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	<title>John Nash - Unoriginal Sins</title>
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	<title>John Nash - Unoriginal Sins</title>
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		<title>SEVEN DEFINITIONS. PERTAINING TO IDEAL LANDSCAPES. 1989.</title>
		<link>https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=seven-definitions-pertaining-to-ideal-landscapes-1989</link>
					<comments>https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 23 Apr 1989 15:11:21 +0000</pubDate>
				<category><![CDATA[Prints + Posters]]></category>
		<category><![CDATA[John Nash]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=19101</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, n.d. (1989)<BR><br />
33.5 x 48.5cm, printed folder with calligraphic text by John Nash. Content of seven 33.5 x 48.5cm, 1pp lithographs in folder. Each work is one of Finlay's later "definitions" works - the structure being that of a word such as GROVE followed by a poetic definition and then a longer quotation from a classical source using the word in a manner that reflects the definition. For instance:<BR><BR></p>
<p>PEACE n. according to St. Ignatius of Loyola the simplicity of order<BR><BR><br />
War on the castles, PEACE to the cabins<BR>Slogan of the French revolutionary armies. <BR><BR></p>
<p>All elements fine in like folder.<BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989/">SEVEN DEFINITIONS. PERTAINING TO IDEAL LANDSCAPES. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>
<a href='https://unoriginalsins.co.uk/e4b2d150-5f30-429f-bbdd-4e58e055afde_1_201_a/'><img decoding="async" width="200" height="200" src="https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-200x200.jpeg" class="attachment-thumbnail size-thumbnail" alt="" srcset="https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-200x200.jpeg 200w, https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-scaled-100x100.jpeg 100w, https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-800x800.jpeg 800w, https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-1000x1000.jpeg 1000w, https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-570x570.jpeg 570w, https://unoriginalsins.co.uk/wp-content/uploads/2020/04/E4B2D150-5F30-429F-BBDD-4E58E055AFDE_1_201_a-500x500.jpeg 500w" sizes="(max-width: 200px) 100vw, 200px" /></a>
§§§</p>The post <a href="https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989/">SEVEN DEFINITIONS. PERTAINING TO IDEAL LANDSCAPES. 1989.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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		<title>TWO VISIONS. 1987.</title>
		<link>https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=seven-definitions-pertaining-to-ideal-landscapes-1989-2</link>
					<comments>https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989-2/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Sun, 29 Nov 1987 14:35:18 +0000</pubDate>
				<category><![CDATA[Prints + Posters]]></category>
		<category><![CDATA[John Nash]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=19657</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
29.6 x 21cm, green on light brown offset lithograph with a lengthy text with two conflicting etymologies of the word Folly. The first from a National Trust book on Follies which had attracted Finlay's ire for including Little Sparta as a folly has a negative connotations.  The second is from the French "folie" - meaning delight or favourite abode which clearly Finlay prefers. VG+&#62; <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989-2/">TWO VISIONS. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
29.6 x 21cm, green on light brown offset lithograph with a lengthy text with two conflicting etymologies of the word Folly. The first from a National Trust book on Follies which had attracted Finlay's ire for including Little Sparta as a folly has a negative connotations.  The second is from the French "folie" - meaning delight or favourite abode which clearly Finlay prefers. VG+&#62; <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/seven-definitions-pertaining-to-ideal-landscapes-1989-2/">TWO VISIONS. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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		<title>FOLLIES. 1987.</title>
		<link>https://unoriginalsins.co.uk/follies-1987/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=follies-1987</link>
					<comments>https://unoriginalsins.co.uk/follies-1987/#respond</comments>
		
		<dc:creator><![CDATA[paul robertson]]></dc:creator>
		<pubDate>Mon, 06 Jul 1987 17:02:38 +0000</pubDate>
				<category><![CDATA[Prints + Posters]]></category>
		<category><![CDATA[John Nash]]></category>
		<guid isPermaLink="false">https://unoriginalsins.co.uk/?p=28082</guid>

					<description><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
29.6 x 21cm, BLACK on light brown offset lithograph with a series of small digs at the National Trust by quoting the most absurd parts of the "Follies, A National Trust Guide" that had so offended the poet - such as:<BR><BR><br />
ITS REGARD FOR THE ENGLISH PEOPLE<BR><br />
"It's (Berkshire is) the sort of county that given half a chance would impose a toll to keep out the riff-raff, and as such it attracts the sort of riff-raff who have acquired sufficient money to be allowed in..."<BR><BR><br />
Not all of Finlay's quotations hit the mark to be honest and it is one of the poet's worst printed works - spite can create great art but the risk is also that it may not.<BR><br />
Folded centrally in the past else VG. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/follies-1987/">FOLLIES. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></description>
										<content:encoded><![CDATA[<p>Little Sparta: Wild Hawthorn Press, 1987<BR><br />
29.6 x 21cm, BLACK on light brown offset lithograph with a series of small digs at the National Trust by quoting the most absurd parts of the "Follies, A National Trust Guide" that had so offended the poet - such as:<BR><BR><br />
ITS REGARD FOR THE ENGLISH PEOPLE<BR><br />
"It's (Berkshire is) the sort of county that given half a chance would impose a toll to keep out the riff-raff, and as such it attracts the sort of riff-raff who have acquired sufficient money to be allowed in..."<BR><BR><br />
Not all of Finlay's quotations hit the mark to be honest and it is one of the poet's worst printed works - spite can create great art but the risk is also that it may not.<BR><br />
Folded centrally in the past else VG. <BR><BR></p>
The post <a href="https://unoriginalsins.co.uk/follies-1987/">FOLLIES. 1987.</a> appeared first on <a href="https://unoriginalsins.co.uk">Unoriginal Sins</a>.]]></content:encoded>
					
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