J.F. Hendry Tag

Edinburgh; Wild Hawthorne Press, 1964
26 x 21cm, 4pp + 1pp insert. The twelfth number of Finlay’s poetry publication with contributions by Jeffrey Steele, Paul de Vree, Mary Ellen Solt, Edwin Morgan, Dom Sylvester Houédard, J.F. Hendry, Ian Hamilton Finlay, Ernst Jandl and Lewis Carrol. By this number it was clear that POTH was mostly dedicated to the visual poetry movement and all contributions here display strong visual elements. VG+ condition
INSERT:
26 x 21cm, 1pp. "International avant-garde publications form" - items available for sale from Wild Hawthorne Press. Notes that "My Friend tree, 16 Once Published, Glasgow Beast, Concertina, Standing Poem" are out of sale." VG.

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Edinburgh; Wild Hawthorne Press, 1964
26 x 21cm, 4pp. The eleventh number of Finlay’s poetry publication with each page a reproduced design by John Picking. POTH was here printed for the first time in two colours - blue and yellow. This number is designated as the "Lollipop Number" - and the shape of a lollipop is a re-occurring motif in the drawings. The contributions are by Apollinaire, J.F. Hendry, Horace, Renzo Laurano, Ann McGarrell, Christian Morgenstern, John Picking, Michael Shayer, Kurt Sigel and Robert Simmons.
INSERTED:
OPENINGS.
2 x 15cm, 4pp. Folded single sheet. Promotional leaflet for John Furnival's Openings Press with contact details being for Furnival but also Dom Pierre Houedard (dsh). VG.

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Edinburgh: Wild Hawthorn Press, 1963
21 x 30cm. single folded sheet printed with texts by six contributors. Unique number of this precursor to Finlay's revue Poor Old Tired Horse. Issued in broadside format, Fish Sheet One is composed of quasi-concrete poetic experiments by Pete Brown, Spike Hawkins, J.F. Hendry, Anselm Hollo, Edwin Morgan and Finlay. Folded as issued. A very good+ example of this early and quite elusive production of the press. Ref.: Murray 1.3.

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Edinburgh; Wild Hawthorne Press, 1963
30 x 21cm, 4pp. The sixth number of Finlay’s monthly poetry publication with contributions by Bernard Kops, Larry Eigner, J.F. Hendry, Attila Jozsef (translated by J.F. Hendry and Edwin Morgan), Louis Zukofsky, Mary Ellen Solt, Günter Grass (translated by Jerome Rothenberg), Michael Shayer, Spike Hawkins, Marcelo Moura, Pedro Xista, and Augusto de Campos. This example is overall VG if slightly browned. Copies were sold for 9d each and were sometimes taken around University unions and departments or sold at poetry / literature evenings as well as by subscription.
Importantly this was the first number of POTH that contains a work that is clearly identifiable as a concrete or visual poem - the back cover has three works by Marcelo Moura, Pedro Xista, Augusto de Campos which Finlay notes are "Concrete Poems from Brazil". It appears it was the South American poets who first gained Finlay's attention and led him to primarily work in the milieu.
Some copies of POTH Nr 6 have a printed slip inserted announcing that "From now on, P.O.T.H. will contain graphic art as well as poetry" - although this copy does not have that slip - but that is a further indication that this was a pivotal number of the journal.

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Edinburgh; Wild Hawthorne Press, 1962
30 x 21cm, 4pp. The fourth number of Finlay’s poetry publication with contributions by Georg Trakl (translated by Jay Corbett). Spike Hawkins. Heinrich von Morungen (translated by Anselm Hollo). J.F. Hendry. Helen B. Cruickshank. Tom McGrath. Bernard Kops. Alexander McNeish. Suzan Livingstone, and Lorine Niedecker. As usual bits of Scots find themselves near more modern American poems. This is an extremely hard to find early number of this international review - hardly any exist on the open market. This example is overall VG. Copies were sold for 9d each and were sometimes taken around Universities or sold at poetry / literature evenings as well as by subscription.

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