18124</guid>

					<description><![CDATA[<p>Stoneypath; Wild Hawthorne Press, 1967<BR><br />
30 x 21cm, 12pp. The twenty-fourth number of Finlay’s poetry publication. Designed by Alistair Cant with photographs by Graham Keen. This is a photographic record of visual poetry works exhibited at different sites during the Brighton Festival and a de facto catalogue for the event. Works by Claus Bremer, Eugen Gomringer, Ian Hamilton Finlay, Hansjörg Mayer, John Furnival, Edwin Morgan, Stephen Bann and Kenelm Cox.  VG+.<BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-24-1967-concrete-poetry-at-the-brighton-67-festival/">POTH (POOR OLD TIRED HORSE) NR 24 . 1967. CONCRETE POETRY AT THE BRIGHTON (’67) FESTIVAL</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Stoneypath; Wild Hawthorne Press, 1967<br />
30 x 21cm, 12pp. The twenty-fourth number of Finlay’s poetry publication. Designed by Alistair Cant with photographs by Graham Keen. This is a photographic record of visual poetry works exhibited at different sites during the Brighton Festival and a de facto catalogue for the event. Works by Claus Bremer, Eugen Gomringer, Ian Hamilton Finlay, Hansjörg Mayer, John Furnival, Edwin Morgan, Stephen Bann and Kenelm Cox. VG+.</p>
<p>.</p>The post <a href="https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-24-1967-concrete-poetry-at-the-brighton-67-festival/">POTH (POOR OLD TIRED HORSE) NR 24 . 1967. CONCRETE POETRY AT THE BRIGHTON (’67) FESTIVAL</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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		<item>
		<title>THE BELOIT POETRY JOURNAL. CONCRETE POETRY. 1966</title>
		<link>https://unoriginalsins.co.uk/the-beloit-poetry-journal-concrete-poetry-1966/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-beloit-poetry-journal-concrete-poetry-1966</link>
					<comments>https://unoriginalsins.co.uk/the-beloit-poetry-journal-concrete-poetry-1966/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Fri, 21 Oct 1966 21:36:27 +0000</pubDate>
				<category><![CDATA[Monographs & Essays]]></category>
		<category><![CDATA[Augusto de Campos]]></category>
		<category><![CDATA[DSH]]></category>
		<category><![CDATA[Edwin Morgan]]></category>
		<category><![CDATA[Eugen Gomringer]]></category>
		<category><![CDATA[Gerhard Ruhm]]></category>
		<category><![CDATA[Poierre Garnier]]></category>
		<category><![CDATA[Rober tLax]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=18984</guid>

					<description><![CDATA[<p>Wisconsin: The Beloit Poetry Journal, 1966<BR><br />
21 x 14cm, 40pp plus pictorial wrappers. Single number of this long running Chapbook which here dedicates itself to the concrete poets. Works by all the leading figures including Gomringer, de Campos, dsh, Gerhard Ruhm, Pierre Garnier, Edwin Morgan and Robert Lax amongst others are joined by Finlay - who has three page works including a schematic redrawing of his 4 Sails standing poems which as far as we know is not reproduced elsewhere. The cover is also a glass work by Finlay - Rock Wave. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/the-beloit-poetry-journal-concrete-poetry-1966/">THE BELOIT POETRY JOURNAL. CONCRETE POETRY. 1966</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Wisconsin: The Beloit Poetry Journal, 1966<BR><br />
21 x 14cm, 40pp plus pictorial wrappers. Single number of this long running Chapbook which here dedicates itself to the concrete poets. Works by all the leading figures including Gomringer, de Campos, dsh, Gerhard Ruhm, Pierre Garnier, Edwin Morgan and Robert Lax amongst others are joined by Finlay - who has three page works including a schematic redrawing of his 4 Sails standing poems which as far as we know is not reproduced elsewhere. The cover is also a glass work by Finlay - Rock Wave. VG+. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/the-beloit-poetry-journal-concrete-poetry-1966/">THE BELOIT POETRY JOURNAL. CONCRETE POETRY. 1966</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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