PAYMENT
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If you would prefer to pay by Bank Transfer (for orders over £500 only), please place the order online and we will contact you to complete the transaction and issue an invoice if required.

SHIPPING
We aim to dispatch all orders within 24 to 48 hours.

We prefer to use Royal Mail “Signed and Tracked“ option where possible but for some larger or more valuable items we may insist on using direct priority couriers.

We charge flat rate shipping ( up to a certain weight or value) based on three zones:

£15
United Kingdom


£25
Europe and USA and Canada


£45
Rest of the World including Asia and South America


If your order contains only items listed under Cards & Ephemera the following discounted rates apply:

£7
United Kingdom


£18
Europe and USA and Canada


£20
Rest of the World including Asia and South America


PACKING
We try to keep costs down and we are also aware of the effects of packing on the environment.

Where possible we try to recycle packaging materials. If you require new pristine packing boxes/envelopes (say for a gift) then please let us know.

Large posters are usually rolled and sent in firm tubes - if you require flat packing for any large item then please let us know on ordering:in such cases, there may be a surcharge to cover the extra costs.

Other items are send in appropriate packaging.

INSURANCE
We will cover all shipments with full loss insurance up to £250. Thereafter a surcharge is needed.

We will consider sending items without full insurance but this is at the purchaser’s decision and risk. If you wish us to do this then please indicate in writing what you want us to do.





Unoriginal Sins is an established venture trading in the field of the contemporary and modern avant garde movements from 1900 to the present day. We have a vast inventory of books, documents, artworks, ephemera, object multiples, LPs and other digital media as well as representing major collections from significant artists.

We trade almost entirely online - we purchase new material all the time and offer regular clients email lists (which you can sign up to here) of new arrivals. Soon after the distribution of those lists, new items are placed online so it is worth returning regularly to this site to see what new things are for sale.

It may be possible to visit in person and see our inventory but that is by appointment only - please email us. We can supply references for new clients should that be required.

We are always looking for new material to add to our stocks - we have a desiderata here but we are interested in all material that is similar to our core interests. Do get in touch.
ANY QUESTIONS OR TO ARRANGE A VISIT:






UNORIGINAL SINS
Eals Farm
Eals
Brampton
CA8 7PG


mail@unoriginalsins.com

CHRISTIAN BOLTANSKI

POSTERS

IV BIENNALE INTERNATIONALE DE PARIS UN AN D’EXISTANCE. 1965. WITH HAND WRITTEN ANNOTATIONS BY BOLTANSKI. BOLTANSKI’S FIRST EVER PUBLIC ARTIST EVENT.

Paris: IV Biennale Internationale de Paris, n.d. (1965)
30.5 x 23.5cm, 1pp printed black on brown manilla paper. The small typographic poster for the Galerie du Tournesol's "annexe" for the Festival with Boltanski, Bonnevill, Indali, Le Gac, Mollien, Ramon and Romero noted as being included. The poster has blue ink handwritten annotations by Boltanksi relating to Benneville and Ramon but these are very hard to read. One of the very first documents that show Boltanski as an artist not just the director of the gallery.
In The Possible Life of Christian Boltanski" 2007, Boltanski claims his first ever public artistic endeavour was the showing of a film "The Impossible Life of Christian Boltanski" at the Ranelagh Cinema jn May 1968 (coincidentally the month and year of the student -worker revolts in Paris) but this poster suggests otherwise with Boltanski's name as one of the artists exhibiting at the Galerie du Tournesol. What was shown is not known but it is unlikely that Boltanski included his own name without showing something.
Extremely rare documentation in VG+ annotated condition.

C BOLTANSKI PRESENT DESSINS ET AQUARELLES DER JUAN ROMERO. /HISTOIRE D’UN APRES-MEDI. 10 DESSINS PAR JUAN ROMERO. 1966.

Paris: Gallery du Tournesol, November 1966
23.5 x 32cm, 1pp blue and black on cartridge paper - a small typographic poster for an exhibition by Romero organised by Boltanski in his mother's gallery. Slight browning at edges else VG+. Very scarce.

BOLTANSKI. SARKIS. 1970.

Paris: Musee d’art de la ville de Paris, 1970
56 x 53cm, offset lithographic exhibition poster with images of the two artist's hand holding works. Boltanski's sculpture are homemade weapons (knives). The full exhibition title (not on poster) was "Boltanski et Sarkis : moments 1-2-3". Sarkis had recently been recognised more internationally due to the important travelling conceptual art exhibition "When Attuitudes Become Form" and he wanted to co-ordinate a Parisian show with other similar artists such as Beuys but apparently the budget was not available - as a result she showed only with his friend Boltanski.
Folded for storage but in VG+ condition. Rare.

CHRISTIAN BOLTANSKI. 1974. FIRST DANISH EXHIBITION.

London: Whitechapel Gallery, 1990
57 x 42cm, black on cream offset lithographic exhibition poster with an image of the famous Boltanski at 5 years and 3 months apart. Artist's first show in Denmark. VG+.

LES MODELES. 1979.

Chalon Sur Saône: Maison De La Culture De Chalon Sur Saône, 1979 32,5 x 44,5cm, b/w offset lithographic exhibition poster for the Boltanski exhibition. The image is one of the artist's shadow play works showing a jumping rabbit. VG+.

COMPOSITIONS. 1980.

Calais: Musee de Calais, 1980
60 x 42cm, three colour silkscreen exhibition poster with a duotone image of one of Boltanski's photographs of toy models. Some pin holes and slight damage to corners else VG. Scarce.

CHRISTIAN BOLTANSKI. 1984. SIGNED BY BOLTANSKI.

Baden-Baden: Staatliche Kunsthalle, 1984
59 x 84cm, full colour lithographic offset exhibition poster with an image of a Boltanski photographs of one his roughly made models - here a sort of monster made out of a wooden clothes peg and cork. This poster is signed in black ink by the artist.VG+.

CHRISTIAN BOLTANSKI. 1985.

Dijon: Consortium à Dijon, 1985 73 x 123cmm full colour offset lithographic exhibition poster for the Boltanski solo exhibition with an installation view above museum text. VG+.

LECON DES TENEBRES. 1986.

Munchen: Kunstverein Munchen, 1986 59.5 x 42cm, black and yellow on white offset exhibition poster for a solo show of Boltanski's shadow works. Formerly folded else VG+.

L’ANGE D’ALLIANCE. 1986.

N.p.: n.p., 1986
60 x 42cm, full colour offset lithographic poster showing the title artwork (after a photograph by Andre Morin). Folded else VG++.
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BOLTANKSI. 1987.

Dusseldorf: Kunstverein fur die Rheinlande und Westfalen, 1987
84 x 59.5cm, full colour lithographic offset exhibition poster with an image of a Boltanski installation Lecons de Tenebres Les Ombres, Paris 1986. VG+.

LA RESERVE DES SUISSE MORTS. 1989.

Bremen: Neues Museum Weserburg, 1989
84.3 x 59.5cm, full colour lithographic offset exhibition poster with an image of a Boltanski memorial work with biscuit tins and photographs. VG+.

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