Günter Grass - Unoriginal Sins https://unoriginalsins.co.uk AVANT-GARDES Fri, 17 Apr 2020 18:20:52 +0000 en-GB hourly 1 https://wordpress.org/?v=6.8.3 https://unoriginalsins.co.uk/wp-content/uploads/2024/07/cropped-nTKdHdZI-1-1-32x32.png Günter Grass - Unoriginal Sins https://unoriginalsins.co.uk 32 32 POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM. https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/?utm_source=rss&utm_medium=rss&utm_campaign=poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/#respond Tue, 15 May 1962 09:49:02 +0000 https://unoriginalsins.co.uk/?p=18066 Edinburgh; Wild Hawthorne Press, 1963

30 x 21cm, 4pp. The sixth number of Finlay’s monthly poetry publication with contributions by Bernard Kops, Larry Eigner, J.F. Hendry, Attila Jozsef (translated by J.F. Hendry and Edwin Morgan), Louis Zukofsky, Mary Ellen Solt, Günter Grass (translated by Jerome Rothenberg), Michael Shayer, Spike Hawkins, Marcelo Moura, Pedro Xista, and Augusto de Campos. This example is overall VG if slightly browned. Copies were sold for 9d each and were sometimes taken around University unions and departments or sold at poetry / literature evenings as well as by subscription.

Importantly this was the first number of POTH that contains a work that is clearly identifiable as a concrete or visual poem - the back cover has three works by Marcelo Moura, Pedro Xista, Augusto de Campos which Finlay notes are "Concrete Poems from Brazil". It appears it was the South American poets who first gained Finlay's attention and led him to primarily work in the milieu.

Some copies of POTH Nr 6 have a printed slip inserted announcing that "From now on, P.O.T.H. will contain graphic art as well as poetry" - although this copy does not have that slip - but that is a further indication that this was a pivotal number of the journal.

The post POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM. appeared first on Unoriginal Sins.]]> Edinburgh; Wild Hawthorne Press, 1963
30 x 21cm, 4pp. The sixth number of Finlay’s monthly poetry publication with contributions by Bernard Kops, Larry Eigner, J.F. Hendry, Attila Jozsef (translated by J.F. Hendry and Edwin Morgan), Louis Zukofsky, Mary Ellen Solt, Günter Grass (translated by Jerome Rothenberg), Michael Shayer, Spike Hawkins, Marcelo Moura, Pedro Xista, and Augusto de Campos. This example is overall VG if slightly browned. Copies were sold for 9d each and were sometimes taken around Universities or sold at poetry / literature evenings as well as by subscription.

Importantly this was the first number of POTH that contains a work that is clearly identifiable as a concrete or visual poem – the back cover has three works by Marcelo Moura, Pedro Xista, Augusto de Campos which Finlay notes are “Concrete Poems from Brazil”. It appears it was the South American poets who first gained Finlay’s attention and led him to primarily work in the milieu.

Some copies of POTH Nr 6 have a printed slip inserted announcing that “From now on, P.O.T.H. will contain graphic art as well as poetry” – although this copy does not have that slip – but that is a further indication that this was a pivotal number of the journal.

The post POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM. appeared first on Unoriginal Sins.]]> https://unoriginalsins.co.uk/poth-poor-old-tired-horse-nr-6-1963-the-first-number-of-poth-with-a-concrete-visual-poem/feed/ 0