Pedro Xista - Unoriginal Sins

POTH (POOR OLD TIRED HORSE) NR 25 ONE WORD POEMS. 1967.

paul robertson — Sun, 15 Oct 1967 15:35:25 +0000

Stoneypath; Wild Hawthorne Press, 1967

26 x 21cm, 8pp. The final number of Finlay’s poetry publication. Design and calligraphy by Jim Nicholson. Contributions from Ronald Johnson, Edwin Morgan, George Mackay Brown, Eli Siegel, Jerome Rothenberg, Alkman (translated by Guy Davenport), Hugh Creighton Hill, Stuart Mills, Pedro Xista, Alan Riddell, Martin Seymour-Smith, Kenelm Cox, Giles Gordon, Douglas Young, Edward Lucie-Smith, Stephen Bann, Dick Sheeler, Astrid Gillis, Oswald de Andrade, Ernst Jandl, Gael Turnbull, Aram Saroyan, Jonathan Williams and Ian Hamilton Finlay. VG+.

Finlay whilst not inventing the One Word Poem format certainly helped popularise it - he uses the format in a number of his artist's books. The last poems in this publication are by Finlay and include some of his best known works reformatted in to such a form.

A SEE-SAW

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SEA

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POTH (POOR OLD TIRED HORSE) NR 14. 1965.

paul robertson — Thu, 01 Apr 1965 12:37:23 +0000

Edinburgh; Wild Hawthorne Press, 1965

26 x 21cm, 4pp + 3 x 1pp inserts. The fourteenth number of Finlay’s poetry publication with contributions by Pierre-Albert Birot, Ian Hamilton Finlay, John Furnival, Pedro Xista, Mary Ellen Solt, and Heinz Gappmayr. VG+ condition Scarce.

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POTH (POOR OLD TIRED HORSE) NR 6. 1963. THE FIRST NUMBER OF POTH WITH A CONCRETE/VISUAL POEM.

paul robertson — Tue, 15 May 1962 09:49:02 +0000

Edinburgh; Wild Hawthorne Press, 1963
30 x 21cm, 4pp. The sixth number of Finlay’s monthly poetry publication with contributions by Bernard Kops, Larry Eigner, J.F. Hendry, Attila Jozsef (translated by J.F. Hendry and Edwin Morgan), Louis Zukofsky, Mary Ellen Solt, Günter Grass (translated by Jerome Rothenberg), Michael Shayer, Spike Hawkins, Marcelo Moura, Pedro Xista, and Augusto de Campos. This example is overall VG if slightly browned. Copies were sold for 9d each and were sometimes taken around Universities or sold at poetry / literature evenings as well as by subscription.

Importantly this was the first number of POTH that contains a work that is clearly identifiable as a concrete or visual poem – the back cover has three works by Marcelo Moura, Pedro Xista, Augusto de Campos which Finlay notes are “Concrete Poems from Brazil”. It appears it was the South American poets who first gained Finlay’s attention and led him to primarily work in the milieu.

Some copies of POTH Nr 6 have a printed slip inserted announcing that “From now on, P.O.T.H. will contain graphic art as well as poetry” – although this copy does not have that slip – but that is a further indication that this was a pivotal number of the journal.

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